《末路纪事》可以说是男男版的《末路狂花》，讲述了一个不羁男妓和一个艾滋阳性作家的公路爱情。两人结伴打劫后暴走天涯，豪情恣意的穿越半个美国，用血脉贲张的硬朗躯体谱写生命激情，而且誓不回头。他们拥抱自由和爱情的态度，如实展现了90年代嬉皮一族最粗犷、最不羁和最性感的一面。 　　独立电影导演格雷格·阿拉基(Gregg Araki)凭借这部1992年的剧情长片《末路纪事》一跃成为90年代“新酷儿电影”的代表人物。这部电影充斥着颓废和绝望的愤怒气息，但又充满黑色幽默和袒露情欲，在入围当年的圣丹斯电影节主竞赛单元后引发评论界热议，阿拉基也被称为“最胆大妄为的独立导演”。该片直接启发了阿拉基后来的“青少年三部曲”以及《欲望肌肤》，帮助他确立了激进朋克的地下电影风格。

《末路纪事》可以说是男男版的《末路狂花》，讲述了一个不羁男妓和一个艾滋阳性作家的公路爱情。两人结伴打劫后暴走天涯，豪情恣意的穿越半个美国，用血脉贲张的硬朗躯体谱写生命激情，而且誓不回头。他们拥抱自由和爱情的态度，如实展现了90年代嬉皮一族最粗犷、最不羁和最性感的一面。 　　独立电影导演格雷格·阿拉基(Gregg Araki)凭借这部1992年的剧情长片《末路纪事》一跃成为90年代“新酷儿电影”的代表人物。这部电影充斥着颓废和绝望的愤怒气息，但又充满黑色幽默和袒露情欲，在入围当年的圣丹斯电影节主竞赛单元后引发评论界热议，阿拉基也被称为“最胆大妄为的独立导演”。该片直接启发了阿拉基后来的“青少年三部曲”以及《欲望肌肤》，帮助他确立了激进朋克的地下电影风格。

Set in the summer months preceding the September 1939 outbreak of World War II in Polish part of Lithuania. A young highschool lad, Witek, is hoping to pass the entrance exams to the university. His love interest is Alina, his high-school colleague.

希区柯克首次尝试纯喜剧片，根据同名舞台剧改编，讲述农夫选妻，兜兜转转之后发现意中人却近在眼前的故事。此片改编的最大难度在于把台词甚多的剧本改成纯靠画面表达喜感的默片，希区柯克默默地从影片中段开始发力，将下午茶聚会段落处理成经典打闹喜剧，令观众捧腹不已。由于摄影师考克斯在拍摄中期生病，因此希区柯克还亲自掌机客串了一回摄影，而希区柯克也为了此片的宣传而给英国报纸写了一封公开信，这开启了希区柯克对他的影片进行自我宣传之路。

影片主要讲述的是农大毕业生陶花立志回山区家乡创业，因资金困难，让未婚夫春阳向城市闺蜜白冰冰借钱，未料春阳嫌弃农村创业艰辛，转身投入富家女怀抱，陶花在事业爱情双重打击的情况下，毫不气馁，用勤劳智慧和乡亲们一同建设美丽乡村。在此过程中，她重新收获新的爱情，并不计前嫌，对身患重病的春阳伸出援助之手，展现了新时代农村女大学生不忘初心，回报家乡的高尚品德和胸怀大爱，敢于担当的无畏精神。

无所事事的华新街缅甸少年，在等待台湾身份证的日子里，与同乡卖猪肉为生的果敢兵老刘起了冲突，交织出一段躁动不安的成长故事。面对利刃般的青春，他们究竟该何去何从？本片为侯孝贤导演监制，金马电影学院第一届学员合力制作，采用非职业演员以及半偷拍的手法。全片带出在台缅甸华侨的身份认同与思乡之情。

数个年轻同志驾着大巴穿越美国的记录片! 　　On The Bus' original intention was to be a fun-loving, rambunctious, half-hour Internet program about a group of young, gay men on a bus trip from Los Angeles to Burning Man, a festival of radical self expression in the Nevada desert. However, after returning from a week of shooting, stereotypes had fallen apart, and it became clear that this story had far more to tell than a half hour internet show could lend. Almost immediately On The Bus challenges the viewer with the notion that "Even in absolute freedom, some things are still sacred." - Damon Intrabartolo (cast member #6) . It is here that Director Dustin Lance Black begins this story. Lance is hired by The Digital Entertainment Network (DEN) to produce, direct and participate in an Internet reality show with an all gay cast. He then hires Billy Kaufman as co-producer and cast member number two. Charles Kinsley, a gorgeous actor/waiter, Jason Webb, porn star Dean O'Conner, and Jimmy Sjodin, a Swedish Olympic diver soon follow. Concerned with the Network's desire to cast only the most attractive men, director Dustin Lance Black lobbies hard to include Damon Intrabartolo, an average looking music composer, who climbs on board armed with wry observations, and a biting wit. Once on the road, bumps along the way lend to an unplanned sleep-over in a Reno hotel. It is here that sexual tensions breed rivalry, the most intimate details of these fast new friends are revealed, and question number two arises, "Sex, Sex, Sex, maybe that's all there is." - frustrated director Dustin Lance Black. Arriving at Burning Man, it would seem that nothing is too radical or extreme for the adventuresome sextet. Innocence and experience come face to face as members of the cast explore the sexuality, drug culture, and wild freedom of the event. However, when sexual tensions finally come to a head, a sandstorm smashes through their campsite acting as a metaphor for the group's inner turmoil. Over the course of the week the show evolves, and sexual tensions take a back seat as the cameras delve into the often-conflicted souls of this eclectic group, shattering the happy-go-lucky stereotypes they were originally brought on board to brandish. Through newfound friendships, and forming animosities, these young men explore the darkness, freedom, joy, and adventure of Nevada's annual Burning Man event, and come out questioning the roles they play and the masks they wear in their daily lives.

无所事事的华新街缅甸少年，在等待台湾身份证的日子里，与同乡卖猪肉为生的果敢兵老刘起了冲突，交织出一段躁动不安的成长故事。面对利刃般的青春，他们究竟该何去何从？本片为侯孝贤导演监制，金马电影学院第一届学员合力制作，采用非职业演员以及半偷拍的手法。全片带出在台缅甸华侨的身份认同与思乡之情。

凯瑟琳是瑞典移民赫尔斯特隆家惟一的女儿，因为不满足于乡村生活，她决定离家到城市里去学习医务护理，好在毕业后进医院做一个护士。可是事不如愿，她在还没有到达目的地的时候就被油漆匠阿道夫骗走了身上带的学费。无奈，她只好应聘了广告上的大房子里的女佣。大房子里住着年轻的议员葛兰·莫雷，他的母亲，以及管家约瑟夫·克兰西。凯瑟琳的出现似乎给这个略显沉闷的家带来了一丝活力。她热情好学，而且在乡间生活的历练使得她还非常能干。见过她一面之后，葛兰的母亲、老莫雷夫人就决定雇佣这个年轻的女孩，虽然她可能只在这里工作2个月。除了能干家务，凯瑟琳煮的咖啡比约瑟夫煮的好，她的做饭手艺似乎征服了年轻议员的胃口。而葛兰也似乎爱上了这个淳朴的姑娘，他甚至会一时脑热地和她一起去滑冰。