炙手可热的导演对偶然结识的英俊小生一见倾心，当他把男伴拉拔成银幕新星时，却也陷入万劫不复的深渊。影片重新诠释德国新浪潮巨匠赖纳·维尔纳·法斯宾德的《柏蒂娜的苦泪》，并以法斯宾德本人形象将主角性别由女转男。 　　除了找来《无耻混蛋》德尼·梅诺谢与影后伊莎贝尔·阿佳妮同台飙戏，更邀来原作传奇女星汉娜·许古拉现身客串，堪称是向法斯宾德献上了最大胆的致敬。

网剧《在下冯小七》筹拍，预计11月开机。 　　故事梗概:草根少女冯小七一心发家致富，本无心风月，却偏偏遇上风流臭屁的云海城三公子云楚河。面对云楚河猛烈的爱情攻势，冯小七避之唯恐不及，不料却发现自己已深陷其中

冯卫东和妻子杜萍一直没有孩子，他就把妻子杜萍当成小孩子对待，整天宠着她，但是杜萍却没有幸福感，原因是冯卫东特喜欢替别人操心，经常借钱给别人却要不回来。单位精简人员，他顶替别人离开机关，去了一家宾馆工作…

网剧《在下冯小七》筹拍，预计11月开机。 　　故事梗概:草根少女冯小七一心发家致富，本无心风月，却偏偏遇上风流臭屁的云海城三公子云楚河。面对云楚河猛烈的爱情攻势，冯小七避之唯恐不及，不料却发现自己已深陷其中

Von shares stories of his most memorable childhood friends, offers tips on how to effectively avoid work, and recounts the time he tried to play matchmaker in his hometown.

Von shares stories of his most memorable childhood friends, offers tips on how to effectively avoid work, and recounts the time he tried to play matchmaker in his hometown.

A portrait of Denmark's most acclaimed and controversial director, Lars von Trier. A meeting with von Trier on a private level as well as with his film universe. Filmmaker Stig Björkman follow von Trier during a period of more than two years, meet him at work, at home and at leisure.

A portrait of Denmark's most acclaimed and controversial director, Lars von Trier. A meeting with von Trier on a private level as well as with his film universe. Filmmaker Stig Björkman follow von Trier during a period of more than two years, meet him at work, at home and at leisure.

Get into the creative mind of film director Lars von Trier and learn how reading in his world is connected with writing. Trier calls literature his “basic medium” and reveals his inspiration from writers as Thomas Mann, Leo Tolstoy, and Marcel Proust. He refers to dramaturgy as his “toothache” connected to his reading of Donald Duck, but writing is “the greatest kick you can get,” he says. 　　Even though dramaturgy has been difficult for Lars von Trier, he experiences joy when writing the manuscripts for his films: “The greatest thing is when you let it go, like when you levitate in meditation. You do that sometimes when you’re writing. Then you write fabulously and you experience a high,” he says. “I hope I’ll manage to make a movie intuitively. But I’m stuck in the mire. The mire of dramaturgy.” 　　Lars von Trier is a passionate reader: “What I love about literature is that one man decides. It’s a dictatorship.” When writing ‘Joseph and his Brothers’ Thomas Mann had an obstacle: “It says so in the Bible” and having obstacles when writing and making films are important, Trier feels. “Andrej Tarkovskij made his very best movies in the Soviet Union because he was in this strange oppressed situation”. “Apparently, you need to have a chain around your neck, somehow. It’s like athletes who make things difficult for themselves or circus performers who do something and so becomes a reward for themselves,” Trier says. 　　“Henrik Ibsen almost reinvented dramaturgy and made it more efficient”, but “the problem is that things become clichés because they then just become part of the development of cultural history,” Lars von Trier says preferring August Strindberg. Strindberg “was wonderfully crazy and so creates things that are completely unforeseen, I’m sure Strindberg will live much longer than Ibsen,” Trier states.

Get into the creative mind of film director Lars von Trier and learn how reading in his world is connected with writing. Trier calls literature his “basic medium” and reveals his inspiration from writers as Thomas Mann, Leo Tolstoy, and Marcel Proust. He refers to dramaturgy as his “toothache” connected to his reading of Donald Duck, but writing is “the greatest kick you can get,” he says. 　　Even though dramaturgy has been difficult for Lars von Trier, he experiences joy when writing the manuscripts for his films: “The greatest thing is when you let it go, like when you levitate in meditation. You do that sometimes when you’re writing. Then you write fabulously and you experience a high,” he says. “I hope I’ll manage to make a movie intuitively. But I’m stuck in the mire. The mire of dramaturgy.” 　　Lars von Trier is a passionate reader: “What I love about literature is that one man decides. It’s a dictatorship.” When writing ‘Joseph and his Brothers’ Thomas Mann had an obstacle: “It says so in the Bible” and having obstacles when writing and making films are important, Trier feels. “Andrej Tarkovskij made his very best movies in the Soviet Union because he was in this strange oppressed situation”. “Apparently, you need to have a chain around your neck, somehow. It’s like athletes who make things difficult for themselves or circus performers who do something and so becomes a reward for themselves,” Trier says. 　　“Henrik Ibsen almost reinvented dramaturgy and made it more efficient”, but “the problem is that things become clichés because they then just become part of the development of cultural history,” Lars von Trier says preferring August Strindberg. Strindberg “was wonderfully crazy and so creates things that are completely unforeseen, I’m sure Strindberg will live much longer than Ibsen,” Trier states.