一个女孩在一片闹鬼的森林中失踪后，一片寒冷的寂静降临。促使她的兄弟勇闯黑暗的树林，他揭开了潜藏其中的秘密，一个令人毛骨悚然的谜团等待着。

陕西省某偏远的一个小村庄，富二代孙鹏驾车撞死了一个傻子，孙鹏的父亲孙富贵为了替儿子掩盖罪行，多次用钱财封堵目击者之口，却不料同为目击者的乡村教师吴学习，也是孙鹏的岳父，一直在为死去的傻子争取最后一点尊严，处处阻挠孙鹏父子不人道的做法，而随着这起事件不断被越来越多的人知道，孙鹏父子和吴学习的矛盾也越来越大，吴学习也深深陷入到情感和良知的两难选择之地。

陕西省某偏远的一个小村庄，富二代孙鹏驾车撞死了一个傻子，孙鹏的父亲孙富贵为了替儿子掩盖罪行，多次用钱财封堵目击者之口，却不料同为目击者的乡村教师吴学习，也是孙鹏的岳父，一直在为死去的傻子争取最后一点尊严，处处阻挠孙鹏父子不人道的做法，而随着这起事件不断被越来越多的人知道，孙鹏父子和吴学习的矛盾也越来越大，吴学习也深深陷入到情感和良知的两难选择之地。

The film begins with a series of events on a crowded outdoor market street. Women on stages perform “private” rituals: shaving legs and armpits, fixing their hair, etc. A woman tries to disrupt their “work.” She struggles to set herself apart from them, to resist the forces of habit, but gradually becomes more involved than she is willing to admit. Although she sets in motion a chain reaction of rebellion, she isn’t able to keep the momentum going. She stops before carrying it to the logical conclusion, and ends up on the stage herself. 　　“Building on proverbs, metaphor, and the principles of a radical feminist imagination, Su Friedrich creates a world in which women’s private rituals become public spectacles. Filmed in super-8 on the streets of New York’s Lower East Side, Cool Hands, Warm Heart works through questions of danger, attraction, violence, and ultimately the transformative power of bonding between women. Friedrich is able to draw on her training in avant-garde cinema as well as her background as a street photographer. In this work, she combines the two sets of concerns into an unusually original vision, re-imagining public space as a sort of Cool World inhabited by women of daring.” 　　—B. Ruby Rich 　　Festival Screenings and Awards: 　　SPECIAL MERIT AWARD, Athens Film Festival; New York Gay and Lesbian Film Festival; Frameline Film Festival; International Women’s Film Festival, Copenhagen; Feminist Film Conference, New York

The film begins with a series of events on a crowded outdoor market street. Women on stages perform “private” rituals: shaving legs and armpits, fixing their hair, etc. A woman tries to disrupt their “work.” She struggles to set herself apart from them, to resist the forces of habit, but gradually becomes more involved than she is willing to admit. Although she sets in motion a chain reaction of rebellion, she isn’t able to keep the momentum going. She stops before carrying it to the logical conclusion, and ends up on the stage herself. 　　“Building on proverbs, metaphor, and the principles of a radical feminist imagination, Su Friedrich creates a world in which women’s private rituals become public spectacles. Filmed in super-8 on the streets of New York’s Lower East Side, Cool Hands, Warm Heart works through questions of danger, attraction, violence, and ultimately the transformative power of bonding between women. Friedrich is able to draw on her training in avant-garde cinema as well as her background as a street photographer. In this work, she combines the two sets of concerns into an unusually original vision, re-imagining public space as a sort of Cool World inhabited by women of daring.” 　　—B. Ruby Rich 　　Festival Screenings and Awards: 　　SPECIAL MERIT AWARD, Athens Film Festival; New York Gay and Lesbian Film Festival; Frameline Film Festival; International Women’s Film Festival, Copenhagen; Feminist Film Conference, New York

暂无剧情简介

91年奥斯卡外语片单元阿根廷参赛片。 　　"El Pollo," a 13-year-old child in reform school, witnesses and experiences the brutalization of the guards and the other inmates. Based on Enrique Medina's novel, this film is Argentina's official selection for the 1991 Oscar Awards, Foreign Language film category. 　　Un nino de la calle es enviado a un reformatorio, donde intentan convertirlo en delator y torturador de sus companeros. El nino pretende escapar una y otra vez, y es entonces recluido en varios institutos de menores. Primera adaptación de un texto del escritor Enrique Medina, a cargo de Javier Torre, uno de los hijos del prestigioso realizador Leopoldo Torre Nilson. Con la participación de actores prestigiosos como Norma Aleandro y Federico Luppi, tuvo buena repercusión en la Argentina y en varios festivales internacionales.

