《世纪末的爱》是曾执导电影《69岁》的林善爱导演的下一部作品，就像题目一样，以世纪末1999年的冬天为背景，讲述了新千年即将到来之际混乱的社会面貌。李裕英在剧中饰演零部件工厂经理科长"金英美" 是不符合社会规定标准的人物之一。特别是她的性格非常封闭，与同事们相处得并不融洽。

《世纪末的爱》是曾执导电影《69岁》的林善爱导演的下一部作品，就像题目一样，以世纪末1999年的冬天为背景，讲述了新千年即将到来之际混乱的社会面貌。李裕英在剧中饰演零部件工厂经理科长"金英美" 是不符合社会规定标准的人物之一。特别是她的性格非常封闭，与同事们相处得并不融洽。

20世纪30年代末，世界局势动荡不安，南美洲的巴西也处在风雨飘摇的前夕。十几岁的俊美少年雨果（Marcelo Ribeiro 饰）随着祖母薇薇从乡下来到首都，因为生计困难，祖母将雨果推给了他的生身母亲安娜（Vera Fischer 饰）。安娜美丽性感，是政客奥萨马博士（Tarcísio Meira 饰）的情人，她和另一个美丽的女子劳拉（Íris Bruzzi 饰）联合打理着奥萨马的豪华宅邸。这个华贵的地方住着许多姿色绝伦的女孩，他们全部是奥萨马用于笼络政客的工具。雨果那双纯洁忧郁的眼睛，目睹了许许多多成人世界的丑恶，也经历了自己心中最初的萌动…… 　　本片荣获1982年巴西电影节最佳女演员奖（Vera Fischer）。

20世纪30年代末，世界局势动荡不安，南美洲的巴西也处在风雨飘摇的前夕。十几岁的俊美少年雨果（Marcelo Ribeiro 饰）随着祖母薇薇从乡下来到首都，因为生计困难，祖母将雨果推给了他的生身母亲安娜（Vera Fischer 饰）。安娜美丽性感，是政客奥萨马博士（Tarcísio Meira 饰）的情人，她和另一个美丽的女子劳拉（Íris Bruzzi 饰）联合打理着奥萨马的豪华宅邸。这个华贵的地方住着许多姿色绝伦的女孩，他们全部是奥萨马用于笼络政客的工具。雨果那双纯洁忧郁的眼睛，目睹了许许多多成人世界的丑恶，也经历了自己心中最初的萌动…… 　　本片荣获1982年巴西电影节最佳女演员奖（Vera Fischer）。

出租汽车司机的儿子Amit和富有企业家的女儿Reema坠入爱河。 然而Reema的父亲想要她与孟买最大恶势力,黑帮老大Sudhirdhai的儿子Vicky结婚。他们的爱将如何战胜邪恶？

出租汽车司机的儿子Amit和富有企业家的女儿Reema坠入爱河。 然而Reema的父亲想要她与孟买最大恶势力,黑帮老大Sudhirdhai的儿子Vicky结婚。他们的爱将如何战胜邪恶？

A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? 　　The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. 　　The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. 　　By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.

A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself? 　　The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery. 　　The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues. 　　By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.

经营公共浴池幸之汤的幸野家被迫歇业，因为男主人一浩在一年前突然下落不明。他的妻子双叶任劳任怨，独自支撑着家里的大小事务，然而渐渐感到力不从心，女儿安澄在学校内备受欺凌，心情抑郁。经过医生检查，双叶已经到了癌症晚期，上天留给她的时间极其有限。双叶收起泪水，通过私家侦探找回了曾和其他女人同居的丈夫以及一浩的另一个女儿。她鼓励安澄坚强面对学校的磨难，以饱满的精神面对命运加诸于他们身上的一切。双叶接近确立为家人送去最后的温暖…… 宫泽理惠凭借精彩的演出赢得2017年第40届日本电影学院奖最佳女主角奖。

经营公共浴池幸之汤的幸野家被迫歇业，因为男主人一浩在一年前突然下落不明。他的妻子双叶任劳任怨，独自支撑着家里的大小事务，然而渐渐感到力不从心，女儿安澄在学校内备受欺凌，心情抑郁。经过医生检查，双叶已经到了癌症晚期，上天留给她的时间极其有限。双叶收起泪水，通过私家侦探找回了曾和其他女人同居的丈夫以及一浩的另一个女儿。她鼓励安澄坚强面对学校的磨难，以饱满的精神面对命运加诸于他们身上的一切。双叶接近确立为家人送去最后的温暖…… 宫泽理惠凭借精彩的演出赢得2017年第40届日本电影学院奖最佳女主角奖。