Prologue:let's put it straight.Betsy Blair is miscast.Is this because she played Borgnine's so called ugly girl in the Oscar-winning "Marty" (1955)?Perhaps so ,but her beaming face ,her luminous smile,her intense longing for happiness are anything but unattractive .She's not Ava Gardner,by a long shot,but she easily outshines her would be handsome lover. 　　Prologue 2:Is it possible,considering the high rating of "calle mayor",that nobody -Spanish users,get a life!It's your culture!- felt like writing about this unfairly overlooked gem? "Calle Mayor" (Grand Rue,Hauptstrasse,Main Street)is the place where ,in a provincial town,people meet,talk and wait.All a woman has to do , Tonia says ,is wait wait wait ,behind her window,at the ball,or on "calle mayor".Isobel has been waiting for eighteen years for a man,because,in the fifties in Spain (and in Europa as well),the only way a woman had is marriage.Or she would become a wallflower and a spinster. 　　"Calle mayor" is a trap :the omnipresence of religion can be felt here there and everywhere ,with the church bells marking out the hours in a town that has stood still for years,with the nuns pacing up and down the street ,asking for a few pesetas more for their good works.A group of men ,not so young anymore,is searching for something to do.A good joke would be nice to kill time :so they ask one of them to pretend he's in love with Isobel ,the thirty-five year old woman-at the time,it was much too late !-.Isobel begins to live in a dream,and the buck cannot bring himself to tell her the truth (out of pity?he does not know himself)..I say it again,Betsy Blair,although excellent was not the right choice :first she's not Spanish ,and mainly she 's not ugly .So it does not always work well,because,if we were in the man's shoes,we would fall in love head over heals with her.But this must not prevent you from watching Juan Bardem's sensitive work:his depiction of the provincialism is absorbing , the sad landscapes on the edge of town or this little railway station where the tragedy is resolved are masterfully filmed. 　　Juan Bardem was a committed artist.He was arrested before he finished "Calle Mayor" and later he produced Bunuel's masterpiece "Viridiana".It's really too bad that ,now that Spanish cinema triumphs again with Amenabar ,Bardem's name should be virtually forgotten.

Prologue:let's put it straight.Betsy Blair is miscast.Is this because she played Borgnine's so called ugly girl in the Oscar-winning "Marty" (1955)?Perhaps so ,but her beaming face ,her luminous smile,her intense longing for happiness are anything but unattractive .She's not Ava Gardner,by a long shot,but she easily outshines her would be handsome lover. 　　Prologue 2:Is it possible,considering the high rating of "calle mayor",that nobody -Spanish users,get a life!It's your culture!- felt like writing about this unfairly overlooked gem? "Calle Mayor" (Grand Rue,Hauptstrasse,Main Street)is the place where ,in a provincial town,people meet,talk and wait.All a woman has to do , Tonia says ,is wait wait wait ,behind her window,at the ball,or on "calle mayor".Isobel has been waiting for eighteen years for a man,because,in the fifties in Spain (and in Europa as well),the only way a woman had is marriage.Or she would become a wallflower and a spinster. 　　"Calle mayor" is a trap :the omnipresence of religion can be felt here there and everywhere ,with the church bells marking out the hours in a town that has stood still for years,with the nuns pacing up and down the street ,asking for a few pesetas more for their good works.A group of men ,not so young anymore,is searching for something to do.A good joke would be nice to kill time :so they ask one of them to pretend he's in love with Isobel ,the thirty-five year old woman-at the time,it was much too late !-.Isobel begins to live in a dream,and the buck cannot bring himself to tell her the truth (out of pity?he does not know himself)..I say it again,Betsy Blair,although excellent was not the right choice :first she's not Spanish ,and mainly she 's not ugly .So it does not always work well,because,if we were in the man's shoes,we would fall in love head over heals with her.But this must not prevent you from watching Juan Bardem's sensitive work:his depiction of the provincialism is absorbing , the sad landscapes on the edge of town or this little railway station where the tragedy is resolved are masterfully filmed. 　　Juan Bardem was a committed artist.He was arrested before he finished "Calle Mayor" and later he produced Bunuel's masterpiece "Viridiana".It's really too bad that ,now that Spanish cinema triumphs again with Amenabar ,Bardem's name should be virtually forgotten.

