极端低温天气来临时，我躺在沙发上吃着烤串炉上的肉，正滋滋冒着油花，将在生死线挣扎的前男友和好闺蜜拉了个群，发了段视频，我笑眯眯的问她们想吃吗？我重生了！上一世，我因撞破了男友杨铮和我好闺蜜张雅的奸情，并揭穿他们想骗我钱谋我命的阴谋，被恼羞成怒的他们推出门外，而我万万想不到，本是九月的天气，居然诡异地下起了大雪，气温一夜间降到了零下50度，而我被活活冻死在门口

An adulterous woman's faith in God is tested when her husband dies and miraculously comes back to life.

一个女孩在一片闹鬼的森林中失踪后，一片寒冷的寂静降临。促使她的兄弟勇闯黑暗的树林，他揭开了潜藏其中的秘密，一个令人毛骨悚然的谜团等待着。

陕西省某偏远的一个小村庄，富二代孙鹏驾车撞死了一个傻子，孙鹏的父亲孙富贵为了替儿子掩盖罪行，多次用钱财封堵目击者之口，却不料同为目击者的乡村教师吴学习，也是孙鹏的岳父，一直在为死去的傻子争取最后一点尊严，处处阻挠孙鹏父子不人道的做法，而随着这起事件不断被越来越多的人知道，孙鹏父子和吴学习的矛盾也越来越大，吴学习也深深陷入到情感和良知的两难选择之地。

陕西省某偏远的一个小村庄，富二代孙鹏驾车撞死了一个傻子，孙鹏的父亲孙富贵为了替儿子掩盖罪行，多次用钱财封堵目击者之口，却不料同为目击者的乡村教师吴学习，也是孙鹏的岳父，一直在为死去的傻子争取最后一点尊严，处处阻挠孙鹏父子不人道的做法，而随着这起事件不断被越来越多的人知道，孙鹏父子和吴学习的矛盾也越来越大，吴学习也深深陷入到情感和良知的两难选择之地。

富士见市某经营热带鱼的商店，居住着社本一家三口。户主信介（吹越满 饰）在妻子去世后不久便娶了美丽的妙子，此举令女儿美津子大为不满，因此家中的气氛总是压抑凝重，妙子更是小心翼翼，生怕因自己惹出事端。某晚，美津子因在行窃被超市所扣留，社本夫妇匆忙前往，多亏热情的陌生男子村田幸雄出面方得以脱身。村田也是一家热带鱼商店的老板，他诚恳地邀请社见一家到他的店中做客，并愿意聘用美津子为职员。社本夫妇虽有些无所适从，却不自觉地被村田牵着鼻子走。不久后，村田邀请信介为合作人，结果竟在信介的面前杀死了一个质疑自己的男人。一向唯唯诺诺的信介，被迫成为了疯狂的村田毁尸灭迹的帮凶…… 　　本片根据1993年震惊日本的琦玉爱犬家连续杀人事件改编。

富士见市某经营热带鱼的商店，居住着社本一家三口。户主信介（吹越满 饰）在妻子去世后不久便娶了美丽的妙子，此举令女儿美津子大为不满，因此家中的…

The film begins with a series of events on a crowded outdoor market street. Women on stages perform “private” rituals: shaving legs and armpits, fixing their hair, etc. A woman tries to disrupt their “work.” She struggles to set herself apart from them, to resist the forces of habit, but gradually becomes more involved than she is willing to admit. Although she sets in motion a chain reaction of rebellion, she isn’t able to keep the momentum going. She stops before carrying it to the logical conclusion, and ends up on the stage herself. 　　“Building on proverbs, metaphor, and the principles of a radical feminist imagination, Su Friedrich creates a world in which women’s private rituals become public spectacles. Filmed in super-8 on the streets of New York’s Lower East Side, Cool Hands, Warm Heart works through questions of danger, attraction, violence, and ultimately the transformative power of bonding between women. Friedrich is able to draw on her training in avant-garde cinema as well as her background as a street photographer. In this work, she combines the two sets of concerns into an unusually original vision, re-imagining public space as a sort of Cool World inhabited by women of daring.” 　　—B. Ruby Rich 　　Festival Screenings and Awards: 　　SPECIAL MERIT AWARD, Athens Film Festival; New York Gay and Lesbian Film Festival; Frameline Film Festival; International Women’s Film Festival, Copenhagen; Feminist Film Conference, New York

The film begins with a series of events on a crowded outdoor market street. Women on stages perform “private” rituals: shaving legs and armpits, fixing their hair, etc. A woman tries to disrupt their “work.” She struggles to set herself apart from them, to resist the forces of habit, but gradually becomes more involved than she is willing to admit. Although she sets in motion a chain reaction of rebellion, she isn’t able to keep the momentum going. She stops before carrying it to the logical conclusion, and ends up on the stage herself. 　　“Building on proverbs, metaphor, and the principles of a radical feminist imagination, Su Friedrich creates a world in which women’s private rituals become public spectacles. Filmed in super-8 on the streets of New York’s Lower East Side, Cool Hands, Warm Heart works through questions of danger, attraction, violence, and ultimately the transformative power of bonding between women. Friedrich is able to draw on her training in avant-garde cinema as well as her background as a street photographer. In this work, she combines the two sets of concerns into an unusually original vision, re-imagining public space as a sort of Cool World inhabited by women of daring.” 　　—B. Ruby Rich 　　Festival Screenings and Awards: 　　SPECIAL MERIT AWARD, Athens Film Festival; New York Gay and Lesbian Film Festival; Frameline Film Festival; International Women’s Film Festival, Copenhagen; Feminist Film Conference, New York

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