一个女孩在一片闹鬼的森林中失踪后，一片寒冷的寂静降临。促使她的兄弟勇闯黑暗的树林，他揭开了潜藏其中的秘密，一个令人毛骨悚然的谜团等待着。

陕西省某偏远的一个小村庄，富二代孙鹏驾车撞死了一个傻子，孙鹏的父亲孙富贵为了替儿子掩盖罪行，多次用钱财封堵目击者之口，却不料同为目击者的乡村教师吴学习，也是孙鹏的岳父，一直在为死去的傻子争取最后一点尊严，处处阻挠孙鹏父子不人道的做法，而随着这起事件不断被越来越多的人知道，孙鹏父子和吴学习的矛盾也越来越大，吴学习也深深陷入到情感和良知的两难选择之地。

陕西省某偏远的一个小村庄，富二代孙鹏驾车撞死了一个傻子，孙鹏的父亲孙富贵为了替儿子掩盖罪行，多次用钱财封堵目击者之口，却不料同为目击者的乡村教师吴学习，也是孙鹏的岳父，一直在为死去的傻子争取最后一点尊严，处处阻挠孙鹏父子不人道的做法，而随着这起事件不断被越来越多的人知道，孙鹏父子和吴学习的矛盾也越来越大，吴学习也深深陷入到情感和良知的两难选择之地。

The film begins with a series of events on a crowded outdoor market street. Women on stages perform “private” rituals: shaving legs and armpits, fixing their hair, etc. A woman tries to disrupt their “work.” She struggles to set herself apart from them, to resist the forces of habit, but gradually becomes more involved than she is willing to admit. Although she sets in motion a chain reaction of rebellion, she isn’t able to keep the momentum going. She stops before carrying it to the logical conclusion, and ends up on the stage herself. 　　“Building on proverbs, metaphor, and the principles of a radical feminist imagination, Su Friedrich creates a world in which women’s private rituals become public spectacles. Filmed in super-8 on the streets of New York’s Lower East Side, Cool Hands, Warm Heart works through questions of danger, attraction, violence, and ultimately the transformative power of bonding between women. Friedrich is able to draw on her training in avant-garde cinema as well as her background as a street photographer. In this work, she combines the two sets of concerns into an unusually original vision, re-imagining public space as a sort of Cool World inhabited by women of daring.” 　　—B. Ruby Rich 　　Festival Screenings and Awards: 　　SPECIAL MERIT AWARD, Athens Film Festival; New York Gay and Lesbian Film Festival; Frameline Film Festival; International Women’s Film Festival, Copenhagen; Feminist Film Conference, New York

The film begins with a series of events on a crowded outdoor market street. Women on stages perform “private” rituals: shaving legs and armpits, fixing their hair, etc. A woman tries to disrupt their “work.” She struggles to set herself apart from them, to resist the forces of habit, but gradually becomes more involved than she is willing to admit. Although she sets in motion a chain reaction of rebellion, she isn’t able to keep the momentum going. She stops before carrying it to the logical conclusion, and ends up on the stage herself. 　　“Building on proverbs, metaphor, and the principles of a radical feminist imagination, Su Friedrich creates a world in which women’s private rituals become public spectacles. Filmed in super-8 on the streets of New York’s Lower East Side, Cool Hands, Warm Heart works through questions of danger, attraction, violence, and ultimately the transformative power of bonding between women. Friedrich is able to draw on her training in avant-garde cinema as well as her background as a street photographer. In this work, she combines the two sets of concerns into an unusually original vision, re-imagining public space as a sort of Cool World inhabited by women of daring.” 　　—B. Ruby Rich 　　Festival Screenings and Awards: 　　SPECIAL MERIT AWARD, Athens Film Festival; New York Gay and Lesbian Film Festival; Frameline Film Festival; International Women’s Film Festival, Copenhagen; Feminist Film Conference, New York

梓安和妈妈还有丈夫秦墨筹办完父亲的葬礼后，三人回到梓安妈妈居住的老房子后， 妈妈便双手抱头， 痛苦的躺在沙发上。作为精神科的医生的秦墨偷偷告诉梓安， 妈妈的病情有加重的迹象， 必须赶紧确定治疗方案才行， 秦墨建议让妈妈医院住院。梓安答应劝劝妈妈。妈妈吃过药后睡着，梦里小声的说出对不起梓童...... 梓安听着妈妈的话有点莫名其妙， 可能是把自己的名字喊错了。 梓安来到父母卧室， 准备把父亲的遗物和衣服收拾下。在一件外套的口袋里面， 梓安意外发现了父亲和小孩子的合影照片，背面隐约看到梓童两个字。梓安想起了妈妈刚才说出梓童这个名字，这个孩子和父亲是什么关系？ 这引起了她巨大的好奇心。

寄人篱下的金闪闪吃不饱饭，以为农药是饮料，一饮而尽，金二强发现后与王玉梅等人坚持隐瞒事实，将闪闪带到农村兽医站进行医治无效，秦雪金大壮夫妻回村后，渐渐发现闪闪死亡的真相。

寄人篱下的金闪闪吃不饱饭，以为农药是饮料，一饮而尽，金二强发现后与王玉梅等人坚持隐瞒事实，将闪闪带到农村兽医站进行医治无效，秦雪金大壮夫妻回村后，渐渐发现闪闪死亡的真相。

祭拜父亲的梓安，无意发现父亲和一个叫梓童的小男孩合影。在她的记忆中，家里并没有这个孩子。经过查找，一些信息勾起了梓安强烈的好奇心，梓童到底是谁？一直在跟随自己的人又是谁？父亲真的是自杀的吗？结果出乎所

陆少炫耀着他手中华丽的天使之翼婚纱，与徐骁朴素的婚纱形成鲜明对比，秦楚然对陆少的婚纱流露出贪婪和羡慕，转而投向陆少，徐骁虽心如刀绞，试图用眼神传达自己的爱意。从秦楚然嘴里得知六年前救自己的是秦汐颜，秦汐颜至此毁容，徐骁最后给秦汐颜了一个隆重的婚礼。