Edge of the Knife is a feature length Haida language film about pride, tragedy, and penance. Adiits’ii, the lead character in the film, is mentally and physically pushed to the brink of survival and becomes Gaagiixiid/Gaagiid - the Haida Wildman. The Gaagiixiid is one of Haida’s most popular stories, sustained over the years though song and performance. This project is a community initiative with strong support from the Haida people as well as from the Council of the Haida Nation.

西南三江市，两起恶性案件的发生让缉毒警高扬和刑警队长武刚盯上了一种新型毒品，以及其背后隐藏的犯罪组织和官商勾结的黑幕。在公检法部门的通力合作下，专案组最终成功摧毁犯罪组织，并将幕后的腐败分子绳之以法。

Edge of the Knife is a feature length Haida language film about pride, tragedy, and penance. Adiits’ii, the lead character in the film, is mentally and physically pushed to the brink of survival and becomes Gaagiixiid/Gaagiid - the Haida Wildman. The Gaagiixiid is one of Haida’s most popular stories, sustained over the years though song and performance. This project is a community initiative with strong support from the Haida people as well as from the Council of the Haida Nation.

西南三江市，两起恶性案件的发生让缉毒警高扬和刑警队长武刚盯上了一种新型毒品，以及其背后隐藏的犯罪组织和官商勾结的黑幕。在公检法部门的通力合作下，专案组最终成功摧毁犯罪组织，并将幕后的腐败分子绳之以法。

At a preview theatre, a filmmaker waits in the hope of getting his sci-fi film certified with ‘no cuts’ by the conservative all-male jury of the Indian Censor Board. The jury finds a particular kissing scene in the film beyond the duration stipulated by official rules.

At a preview theatre, a filmmaker waits in the hope of getting his sci-fi film certified with ‘no cuts’ by the conservative all-male jury of the Indian Censor Board. The jury finds a particular kissing scene in the film beyond the duration stipulated by official rules.

At a preview theatre, a filmmaker waits in the hope of getting his sci-fi film certified with ‘no cuts’ by the conservative all-male jury of the Indian Censor Board. The jury finds a particular kissing scene in the film beyond the duration stipulated by official rules.

Paris, 1887. Duels have been officially outlawed but are still regular practice. For many, they are the only way to defend their honor. Fencing master Clément Lacaze tries in vain to prevent his nephew from engaging in an uneven duel with the more experienced Colonel Berchère. Marie-Rose Astié de Valsayre, a feminist fighting for women’s equality, tries to show that honor is not just a male affair. Actor and director Vincent Perez’s historical film makes excellent use of various forms of duels – with épées, pistols, and sabres on horseback. 　　源自：https://www.kviff.com/en/programme/film/63/40763-the-edge-of-the-blade

Paris, 1887. Duels have been officially outlawed but are still regular practice. For many, they are the only way to defend their honor. Fencing master Clément Lacaze tries in vain to prevent his nephew from engaging in an uneven duel with the more experienced Colonel Berchère. Marie-Rose Astié de Valsayre, a feminist fighting for women’s equality, tries to show that honor is not just a male affair. Actor and director Vincent Perez’s historical film makes excellent use of various forms of duels – with épées, pistols, and sabres on horseback. 　　源自：https://www.kviff.com/en/programme/film/63/40763-the-edge-of-the-blade

许月沉和陆屿在大学时候相爱交往，林雪柔却由于上一世对男主的执念，一直离间男女主感情，让男主误会女主，伤害女主，直到男女主的孩子被彻底害死，男主才悔恨不已，把女配送进监狱。女配癫狂不已，可再次醒来，却发现原来自己成为恶毒女配都只是一场梦，看着男女主幸福的样子，决定祝福他们，寻找自己的幸福。