91年奥斯卡外语片单元阿根廷参赛片。 　　"El Pollo," a 13-year-old child in reform school, witnesses and experiences the brutalization of the guards and the other inmates. Based on Enrique Medina's novel, this film is Argentina's official selection for the 1991 Oscar Awards, Foreign Language film category. 　　Un nino de la calle es enviado a un reformatorio, donde intentan convertirlo en delator y torturador de sus companeros. El nino pretende escapar una y otra vez, y es entonces recluido en varios institutos de menores. Primera adaptación de un texto del escritor Enrique Medina, a cargo de Javier Torre, uno de los hijos del prestigioso realizador Leopoldo Torre Nilson. Con la participación de actores prestigiosos como Norma Aleandro y Federico Luppi, tuvo buena repercusión en la Argentina y en varios festivales internacionales.

极端低温天气来临时，我躺在沙发上吃着烤串炉上的肉，正滋滋冒着油花，将在生死线挣扎的前男友和好闺蜜拉了个群，发了段视频，我笑眯眯的问她们想吃吗？我重生了！上一世，我因撞破了男友杨铮和我好闺蜜张雅的奸情，并揭穿他们想骗我钱谋我命的阴谋，被恼羞成怒的他们推出门外，而我万万想不到，本是九月的天气，居然诡异地下起了大雪，气温一夜间降到了零下50度，而我被活活冻死在门口

一位德国建筑师带着埃斯赫纳普尔王公的未婚妻逃跑了，被抓住并扔进了地牢，而他的亲戚从欧洲赶来寻找他，王公的兄弟正在密谋篡夺王位。德国建筑师Harald Berger和他的印度爱人舞女Seetha，拼命逃离埃斯赫纳普尔的王公钱德拉的骑兵，他们被一辆大篷车从沙漠中救出，并被带到一个小村庄。然而他们寄宿的房子的贪婪主人背叛了好客的法律，并向拉米加尼王子透露了他们的位置。一只蜘蛛织网，这样追踪者就不会在湿婆神庙里寻找他们了，这对夫妇试图逃跑，但被拉米加尼和他的手下追捕并抓获。Seetha在外面被抓住了，Harald Berger在陡峭的地方跌落到鳄鱼出没的水中后离开了。与此同时，他的妹妹艾琳和妹夫沃尔特·罗德医生猜出了真相，并试图让他们指派的印度仆人阿萨加拉说话，阿萨加拉害怕指控他的君主。建筑师沃尔特·罗德拒绝建造一座坟墓来活埋Seetha，因为她在医院前蔑视统治者的爱。她不敢相信钱德拉所说的Harald是在一次老虎狩猎中被杀的，而建筑师发现他的血腥衬衫上没有她修补的纽扣。拉米加尼王子密谋与rajah Padhu、朝臣和腐败的Dagh将军一起夺取钱德拉的王位，只要钱德拉和Seetha在一起，这将使印度教牧师和普通人反对他。Seetah在寺庙里跳舞，通过女神的神谕来吸引一条眼镜蛇，但当她绊倒时，钱德拉杀死了这只眼镜蛇，被指控亵渎神明，但无论如何都决定与她结婚，打算在纪念碑墓准备好后立即埋葬他不情愿的女王。Irene无意中听到Ramigami强迫Seetah接受这段无爱的婚姻，以换取Harald的生命，Harald被秘密监禁在宫殿广阔的地下，并计划与沃尔特一起找到她并逃跑。Harald成功地逃离了地牢，并找到了Seetha之后去救她。