美国宇航员登月的1969年……做走私化妆品生意的妈妈(申爱罗饰)和10岁少年英来(朴智彬饰)过着不错的生活。突然有一天，英来从妈妈朋友的口中得知爸爸并不…

1969年，有这样一对相依为命母子…… 英才虽然从小就没有爸爸，但这丝毫不影响他快乐的童年生活，起码到目前为止，一直都很快乐，妈妈靠卖走私的化妆品为生，维持生计虽然很艰辛，但母子依然平静地走过了很多年。 有一天，英才在偶然间从朋友的妈妈那里得知，据说在自己出生以前就已过世的爸爸江成武还活着，而且就在汉城的南山大学里，震惊之余，突然想到妈妈不是说他已经死了吗，而且连名字都不肯告诉自己，难道妈妈在说谎？带着诸多疑问的英才暗自揣度，既然现在他已经知道爸爸在汉城的事实，那么汉城就非去不可了，唯一的阻碍就是去汉城的车费怎么办，妈妈那里是绝对保密的，就在他彷徨的时候，他看到了好朋友光头松秀，正在大热天神气地卖着冰棍。于是，英才跟着松秀来到了冰棍场，在百般请求和保证后终于得到了冰棍厂主人的许可。这一晚，兴奋的英才连睡梦中都在练习如何叫卖。 然而沿街叫卖的他发现现实世界远没有自己想象的那样美好，由于自己是个小不点儿，要经常忍受大人们的呵斥，有时候冰棍被偷了，有时候因为赶路摔跤，还有就是大孩子们的欺负。不过一想到可以见到爸爸，这些也就不算什么了，毕竟自己也有一班好朋友，对于他们的照顾，英才夸下海口说，自己卖完冰棍一定要买一双世界上最好的鞋子送给松秀和冰棍厂的仁柏。于是英才一天一天，一只一只专心地卖冰棍，可是天不遂人愿，因为老板家儿子的一次恶做剧，事情败露了，英才的妈妈知道了一切，不安的妈妈找到了厂里…… 虽然知道妈妈心里不安，可英才一想到自己还有父亲就难掩兴奋，于是更加坚定了信念，无论如何都不能放弃去汉城的念头，而此时冰棍厂的仁柏叔叔恰巧要要去汉城的厂里办事，于是英才请他帮忙打听父亲的音讯，看着仁柏坐车离自己越来越远，英才小小的心灵里装满了期待，数天过后，当列车终于载着仁柏叔叔回来的时候，却发生了任何人也想象不到的意外……

偏远山村河湾的 “死人坑” 流传水猴子传说，渔民老李夜遇 “孩子被拖入水中”，老张之子 “失踪” 更让村民惶惶。此后，孩童啼哭声、水缸渗血、夜钓见黑影等怪事频发，癌症晚期的老任却日日守坑钓鱼，称要 “与大鱼比输赢”。老李不信鬼神，暗中调查，发现是老张父子为禁渔期偷捕保护鱼类，用鱼皮潜水服、录音机等装神弄鬼。最终，老李当众揭穿真相，老张父子伏法。而老任钓到 “大鱼” 后，次日被发现含笑倒在鱼竿旁，所谓 “水怪” 不过是人心贪婪的幻影。

邪恶的雷米博士在拜万迪精神病医院的地下私自创建了一个人体实验室，虽被塞文教授发现阻止了他的阴谋，但事情并没有结束。雷米的冤魂仍在附近徘徊，伺机反扑人间……20年后，一名神秘女孩被送往这个精神病院，同时她的到来也引起了雷米亡灵的注意。在女孩经过一系列恐怖怪异的事件后才知道，她是打开医院地下“地狱之门”的关键“钥匙”，雷米企图用她来达成邪恶的愿望。终于，大批恐怖的地狱活死人涌向人间，展开了一场血腥的大屠杀……

在苏阳的世界里，他接受不了妻子王晓静每天俗不可耐的教诲，于是选择逃离作为抗争。觅“地下”的天坑为余生的世外桃源，在天坑里他遇到诸多令人费解的事…

http://www.imageforum.co.jp/ito/dvd_e.html 　　http://www.imageforum.co.jp/ito/dvd.html

http://www.imageforum.co.jp/ito/dvd_e.html 　　http://www.imageforum.co.jp/ito/dvd.html

“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music, with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. 　　Júlio Bressane, a major exponent of Brazilian avant-garde cinema and IFFR Film Maker in Focus in 2000, derived his material from the famous novel Dom Casmurro (1899) by Machado de Assis, who, like Casmurro, was tormented by epilepsy. Bressane composed this film in the form of a frank exploration of visual and theatrical possibilities; during a musical interlude, the violinist appears in the shot. Capitu and the Chapter is interspersed with fragments of Bressane’s previous works and leaves itself open to many interpretations.

“If you had to choose between me and your mother, who would it be?” Capitu asks provocatively of her problematic lover. Elsewhere, they dance to inaudible music, with their friends, each couple keeping to a rhythm of their own. At times, this depiction of the memories we see one Dom Casmurro commit to paper with a flamboyant pen seems to be an interplay of conflicting emotions – particularly when jealousy raises its head. 　　Júlio Bressane, a major exponent of Brazilian avant-garde cinema and IFFR Film Maker in Focus in 2000, derived his material from the famous novel Dom Casmurro (1899) by Machado de Assis, who, like Casmurro, was tormented by epilepsy. Bressane composed this film in the form of a frank exploration of visual and theatrical possibilities; during a musical interlude, the violinist appears in the shot. Capitu and the Chapter is interspersed with fragments of Bressane’s previous works and leaves itself open to many interpretations.

少年斯琴图在最后一颗牙齿将要脱落的冬天，因为沉溺对母亲离去的思念和过往不算美好的回忆中，与父亲的关系总是没有很亲近，草原上筹备许久的围猎即将到来，父子二人计划前去参加，最后一颗牙齿脱落的那一年冬天，像清风一样，常常在梦境中出现在斯琴图的脑海中...