贺岁剧《约尔特奏鸣曲》，原名（《不亦乐乎之寻宝记》)是于2009年7月9日在新疆吐鲁番开机拍摄的一部融民族音乐、歌舞的民族风情贺岁喜剧。 　　该剧力邀老艺术家克里木将军和台湾明星吴奇隆、吴辰君，喜剧明星王东方联袂主演，还邀请了阿尔法和紫拉兰等少儿明星助阵，赴吐鲁番地区全程拍摄。 　　在该剧中，“二吴组合”既令观众大感意外又令观众耳目一新。台湾演员吴奇隆及吴辰君联袂担纲男女主角，一个扮演狂放不羁的音乐老师，一个扮演骄傲自大的集团女总裁，他们因一场误会在传统而神秘的吐鲁番村庄相遇，与一群淳朴善良的孩子和一位敦厚的少数民族大叔之间发生了一系列令人忍俊不禁又感到不已的故事。 　　该剧一改贺岁剧十几年来小品、相声演员团团圆圆过大年的常规做法，以大制作、超强阵容及浓郁的民族风情、音乐为特色的新型贺岁剧的操作模式，带给观众全新的视听享受。故事讲述的是一个保护少数民族文化的故事，为此制作单位北京百年华盛影视文化传播有限公司不惜重金远赴吐鲁番地区拍摄，同时男女主人公因与音乐结缘又使剧中有大量的新疆歌舞片段展现。轻松、欢快、幽默及浓郁的少数民族风情便成为该剧的突出特色，在喜庆祥和的春节带给观众喜悦而清新的感受。

贺岁剧《约尔特奏鸣曲》，原名（《不亦乐乎之寻宝记》)是于2009年7月9日在新疆吐鲁番开机拍摄的一部融民族音乐、歌舞的民族风情贺岁喜剧。 　　该剧力邀老艺术家克里木将军和台湾明星吴奇隆、吴辰君，喜剧明星王东方联袂主演，还邀请了阿尔法和紫拉兰等少儿明星助阵，赴吐鲁番地区全程拍摄。 　　在该剧中，“二吴组合”既令观众大感意外又令观众耳目一新。台湾演员吴奇隆及吴辰君联袂担纲男女主角，一个扮演狂放不羁的音乐老师，一个扮演骄傲自大的集团女总裁，他们因一场误会在传统而神秘的吐鲁番村庄相遇，与一群淳朴善良的孩子和一位敦厚的少数民族大叔之间发生了一系列令人忍俊不禁又感到不已的故事。 　　该剧一改贺岁剧十几年来小品、相声演员团团圆圆过大年的常规做法，以大制作、超强阵容及浓郁的民族风情、音乐为特色的新型贺岁剧的操作模式，带给观众全新的视听享受。故事讲述的是一个保护少数民族文化的故事，为此制作单位北京百年华盛影视文化传播有限公司不惜重金远赴吐鲁番地区拍摄，同时男女主人公因与音乐结缘又使剧中有大量的新疆歌舞片段展现。轻松、欢快、幽默及浓郁的少数民族风情便成为该剧的突出特色，在喜庆祥和的春节带给观众喜悦而清新的感受。

这是勇者一行人打倒魔王之后的故事。 人类族的勇者辛美尔、矮人族的战士艾泽、人类族的僧侣海塔、精灵族的魔法使芙莉莲，结束长达十年的冒险旅程，作为英雄凯旋归来，并接受国王表扬。他们刚好遇上50年一遇的流星雨，四人组相约50年后再度相聚观看难得一见的流星雨。但在芙莉莲和昔日的冒险伙伴依约再会欣赏流星雨的当夜，伙伴的逝世让长寿的芙莉莲感受到生死无常，也让芙莉莲开始深入探讨生命的意义。 《葬送的芙莉莲》之所以深受粉丝喜爱，不仅是故事时常点出生命无常的本质，同时芙莉莲与菲伦以及休塔尔克等新伙伴的邂逅，在日常生活交织出温暖的情感。

