尼诺（韦斯利·斯奈普斯 Wesley Snipes 饰）刚开始只是一个混迹街头的小混混，之后和一群好兄弟们创立了帮派。他们的志向非常的宏大，那就是成为纽约最大的毒枭。尼诺的行事风格非常毒辣，任何想要挡在他前面，或是想要分一杯羹的人都只有死路一条。在杀掉了他的所有竞争对手之后，尼诺的梦想终于实现了。 　　尽管城里的警察们看到了尼诺都要绕道走，但初出茅庐的年轻刑警斯科特（艾斯提 Ice-T 饰）却偏偏不信这个邪。他派出了自己的线人潜入帮派做卧底，可狡猾的尼诺很快就拆穿了斯科特的把戏，更糟的是，就连斯科特自己也染上了毒瘾。

In an ominous Lisbon courtyard where the last executioner of the kingdom once lived, an accident is waiting to happen. After a patient game of who's observing who, four characters will collide with dire consequences. Based on the short story A Fratricide by Franz Kafka, this is a masterclass in slow cinema, a pure 16mm cinematic pleasure by André Gil Mata. 　　源自：https://iffr.com/en/iffr/2023/films/p%C3%A1tio-do-carrasco

In an ominous Lisbon courtyard where the last executioner of the kingdom once lived, an accident is waiting to happen. After a patient game of who's observing who, four characters will collide with dire consequences. Based on the short story A Fratricide by Franz Kafka, this is a masterclass in slow cinema, a pure 16mm cinematic pleasure by André Gil Mata. 　　源自：https://iffr.com/en/iffr/2023/films/p%C3%A1tio-do-carrasco

一张古董床讲述了20世纪几十年来各种人在床上做爱的激情故事。这些人包括一位可爱的年轻处女、一位帮助一位被抛弃的女人向她不忠的丈夫报仇的狡猾妓女、一位正在休假两小时的二战德国士兵，以及一对无忧无虑的现代夫妇

一张古董床讲述了20世纪几十年来各种人在床上做爱的激情故事。这些人包括一位可爱的年轻处女、一位帮助一位被抛弃的女人向她不忠的丈夫报仇的狡猾妓女、一位正在休假两小时的二战德国士兵，以及一对无忧无虑的现代夫妇

首播于2006年1月9日，英国第四频道。在这部纪录片里，英国著名公共知识分子，生物学者Richard Dawkins向公众揭示了为什么他认为以基督教为代表的有组织一神论宗教正在成为文明与进步的桎梏。

首播于2006年1月9日，英国第四频道。在这部纪录片里，英国著名公共知识分子，生物学者Richard Dawkins向公众揭示了为什么他认为以基督教为代表的有组织一神论宗教正在成为文明与进步的桎梏。

Fire, water, earth, air. Voices of fictional characters – sometimes suggestive, sometimes strict – leading the viewer away from the here and now. Who's talking? The relationship between the hypnotised subject and the hypnotist is mirrored in the spectator's relationship to the screen. 　　"While he mused on the effect of the flowing sands, he was seized from time to time by hallucinations in which he himself began to move with the flow." - Kobo Abe 　　Liminal zones. Floating particles. Fire, water, earth, air. Voices of fictional characters: sometimes suggestive, sometimes strict, leading the viewer away from the here and now. Who's talking? The relationship between the hypnotized subject and the hypnotist is mirrored in the spectator's relationship to the screen.