延续了电影“我们的天职” 。电影的作品，人物传记，书信和回忆录作家和教育家迈克尔·罗扎诺夫（化名作家- H. Ognev）的基础上，从自己：一个精彩的电影为Poloka美妙的作家- H Ognev。他的书“Ryabtseva骨头日记”（1927年）和正怀着极大的兴趣阅读，我建议！有很多的。你可以阅读有关共产主义思想的崩溃，但一旦弗谢沃洛德Vishnevsky对自己说：“我从来没有无动于衷-甚至当他是个瞎子” 这部电影是暴力创伤现场，警告-星期六鞭打的图标下的俄罗斯风俗（魔鬼战斗所有的民俗风情）爸爸的孩子。辅导员并没有无动于衷，尽管安巴拉，父亲和他的同伴。三部分组成的电影“我们的使命”的延续

In his interview on Facet Video's DVD of Diary of a Suicide (Le journal d'un suicidé), Serbian director Stanislav Stanojevic mentions a French arts body that dispenses funds for creative filmmaking, and remarks that Luis Buñuel received more money than he did! This early 70s art film depends for its reputation on a quote by François Truffaut, who may have not seen the film, but had high praise for its screenplay. 　　Diary of a Suicide plays very much like a brief episode in a Buñuel film, but padded to feature length and communicating little beyond a vague nihilism. Busy actor Sami Frey is a handsome young man on a pleasure cruise on the east coast of Spain. He flirts with an attractive fellow passenger (Delphine Seyrig). Neither is given a name. No matter how much the man coaxes, the woman refuses to remove her sunglasses. They visit a church in Barcelona but mostly talk on board ship while watching seagulls. 　　The smiling woman encourages the young man to entertain her with a beautiful story. He responds with several morbid, interlinked anecdotes. A man (Bernard Haller) stands before a mirror, unable to make himself smile. Another man faces a firing squad. Anarchist lovers (Marie-France Pisier & Roland Bertin) fail to carry out an assassination. Wounded, she wants to die but is given a life sentence. Her jailer (Sacha Pitoëff) cannot sleep because he was brain-damaged in a war. That infirmity allows him to watch his prisoner around the clock. The jailer explains that his mind holds only one memory, of a beautiful woman he once knew. Should he forget her as well, the jailer reasons, his life will no longer have a purpose. 　　The female cruise passenger seems pleased by the young man's efforts to seduce her, but she has withheld a wicked surprise. 　　Unfortunately, Diary of a Suicide is a weak and uninvolving slice of mannered filmmaking. Scenes with the two main actors seem arbitrary and haphazard. Many of their encounters are staged against blank walls, and some dialogue scenes avoid showing lips, as in the cheapest of post-dubbed low-budget productions. Except for a few color inserts, all of the shipboard scenes are in B&W. Some of the young man's stories are tinted in various hues. The compositions are rarely framed wider than a medium shot, producing a feeling of claustrophobia. 　　With its nameless lovers and stories within stories, director Stanojevic's puzzle picture is more than a little reminiscent of Alan Resnais' Last Year at Marienbad, minus that film's elegance and compelling dreamlike surface. Little tension develops between the shipboard reality and the man's bizarre stories. A melancholy singer performing aboard the ship appears to represent the mystery woman of the jailer's tale. The singer's actor-husband dresses similarly to the jailer, and carries out the jailer's suicide as part of his act. With the exception of Sacha Pitoëff's morose jailer, none of the story characters connect with the audience. The gaunt, sad jailer truly looks like a man haunted by his loss of memory. 　　Stanislav Stanojevic's main coup for his first film is the gathering of an impressive cast. He's secured the services of Seyrig and Pitoëff, two of the stars of Last Year at Marienbad. Sami Frey and Marie-France Pisier have appeared in films by Agnès Varda, Georges Franju, William Klein, Jean-Luc Godard, H.G. Clouzot, François Truffaut, Alain Robbe-Grillet, Luis Buñuel and Jacques Rivette. 　　Director Stanojevic made two more features blending political themes with aspects of the fantastic. 1979's Subversion is about a country ruled by a paralyzed, blind president and his corrupt daughter. Diary of a Suicide has images of soldiers used as cannon fodder and anarchists dedicated to an assassination, but makes no real political statement. Its final twist is indeed a surprise, but an almost pointless one. 　　Facets Video's DVD of Diary of a Suicide is an acceptable flat transfer with English subtitles. For an extra we're given a lengthy video interview with the director. Stanojevic doesn't discuss Diary at length, preferring to give an unfocused talk about film funding and filmmaking in general.

