根据50岁阿姨自驾游真人故事改编。天真浪漫的李红（咏梅 饰）一生有过许多梦想，18岁时憧憬大学，25岁时憧憬爱情，45岁时憧憬远游……但为了那些“对别人来说更重要”的事，她只能一等再等，也一再错过。50岁，她决心不再等待，活出不一样的人生！

根据50岁阿姨自驾游故事改编。天真浪漫的李红（咏梅 饰）一生有过许多梦想，18岁时憧憬大学，25岁时憧憬爱情，45岁时憧憬远游……但为了那些“对别人来说更重要”的事，她只能一等再等，也一再错过。50岁，她决心不再等待，活出不一样的人生！

故事讲述了原本在城市工作的青年黎鹰放弃外企高管职位，进入农村创业的励志故事，黎鹰以亲身参与的方式见证了中国美丽乡村建设的巨大成就，成了远近闻名的“马老板”。

中国首部女性公路电影，从女性视角出发，讲述了三个不同年龄、不同社会背景的都市女性各自不同的生活经历和情感故事。在经历了痛苦挣扎和内心的情感纠葛之后，三个女人各自踏上旅程，并在旅途中相逢、相识、相知、相惜。她们一边“行走”，一边重新认识自己、证实自己，对婚姻与家庭、理想与人生重新审视、重新定位，与逆境进行着不屈的抗争，以无畏的气势面对困难，勇敢追求着自己的信仰和真实的自我，努力争取精神的独立和灵魂的自由。本片以女性的视角，用女性的语言，女性的思维，讲述女性的故事。

故事讲述了原本在城市工作的青年黎鹰放弃外企高管职位，进入农村创业的励志故事，黎鹰以亲身参与的方式见证了中国美丽乡村建设的巨大成就，成了远近闻名的“马老板”。

三位女性分别被人生不同阶段的问题困惑，因而出走，在旅途中相遇，由陌生到熟悉，而三位“娜拉”在旅途中的职责划分也非常清晰，单纯却怕麻烦的璐璐、善…

杰弗里·迪恩·摩根、大卫·斯特雷泽恩将主演徒步[出走的乔](Walkaway Joe，暂译)。本片是汤姆·怀特的首部执导的电影作品，迈克尔·米里洛操刀剧本。故…

The mother of animation director Rebecca Blöcher didn’t want to live an ordinary life. She wanted “something more,” she explains in this stop-motion film. The people around her didn’t understand—in a letter written in 1968, a girlfriend criticizes her for going out on her own and making men jealous, while advising her to dress in a more “feminine” way and to join a cooking course. Blöcher’s mother brushed aside the advice. Years later still, she divorced her husband and stepped into the big wide world. 　　In Mama Micra the mother is a figure made of felt who recalls, in her own voice, her powerful urge to find freedom: “I was a real vagabond,” she explains. She traveled to Syria and Beirut, and envied the nomads in the desert. During the last 10 years of her life she lived in a Nissan Micra, washing in the morning in hotel bathrooms and sneaking into breakfast rooms to eat. 　　Her freedom came at a cost. She lost contact with her daughter, who counterpoints her mother’s account with her own recollections. But no harm is irreparable in this affectionate film.

The mother of animation director Rebecca Blöcher didn’t want to live an ordinary life. She wanted “something more,” she explains in this stop-motion film. The people around her didn’t understand—in a letter written in 1968, a girlfriend criticizes her for going out on her own and making men jealous, while advising her to dress in a more “feminine” way and to join a cooking course. Blöcher’s mother brushed aside the advice. Years later still, she divorced her husband and stepped into the big wide world. 　　In Mama Micra the mother is a figure made of felt who recalls, in her own voice, her powerful urge to find freedom: “I was a real vagabond,” she explains. She traveled to Syria and Beirut, and envied the nomads in the desert. During the last 10 years of her life she lived in a Nissan Micra, washing in the morning in hotel bathrooms and sneaking into breakfast rooms to eat. 　　Her freedom came at a cost. She lost contact with her daughter, who counterpoints her mother’s account with her own recollections. But no harm is irreparable in this affectionate film.

小镇的冬天，即将面临升学压力的陈小南和李婷还在街上游荡。李婷因受不了父亲的偏心和暴力，决定离家出走。常年和爷爷生活的陈小南在冬天过后也将离开这里，和父亲重新组建的家庭一起生活，她决定帮助李婷出走，可随之而来的一系列变故也让陈小南做出了和李婷同样的选择。