在一座边境小镇达图，一支神秘武装力量突然强行登陆，占领了沿海村庄，妄图掀起一场惊心动魄地夺地行动。局势一触即发，当地军警措手不及，战火瞬间蔓延至民居与平民之间。特战小队为保护人民的安全临危受命，在情报混乱与通讯中断的情况下深入敌占区。他们不仅要面对敌军的埋伏和精密火力，还必须在有限时间内解救被扣为人质的平民，同时阻止一场规模更大的城市袭击计划。

在一座边境小镇达图，一支神秘武装力量突然强行登陆，占领了沿海村庄，妄图掀起一场惊心动魄地夺地行动。局势一触即发，当地军警措手不及，战火瞬间蔓延至民居与平民之间。特战小队为保护人民的安全临危受命，在情报混乱与通讯中断的情况下深入敌占区。他们不仅要面对敌军的埋伏和精密火力，还必须在有限时间内解救被扣为人质的平民，同时阻止一场规模更大的城市袭击计划。

穿越者偷窥真传弟子命运，被流放至云罗别院，激活修炼系统，躺平得经验值升级。他误提剑气诀悟出新境界，修为飙升成代理院主。王之轩仗势欺人，他强势镇压。后别院院主被杀，追凶时林小凡发现劫匪设局引诱气海境修士，这场生死局将颠覆云罗城命运。

穿越者偷窥真传弟子命运，被流放至云罗别院，激活修炼系统，躺平得经验值升级。他误提剑气诀悟出新境界，修为飙升成代理院主。王之轩仗势欺人，他强势镇压。后别院院主被杀，追凶时林小凡发现劫匪设局引诱气海境修士，这场生死局将颠覆云罗城命运。

电影《从邪恶中拯救我》确定制作番外篇连续剧《雷》（暂名），预计在国际OTT播出，李政宰主演并参与制作。 　　番外篇将讲述李政宰饰演的在日韩裔杀手“雷”的生平故事以及他和他追杀的目标之间的对决。 　　由《D.P.》金普通编剧执笔，申宇硕导演执导，原电影版《请拯救我于恶》洪元灿导演监制，预计明年开始投入制作。

电影《从邪恶中拯救我》确定制作番外篇连续剧《雷》（暂名），预计在国际OTT播出，李政宰主演并参与制作。 番外篇将讲述李政宰饰演的在日韩裔杀手“雷”的生平故事以及他和他追杀的目标之间的对决。 由《D.P.》金普通编剧执笔，申宇硕导演执导，原电影版《请拯救我于恶》洪元灿导演监制，预计明年开始投入制作。

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

Aki and Naoko are childhood friends who are drifting apart as adults. Immersed in her family life, Naoko now has a husband and daughter; Aki, on the other hand, remains single and is on leave from work due to a personal crisis. The plot might sound familiar but it has never been told like this. The director Kusano Natsuka stages the interactions through an actors’ table-read and, as the lines are repeated, the scenes gradually develop into on-location conversations. Moreover, she repositions the dramatic peak of the story to the beginning: Aki has murdered Naoko’s daughter. 　　Structurally inventive, Kusano's daring cinema implements ‘distantiation’ effects to get to the heart of friendship issues at times when life has settled. While the repetitions convey the suffocation of role patterns in both friendship and family, a line left out or added in unsettles and reminds us life can take unexpected turns.

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。

インターネットで知り合った昴と香。彼らは心中を図るため、香の故郷である岩手を目指す。ひきこもりの昴は謎の少女、香を前に死に対する自分の思いを再確認していく。