糖尿病患者陈磊打工时，因无冰箱存放胰岛素求助餐厅老板林浩。林浩热心帮忙，还为他准备控糖糖果，为其高血压母亲定制无盐餐。陈磊突发低血糖、住院期间，林浩都悉心照料、全程陪护，坦言他酷似自己牺牲的发小，二人结为兄弟。之后林浩邀他同住共事，陈磊成为合伙人。兄弟俩诚信经营，主打健康菜品，拒绝劣质食材，深受社区欢迎。从萍水相逢到并肩创业，彼此真心相待，坚守初心，情谊愈发浓厚。

故事梗概：我每天晚上睡觉前都会习惯性地翻一翻冰箱，直到有一天突然发现冰箱里面有一只企鹅，我愣愣地盯着她看了半天，她突然开口对我说…… 　　原作授权：果麦；配乐取自：久石让作品；配音支持：北斗企鹅 。 　　导演的话：啃着小浣熊做大理寺的间隙，我翻出了这部许久许久前的作品，那是尚且稚嫩的我们，改编陈谌的短篇小说《冰箱里的企鹅》制作的青涩短篇。一只的小企鹅，一个不算明媚的结尾。在这个特殊的日子@好传动画 全体送给 正在洒/吃狗粮的大家。请大家食用愉快~！也请期待大好传即将登场的《大理寺日志》动画版！

兄弟情是什麽？家庭的牵绊是什麽？自由是什麽？爱又是什麽？ 　　在犰狳唱片公司的录音室内，鲤之堀家的两兄弟，哥哥Toraji和弟弟Haiji 　　正在为制作歌曲「Fantastipo」而一直努力着。某天，两兄弟突然接到爸爸金太郎的任命，要他们担任家族生意，在日本无人不知的犰狳矿泉水公司的社长和总经理。鲤之堀一家都有一颗自由奔放的心，爸爸金太郎在心爱的太太死去之後，便一直身兼母职。弟弟Haiji放荡不羁的性格更是令他担心不已。虽然长子Toraji一直在他们之间作调停，可是Toraji又未成熟得可以让他放心。虽然如此，两兄弟也发挥他们的创意，令日本再一次掀起犰狳旋风。那为什麽两兄弟会致力于创作「Fantastipo」？奇怪的歌名、歌词中的「那时候的我们…」更似乎隐含着两兄弟的过去。在制作过程中的烦恼和不安、得到和失去，似乎令两兄弟有一点成长…

兄弟情是什麽？家庭的牵绊是什麽？自由是什麽？爱又是什麽？ 　　在犰狳唱片公司的录音室内，鲤之堀家的两兄弟，哥哥Toraji和弟弟Haiji 　　正在为制作歌曲「Fantastipo」而一直努力着。某天，两兄弟突然接到爸爸金太郎的任命，要他们担任家族生意，在日本无人不知的犰狳矿泉水公司的社长和总经理。鲤之堀一家都有一颗自由奔放的心，爸爸金太郎在心爱的太太死去之後，便一直身兼母职。弟弟Haiji放荡不羁的性格更是令他担心不已。虽然长子Toraji一直在他们之间作调停，可是Toraji又未成熟得可以让他放心。虽然如此，两兄弟也发挥他们的创意，令日本再一次掀起犰狳旋风。那为什麽两兄弟会致力于创作「Fantastipo」？奇怪的歌名、歌词中的「那时候的我们…」更似乎隐含着两兄弟的过去。在制作过程中的烦恼和不安、得到和失去，似乎令两兄弟有一点成长…

误入歧途、任性的青少年辛迪和克里斯蒂安最终来到了偏远的撒旦之地。他们试图逃跑，但最终被关进了当地的屠宰场，在那里他们被饥饿的食人族工人俘虏。撒旦之地的屠宰场是那些负担得起的人来吞噬年轻人的地方，就像地狱里的熟食店！

误入歧途、任性的青少年辛迪和克里斯蒂安最终来到了偏远的撒旦之地。他们试图逃跑，但最终被关进了当地的屠宰场，在那里他们被饥饿的食人族工人俘虏。撒旦之地的屠宰场是那些负担得起的人来吞噬年轻人的地方，就像地狱里的熟食店！

林家强对父亲林守业突然到访并替弟弟耀文索要五万盖房款感到不满，认为家人偏心、弟弟啃老，激烈争吵后不欢而散。事后，他震惊发现妻子晓莉暗中给钱，愤怒返乡欲要回款项，与家人再次爆发冲突。在争执中，父母终于揭开了尘封的真相：当年林家强能上大学，全靠父亲工伤后弟弟耀文主动放弃学业、外出打工默默供养。得知弟弟多年的巨大牺牲，林家强幡然醒悟，内心充满愧疚。最终，兄弟二人冰释前嫌，林家强真心承诺帮助弟弟盖房成家，一家人的心重新凝聚在一起。

18 year old Jason Dorkel belongs to a community of gypsies. He is about to celebrate his baptism when his half-brother Fred returns after fifteen years in prison. Together, with their last brother, the violent, hot-headed Michael and their Christian activist cousin, the four young people set off on a binge among the "gadjos" in search of a cargo of copper.

45歲的蓋比瑞爾榭瓦利耶曾經是警察，失業寂寞又憂鬱的他像個遊魂度日，無心照顧青春期的獨生女茱麗葉。某天，他偶然接到一件可疑但酬勞優渥的工作：每日運送一個手提箱到指定地點，唯一的規則是不能打開。每日的運送讓他去到陌生的地方，遇見奇怪的人。他身為警察的好奇心與日俱增……

When the movie first started, it seemed a little slow moving in terms of character development and it felt like some of the lines were contrived and just weak. I found myself thinking, ho hum...is this going to be another mediocre film by Wolfe Video? (Not all their stuff is bad, but some of it is terrible.) Fortunately, after a few minutes, the stories of the characters begin to unfold and we begin to get a sense of identifying with each of them, who they are, and why they have come together. I say "each of them" because I'm a man and can see a little part of myself in each of these characters (whether now or in the past). I won't give any of the story away--there are some very tense scenes; however, they are well done. The bright spot is that this film is an insightful look at how men interact with each other sometimes, they way we think as men and hide things...not just from women, but from other men as well as from ourselves, even to our own detriment. Deep down, all men are searching for acceptance. 　　 　　While I wouldn't call this an uplifting film, it's also not a downer either. We are left with good feelings. Admittedly, I do think there could have been a bit more character/story resolution in the end with some of the characters. We're left hanging in some ways...but then again, life is also like that at times, ie: sometimes, things in life happen that we as humans are just not able to resolve, and again, as men, our way of resolving them is just to bury them and not talk about them. 　　 　　While not the next big Oscar winner, I definitely found this a good, solid, watchable film, and would recommend it. Great performances by all the actors, but Ian Tracey really shines as Trevor. His outstanding performance throughout really helps bring the whole ensemble together. I could not imagine this film working as well as it did without him as Trevor. A+