中央大陆古老城邦，人们夹道欢呼，为击败了魔王的四人组高声喝彩。这四个人分别是勇者辛美尔（冈本信彦 配音）、精灵魔导师芙莉莲（种崎敦美 配音）、僧侣海塔（东地宏树 配音）以及矮人族战士艾泽（上田耀司 配音）。在王宫盛大的晚宴上，四位好朋友相聊甚欢，并且共同回忆着征途中的快乐种种。当天上流星划过，他们相约去一个更好的地方欣赏这个五十年一遇的流星雨。在此之后，芙莉莲告别好友们，独自踏上收集魔法的旅程。时光倏忽而逝，转眼五十年过去，她如约回到主城。而与这个几乎拥有不死之身且不会衰老的精灵形成鲜明对比的是，曾经英俊帅气、孔武有力的朋友们都已经衰老。他们追昔过往，又无奈面对死亡。这让芙莉莲的心中产生了波动…… 　　本片改编自原作山田钟人，作画阿部司的同名漫画。

这是勇者一行人打倒魔王之后的故事。 人类族的勇者辛美尔、矮人族的战士艾泽、人类族的僧侣海塔、精灵族的魔法使芙莉莲，结束长达十年的冒险旅程，作为英雄凯旋归来，并接受国王表扬。他们刚好遇上50年一遇的流星雨，四人组相约50年后再度相聚观看难得一见的流星雨。但在芙莉莲和昔日的冒险伙伴依约再会欣赏流星雨的当夜，伙伴的逝世让长寿的芙莉莲感受到生死无常，也让芙莉莲开始深入探讨生命的意义。 《葬送的芙莉莲》之所以深受粉丝喜爱，不仅是故事时常点出生命无常的本质，同时芙莉莲与菲伦以及休塔尔克等新伙伴的邂逅，在日常生活交织出温暖的情感。

寿命逾千年的魔法使芙莉莲，以曾经共同战胜魔王的勇者辛美尔之死为契机，踏上了了解人类的旅途。邂逅了同属勇者小队的僧侣海塔与战士艾泽分别培养出的菲伦与休塔尔克，芙莉莲与二人一同前往灵魂安眠之地。为了前去需要【一级魔法使】资格，因此芙莉莲与菲伦前往魔法都市维萨斯特，参加一级魔法使选拔测验。在那里有着形形色色的卓越魔法使…此刻，最顶尖的魔法将在维萨斯特展开激烈碰撞！

The year is 1963. A women's liberation movement the size of today's #MeToo movement has been underway for a while, and it's rolling across the Western world like an avalanche. In a luxury flat in central Copenhagen we meet one of the period's biggest female writers, Tove Ditlevsen, accompanied by her husband, the sadistic editor in chief Victor Andreasen. Her talent is indisputable, only her husband's destructive envy surpasses it. And whilst she uses her talent and authorship to give a voice to the suppressed women of the time, providing them with courage to leave behind husbands and the patriarchal structures of society, Andreassen's only talent is to sell sexist tabloids to the people. Tove looks straight through her husband's inferiority complex, and yet she puts up with his humiliating behavior and his violence. He is the one who controls her drug abuse and repeated admissions to the psychiatric ward - the only place in which she truly finds peace to write. On this very day they're expecting a lunch guest, like hyenas awaiting their prey. Their power struggle needs an audience, a weak play mate they can throw around as they see fit. Who is more suited than the young, promising author Klaus R., a man who celebrates the modern woman's rebellion and the new opportunities afforded to her? Klaus R. believes they'll be talking about literature in an era that belongs to women - what he doesn't know is that a blood bath awaits him. Or does he?