Bug is a 12-year-old girl who finds out that her grandpa, the town's retired sheriff, may have committed and covered up a racially motivated murder years ago. Now Bug is out to right an old wrong.

Citronella, a mosquito who faints at the sight of blood, nervously waits outside her first group therapy session, while the Pill Bug therapist, Dr. Pill tries to calm a neurotic group of bugs, each suffering from a mental-health issue: An OCD germaphobic Fly freaks when he runs out of hand sanitizer. A Dragonfly couple struggle with co-dependency; she's literally on top of him. A Grasshopper, addicted to coffee, is so jumpy, he launches himself in mid-sentence. A Praying Mantis who doesn't pray because she thinks she is God. A terrified Spider is deathly afraid of -- spiders. And, a perfectly-camouflaged Stick Bug complains that no one ever "sees" him. Throughout all this, Citronella battles her urge to flee - while Dr. Pill implores her to share her "embarrassing" problem.

Runaway billionaire found true love, But the obstacle is her mother and his rival.

A Thai man marries a hill tribe girl who is kidnapped by gangsters.

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

中国传媒大学2021届（2017级）动画联合创作

描述美国政府的细菌战实验室遭遇意外，一些足以令人致命的病毒从实验室的容器中流失，将实验室中几名科学家杀死。其中最厉害的一种病毒称为“撒旦病菌”，它能够杀死任何人，而这种病菌可能被一名疯子偷去了，于是当局想尽办法追踪捉拿这名疯子。

Corrupted Blood is a digital archaeological study that examines the infamous digital plague from World of Warcraft. In the game, a contagious bug known as corrupted blood spread rapidly among players’ avatars, creating chaos and unforeseen challenges for the virtual community. This work employs Unreal Engine and machinima techniques to reconstruct the digital aftermath, inviting viewers to navigate the overlooked backstage of game development. By revisiting the digital ruins—termed Fallen Blood—the piece charts a journey through a space once overwhelmed by a viral outbreak and subsequently purged through debugging. The work interrogates how cyberspace is mapped and redefined when digital catastrophe strikes. It also connects the impersonal, gamified portrayal of death with broader reflections on mortality, especially against the backdrop of our post-epidemic era. Through its synthesis of digital art and archival inquiry, Corrupted Blood prompts us to reconsider the relationship between virtual existence and physical life, asking how technology reshapes our understanding of life, death, and the spaces that exist between.

凹凸君，两枚会写歌会跳舞的可爱男孩子.

凹凸君，两枚会写歌会跳舞的可爱男孩子.