以玻璃彩绘构建争斗舞台，雌性老鼠与雄性大食蚁兽在卡通世界中交锋，隐喻两性冲突与社会结构的撕裂。

兩個生活背景大不同的女孩申請上警察學校，經過嚴格的測試、亂七八糟的關係與微妙的親情互動，她們的友誼也面臨挑戰。由海倫娜柏格史壯執導，曾榮獲2012年瑞典金甲蟲獎最佳女配角提名。

《Untitled Sequence of Gaps》由采用不同技法和材质的短片片段组成，它运用论文式电影的形式，通过对可见光谱之外的光——那些能被感知却从未被看见的事物——的反思，来探讨与创伤相关的记忆丧失问题。影片在行星宏观尺度、物理现象和情感主体形成的个人叙述之间切换，影片……

讲述的是一个少年不断与自己做抗争不断奋斗找到自己梦想的故事，在这个过程中他从为了他人而打乒乓球，变为为了实现自己的价值找到真正追逐梦想的乐趣而投身入运动中。

拉娜早期另一部比较罕见的作品。 In a small guriyskoy village, lost in the mountains of Georgia, is blind from birth girl Hatiya. Her only friend, orphan Dato, lives with his aunt, all the distinguished teacher Keto. The village is a wounded Red Army man Anatoly becomes focus of attention of children and women. But soon returned deserted Kolxoznyj foreman and explains their appearance inability to live without Keto... Lana Gogoberidze belongs to the generation of directors that made their débuts in the 1970s. With the Shengelaya brothers, Otar Ioseliani, Nana Mchelidze and others, she helped to introduce new genres to Georgian cinematography and bring a more personal tone. Gogoberidze works mainly with lyrical material and is drawn to the stories of young lives. She has also directed the films Pod odnim nebom (Under One Sky), Ya vizhu solntse (See the Sun), and Rubezhi (Frontiers). Lana Gogoberidze's film primarily focus on the realistic, nonsentimental, portrayal of women's lives. Before enrolling in the State Institute of Cinematography (VGIK) in Moscow, she attended the University of Tbilisi where she had originally planned on becoming a literary scholar. She wrote her doctoral thesis on American poet Walt Whitman. Upon graduating from VGIK, she made her first feature film, Pod odnim nebom (1961). Her first film to gain international recognition was Neskolko interviu po lichnym voprosam (1979). In 1984, her film Den Dlinnee nochi was entered into the Cannes Film Festival by her government. In 1986 her film Krugovorot won the director's award at the Tokyo Film Festival. Educated at Tbilisi State University and Moscow State University of Cinematography, she headed Director's Studio at the Rustaveli Theatre School, Tbilisi, in 1975 and directed the studio Kartuli P'ilmi (Georgia Film) in 1988. She was elected to the Parliament of Georgia from 1992 to 1995. In 2004, she served as Georgia's Ambassador to France. Her fiction and documentary movies have won several international awards.

2005年1月25日，《凝望上帝》(“Their Eyes Were Watching God”)剧照。在这部根据美国黑人女作家Zora Neale Hurston 的长篇小说改编的电视剧集中，“黑珍珠”哈莉·贝瑞出演一名美丽活泼，充满热情而又敢于和种族歧视作斗争的黑人姑娘 众人艳羡的“邦女郎”形象总算给哈里-贝瑞完全毁坏了，她在最近拍摄的一部新片中蓬头垢面、肮里肮脏让人辨认不出本来面目不说，甚至还在出场时抱着一只猪！ 这位好莱坞性感女星在新片《Their Eyes Were Watching God》中饰演村姑简妮-克劳馥德，该片描述简妮与1920年代美国南方农村中的种族主义作斗争的故事。在片中几个农场劳动场景中，38岁的贝瑞兴高采烈地抱着一只臭烘烘的猪仔满脸满身脏兮兮地出场，头发和着黑泥都粘在脸上，衣服邋遢破烂，只有灿烂的笑容和洁白的牙齿还多少暗示出这其实是一位美女。然而影片的噱头也就在这里，可以预料很多观众都会对贝瑞的自毁形象感到兴趣，从而主动前来为该片票房做贡献。而片中贝瑞也并不总是一幅肮脏形象，当她干干净净穿着雪白的衣服出场的时候，观众可以明显得看出她显得更加开心了。这时她的爆炸式长发的非洲发型和朴素简单有如“白雪公主”的连衣裙，让她看上去像一个普普通通的邻家少女，星味全脱。

23岁的萨米姆是塔利班意识形态的忠实信徒，这一意识形态自他出生起就塑造了他的命运。他在殉道的诱人承诺与作为丈夫、农民的日常琐碎生活之间挣扎。 萨米姆14岁的弟弟拉菲崇拜着哥哥，他在青春期的迷茫中摸索，告别了顽皮，踏入了一个被数十年军事干预及由此引发的激进主义所塑造的世界。

白栀栀先是被丈夫周子期误会偷情霍以琛，又被情敌徐曦曦和小叔子周子泽逼迫含冤跳河。却没想重生成了财阀大小姐上官曼妮。上官曼妮计划复仇，却又面对霍以琛的温柔深情渐渐动心，想要放下仇恨。怎料得知真相的周子期陷入疯狂，誓要夺回白栀栀。而此时徐曦曦也发起了她最后的报复计划。最终在一声爆炸巨响中，一切尘埃落定，却已物是人非。

人间百态，酸甜苦辣咸，各感不同。失去身份的警察、没有名分的女人、身世成谜的囚徒、痛失至亲的士兵、懵懂敏感的女孩……他们各自在与这个人间相互拉扯，相互琢磨，相互追逐。在一次次爱与现实折磨的拉扯后，他们最终可以自在地人间嬉戏，还是永坠深渊间隙？