British District Officer in Nigeria in the 1930's rules his area strictly but justly, and struggles with gun-runners and slavers with the aid of a loyal native chief.

British District Officer in Nigeria in the 1930's rules his area strictly but justly, and struggles with gun-runners and slavers with the aid of a loyal native chief.

This BBC comedy skit show is the brainchild of longtime comedy duo Dawn French and Jennifer Saunders. Each episode would feature satire on British life, television, and parodies on big box office films such as Batman Forever and Pulp Fiction. The duo also invited notable Brits such as Patsy Kensit, Lulu, and Kate Moss.

This BBC comedy skit show is the brainchild of longtime comedy duo Dawn French and Jennifer Saunders. Each episode would feature satire on British life, television, and parodies on big box office films such as Batman Forever and Pulp Fiction. The duo also invited notable Brits such as Patsy Kensit, Lulu, and Kate Moss.

HBO television sitcom about Larry Sanders, a talk-show host. This show goes 'behind-the-scenes' to reveal Larry's humorous interactions with the producers and guests.

HBO television sitcom about Larry Sanders, a talk-show host. This show goes 'behind-the-scenes' to reveal Larry's humorous interactions with the producers and guests.

it was interesting to see the acrobatic Japanese actors of the Tenjosajiki company in Shuji Terayama’s Directions to servants. The title and some of the text were taken from Swift’s satire, but the main inspiration seemed to come from Genet’s Les bonnes. Multiplying the maids into a large cast of servants, male and female, who take it in turns to imitate the master, Tereyama has physicalized and partly mechanized the action. Domination is imposed partly through machines—we see a man submitting to an imperious voice on a tape recorder, lowering his trousers and climbing inside a sadistic machine that beats his bare buttocks. 　　The ingenuity, the sadism and the offbeat humour are all characteristic of the production. The main cruelty to the audience was in the over-amplification of J.A. Seazer’s music. I sat with my hands over my ears for a lot of the time. The visual assault was almost equally strong, and some of the theatrical imagery was quite unlike anything that had been seen in this country. In one meticulously choreographed sequence the servant playing at being master throws a bone to a succession of servants who play at being dogs. In another, a servant trying to steal food from a cupboard is terrified to find that it is like a puzzle: each panel conceals a face that sings at him accusingly, and he can silence it only by sliding a panel that reveals another singing face.

it was interesting to see the acrobatic Japanese actors of the Tenjosajiki company in Shuji Terayama’s Directions to servants. The title and some of the text were taken from Swift’s satire, but the main inspiration seemed to come from Genet’s Les bonnes. Multiplying the maids into a large cast of servants, male and female, who take it in turns to imitate the master, Tereyama has physicalized and partly mechanized the action. Domination is imposed partly through machines—we see a man submitting to an imperious voice on a tape recorder, lowering his trousers and climbing inside a sadistic machine that beats his bare buttocks. 　　The ingenuity, the sadism and the offbeat humour are all characteristic of the production. The main cruelty to the audience was in the over-amplification of J.A. Seazer’s music. I sat with my hands over my ears for a lot of the time. The visual assault was almost equally strong, and some of the theatrical imagery was quite unlike anything that had been seen in this country. In one meticulously choreographed sequence the servant playing at being master throws a bone to a succession of servants who play at being dogs. In another, a servant trying to steal food from a cupboard is terrified to find that it is like a puzzle: each panel conceals a face that sings at him accusingly, and he can silence it only by sliding a panel that reveals another singing face.

父亲包著石膏躺在客厅沙发，不愿卸下患者的身份，胜文在驾训班教练车内盯著一旁的教练，他不想面对家裡以及不断在逃避的父亲，但似乎也无法面对身旁这位教练，渐渐的，胜文融入了他父亲的倒影。

一部非常非常有趣的喜剧。有些花言巧语只能被懂捷克语的人理解（比如无牙帮派头目的演讲）。这部电影中有许多枪杀案，但即使是最小的孩子也喜欢。主要情节是两个敌对帮派（一个来自“Michigo”，另一个来自“San Bonigo”）为支票而斗争，一个安静的学校教师被发现是一个变态的连环谋杀。 　　这部电影与《利莫纳多维乔》和《德迪西特维》一起登上了所有捷克喜剧的榜首。这是一部罕见的电影，优秀的导演和优秀的剧组合作，他们都用巧妙的剧本。同样，所有的卡贾·索德克的“漫画画”都是惊人的。“商业中断”的想法很聪明，而且在每种情况下都非常聪明。这部电影中的每一句话、每一行和每一个手势都非常准时，我个人觉得几乎每一行都非常有趣。