身为权臣之女，薛朝自幼便以权谋家为目标，心狠手辣，不择手段。她周旋于各色权贵之间，视“母仪天下”为毕生追求。当她以为唾手可得权力中心时，父亲却将她许配给不成器的端凝侯。为了家族荣耀和母亲的遗愿，薛朝接受了这场不情愿的婚姻，但她心中另有盘算。她利用青梅竹马陆展骁对自己的深情，借其出征之机，一步棋先行。随后，她嫁入端凝侯府，表面顺从，实则暗中布局，目标直指侯府善于经营的嫡长女燕乔，意图利用她的智谋与财富，打破男人主导的权谋棋局。薛朝不甘被命运束缚，誓要凭借自己的智慧与魅力，搅乱这天下，站上权力之巅，书写属于自己的传奇。

太师之女苏念薇与御史顾昭庭因联姻结合，顾昭庭出使边塞带回自称现代的刘晴晴，两人形影不离。面对丈夫的偏袒与刘晴晴的挑衅，苏念薇不动声色布局，借户籍漏洞、官府之力等步步为营，最终让谋害佃户的刘晴晴沦为马戏团 “花瓶美人”，顾昭庭也因目睹惨状被吓死。苏念薇手握家产与诰命身份，从此逍遥自在。

长公主为弥补朝廷两次粮草亏空的失误，毅然披上男装，亲自押送粮草奔赴边关。不料途中遭遇迷药袭击，被边关守将谢莫以“检查”为名打晕。醒来后，她面对谢莫的嘲讽与不敬，虽恼怒却不得不暂时隐忍。谢莫的“苦肉计”让她进退两难，而她与谢莫在军营中的一系列冲突，从“扎马步”的羞辱到街头的“怜香惜玉”，再到擂台比武的挑衅，层层揭开了边关的真相，也让她与这位看似狂妄的将军之间，萌生出难以言喻的复杂情感。

父皇临终前将皇位传给唯一的女儿，新女帝登基，却面临满朝文武的质疑与不服。她巧妙运用“赐婚”手段，将曾拒绝她的丞相之子沈昭衡赐婚给自己的乳娘，以此震慑群臣，巩固权力。同时，她揭露了生母与誉王长达多年的私情，以及他们企图谋夺皇位的阴谋，甚至发现了导致自己兄长夭折的“烙子汤”真相。女帝在权力的漩涡中，不仅要面对外部的挑战，还要处理错综复杂的宫廷恩怨，一场关于权力、爱情与血脉的惊心动魄的斗争就此展开。

女主本是医学界的翘楚，被男友杀害，没想到重生在富家嫡女身上，但是醒来却在精神病院，没想到重生的这一世是更大的家族纷争...

古代墓葬是历史留给今人的一份独特的文化遗存。中国古人推崇“事死如事生”，从新石器时代开始，古人就有意识地营建墓葬埋葬逝者。这些墓葬的大小，随葬器物的多少，都体现出墓主人生前的富有与尊贵。绛县横水墓地荒帷的发现，填补了中国考古历史的一项空白，也让今天的人们第一次如此清晰地了解到荒帷的模样。

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang

该剧已停止拍摄。英国BBC的王牌IP《9号秘事》中国版，是BBC Studios在中国大陆首部与本土公司共同研发创作、针对中国市场量身定制的创新单元剧。每一集都是一个独立的故事，在封闭空间和规定时长内，展现人性的多变，融入黑色幽默和极致反转，带来一场意料之外却又在情理之中的脑力盛宴。

英国BBC王牌IP《9号秘事》中国版，是BBC Studios在中国大陆首部与本土公司共研共创，针对中国市场量身打造的创新单元剧。每集一个独立故事，在封闭空间、规定时长下，展现人性反复，黑色幽默加极致反转，创造意料之外又情理之中的脑力盛宴。