孤儿出身的农村青年赵光（黄宏 饰）打小吃百家饭长大，经过多年勤劳致富，终于成为不大不小的养鸡专业户，生活条件改善了的赵光知恩图报，为福利院的孤儿们慷慨捐款，面对媒体的热情采访，赵光声称“愿为所有孤儿当爹。”岂料一句话竟真的引来了一群无家可归的孩子投奔，未婚青年赵光成了孩子头，未婚妻刘桂清（李琳 饰）一家对赵光的大话颇为不满，村民们也为孩子们的淘气头疼不已，骑虎难下的赵光决定凭一己之力照顾好25个孩子的生活，从父母到老师的角色全部亲力亲为……最终赵光的努力与诚意能够得到美满的结局么？ 　　本片取材于真人真事，由喜剧演员黄宏在北大读研期间指导，获2002年金鸡奖导演处女作奖。

孤儿出身的农村青年赵光（黄宏 饰）打小吃百家饭长大，经过多年勤劳致富，终于成为不大不小的养鸡专业户，生活条件改善了的赵光知恩图报，为福利院的孤儿们慷慨捐款，面对媒体的热情采访，赵光声称“愿为所有孤儿当爹。”岂料一句话竟真的引来了一群无家可归的孩子投奔，未婚青年赵光成了孩子头，未婚妻刘桂清（李琳 饰）一家对赵光的大话颇为不满，村民们也为孩子们的淘气头疼不已，骑虎难下的赵光决定凭一己之力照顾好25个孩子的生活，从父母到老师的角色全部亲力亲为……最终赵光的努力与诚意能够得到美满的结局么？ 　　本片取材于真人真事，由喜剧演员黄宏在北大读研期间指导，获2002年金鸡奖导演处女作奖。

許久不見的克里斯提安(43歲)與吉奧(45歲)，終於在他們父親的葬禮上重逢。個性截然不同的兄弟難得聚在一起，在守靈夜酒酣耳熱之際，臨時起意決定去實現小時候的夢想-騎著電動自行車進行一趟從黑森林到波羅的海、橫越整片德國的冒險旅程。在這段時速最高僅25公里的漫活旅程中，兩人經歷了許多意想不到的遭遇，也重新認識了彼此，甚至改變了他們往後的人生。

超燃的艰苦拓荒生存真人秀《十五个少年在荒岛》，坐等少年们书写硬核成长日志！

南柱赫、金泰梨有望主演tvN新剧《二十五 二十一》(스물다섯 스물하나，暂译)。该剧由郑志贤(《国王：永远的君主》)执导，权度恩(《请输入搜索词：WWW》)…

在梦想仿若难以触及的时代，心怀大志的击剑少女邂逅了努力奋进的年轻男子，该男子正努力重塑自我人生。

Jem Cohen’s newest film is a personal, essayistic documentary in 15 chapters. The director composes images, sound and music with remarkable intensity, combining them into a hypnotic foray through the metropolises of our world: New York, Moscow, St. Petersburg, Istanbul, Porto and a city intended to remain unknown. Time passes and stands still at the same time. The camera is like a magnet for attracting and capturing the ephemeral: Flickering lights in windows, bunting and plastic bags fluttering in the wind. Snapshots of places both popular and unknown and of people, striking observations of everyday life, a tender gauging of reality, snippets of voiceovers in passing. It is life itself that the director shows us. Jem Cohen is at once a flaneur and a street smart worker, with his film an archive of his steps – a storeroom replete with dreamlike memories, including ones of Chris Marker’s Chats perchés. Cats of all shapes and sizes appear in the frame again and again. Counting is like taking a Sunday walk through spatial and temporal interstices, as touching as it is magical. berlinale 2015

Jem Cohen’s newest film is a personal, essayistic documentary in 15 chapters. The director composes images, sound and music with remarkable intensity, combining them into a hypnotic foray through the metropolises of our world: New York, Moscow, St. Petersburg, Istanbul, Porto and a city intended to remain unknown. Time passes and stands still at the same time. The camera is like a magnet for attracting and capturing the ephemeral: Flickering lights in windows, bunting and plastic bags fluttering in the wind. Snapshots of places both popular and unknown and of people, striking observations of everyday life, a tender gauging of reality, snippets of voiceovers in passing. It is life itself that the director shows us. Jem Cohen is at once a flaneur and a street smart worker, with his film an archive of his steps – a storeroom replete with dreamlike memories, including ones of Chris Marker’s Chats perchés. Cats of all shapes and sizes appear in the frame again and again. Counting is like taking a Sunday walk through spatial and temporal interstices, as touching as it is magical. berlinale 2015