A young man named Rick regularly gets drunk three sheets and seduces women, one after another. But this was not always the case. Once he had a family, rather beloved wife Elke and he was a sailor and had all the chances to become the captain of the ship. One day he was sent to the semi-annual cruise and Elke left alone. When he returned after a long absence, Rick learns that his wife has become a drug addict and a prostitute. Having found it, he realized that all was lost, and all life is too loses meaning for him, but then "rescue" comes the wife of his best friend Doreen, who tries to seduce him and make her lover. Having been refused, vindictive woman who brought Elke to such a state in the absence of her husband, decides to take revenge on cruel Rica. She finds a young girl like an ideal Rica, pays her money and asks that she "fell in love" him in himself, and then violently thrown. But events unfold in such a way that almost all the characters will regret their actions, and not all will survive until the finals ...

Michael Regardie is a lonely, delusional and sick religious zealot of his own invented faith -a faith that justifies hideous rituals of murder, rape and sexual torture. Absolution from his ..

微风起兮，夜正浓，孤城外。一群妇人燃起灯火，披挂红绫静静伫立于城门之下，她们的目光都放在远处，一片迷雾之中，她们在等待，等待外出作战的良人归来。曾几何时，整个城池的男人都为了保家卫国尽数而出，今日便是约定归来之日。时至黎明，忽有一阵马蹄声传来，打破了城外长久的沉默…… 　　本片为中国传媒大学艺术学部动画与数字艺术学院13级学生毕业作品。

微风起兮，夜正浓，孤城外。一群妇人燃起灯火，披挂红绫静静伫立于城门之下，她们的目光都放在远处，一片迷雾之中，她们在等待，等待外出作战的良人归来。曾几何时，整个城池的男人都为了保家卫国尽数而出，今日便是约定归来之日。时至黎明，忽有一阵马蹄声传来，打破了城外长久的沉默…… 　　本片为中国传媒大学艺术学部动画与数字艺术学院13级学生毕业作品。

The project provisionally titled “Forgotten Leaders” is a series of seven films, each featuring an individual from the leaders of the Soviet state in power during the time period from 1920 to 1953. Each episode is a filmed portrait depicting the story of life, political and public activities of its hero. The heroes of “The Forgotten Leaders” are 　　individuals ambiguous from the perspective of the Russian and world’s history and odious and often sharply negative in the eyes of public consciousness. Unfortunately, when labeling, we often forget that “each individual 　　is a tangle of contradictions” and that “history is written by the victors”. Seven men. Seven lives. One era. What was behind their decisions and at what was the price they paid for their deeds?

The project provisionally titled “Forgotten Leaders” is a series of seven films, each featuring an individual from the leaders of the Soviet state in power during the time period from 1920 to 1953. Each episode is a filmed portrait depicting the story of life, political and public activities of its hero. The heroes of “The Forgotten Leaders” are 　　individuals ambiguous from the perspective of the Russian and world’s history and odious and often sharply negative in the eyes of public consciousness. Unfortunately, when labeling, we often forget that “each individual 　　is a tangle of contradictions” and that “history is written by the victors”. Seven men. Seven lives. One era. What was behind their decisions and at what was the price they paid for their deeds?

《领导来了》是一部现实主义短片，故事的类型是讽刺喜剧，但结局带有悲剧色彩。在我过去的受教育经验中，我的中小学老师在每一次领导视察之前，总会请全校师生一起打扫卫生，还会要求我们上课时积极回答问题，对待领导的态度也⾮常殷勤。因此我常常思考，这些视察到底能不能反映一个学校的真实情况，据此产生了这个剧本。我希望通过这样的风格使这个故事更加生动，并且能给予观众更深刻的思考。

大魏国破，为了救下青梅竹马云哥哥，安宁公主跳下城楼，多年后两人再次相遇，公主成为花魁云曦，被迫卖山，危急时刻她遇见了穆景云，而云哥哥却不认识她了，二人之间总是有意外发生不停错过，她该如何自证回到穆景云身边？