文涛向秦峰道歉，称无法履约并愿还钱。秦峰不在意，让艾利接替顾悦，还送别墅怂恿二人。艾利突然持刀刺文涛，被其挣脱。秦峰现身，坦言自己需换肾，文涛肾源匹配，此前皆为夺肾设计，顾悦是被栽赃。警察与顾悦赶到，顾悦拿出文涛的录音笔揭穿阴谋，秦峰、艾利被捕。顾悦告知文涛，秦峰是养父养子，恩将仇报夺家产，害她父亲。文涛庆幸信她，顾悦（本名曼歌）提议在一起，文涛答应。两人牵手时顾悦恶心似怀孕，文涛接电话得知母亲康复，见面后母亲猜顾悦怀孕，三人欢喜。文涛承诺对顾悦好，两人相拥，期待新生活。

宁萱从警局询问闺蜜顾丽莎弟弟顾宁霖的走失案进展，无果后提及新同事李轩给她熟悉感，疑似顾宁霖。顾丽莎让她多接触了解，宁萱便邀李轩喝咖啡，趁机收起他的咖啡杯做DNA鉴定，还和顾丽莎比对照片、回忆细节。最终鉴定结果证实李轩就是顾宁霖，顾丽莎激动邀请他来家，见面后姐弟俩相认，多年离散就此圆满落幕。

《合家欢》是太合音乐集团集合旗下及合作所有厂牌和艺人联合出演的视频内容产品，艺人阵容包括但不仅限于薛之谦、老狼，郑钧，窦唯，陶晶莹，田馥甄、许光汉，许嵩、阿朵，张亚东，谭维维，徐佳莹，杨乃文，Click#15乐队，果味vc，面孔，陆思恒，徐炳超等等知名音乐人和乐队，及旗下和合作多厂牌，如在水星，太合麦田，JZ Club，明堂唱片，形上音乐等。节目内容跨主题涵盖，运动短综，游戏、推理、音乐视频首发等，数量高达20余个，大年初七上线的年会非常夜。

化学老师威尔•邓肯是个少有的诚实厚道的好人，他做人诚信，从不说谎，拾金不昧，乐于助人。为了娶法官本•法斯沃斯的女儿安妮为妻，他答应法官存够一万美元，也就是一百万个美分。为此他拼命节省开支，并开了一家小古董店。一天，他在从情敌乔治手中以五美元买来的地球仪中，发现了十五万美金。正想寻找失主，不料却被当成小偷被捕入狱。而当失主出现时，发现地球仪中早已空无一物。威尔再次被送上法庭，他将如何面对庭审？而地球仪中的巨款又在何处呢？

《分分钟做好美味中餐》是以民间中华美食大使黄瀞忆的同名烹饪书为基础制作的系列剧，我们将看到黄瀞忆教授两位新手如何烹饪中餐，在每一集中她都准备了两道正宗的经典中国菜，由两位从未尝试过烹饪中国菜的参与者在一旁观看。随后两位参与者将挑战自己，每人分别试着做一道之前学过的中国菜，与此同时，我们的主厨会烹饪第三道美食作为补充。

新垣结衣在上海拍摄的心情短剧。新垣结衣一人分饰两角，讲说她独自到上海旅行，偶遇与自己长相一模一样的女生

The fear of being overwhelmed by the outside world can almost litterally make you lose your head...

A diary film about a relationship between a man (Alain Cavalier) and a woman, told entirely through voice-overs by the two participants, spoken over largely static images (of household objects, animals, parts of the body, rooms, landscapes etc.). At times an emotional direction emerges (an articulation of love, loss, frustration), then it retreats. At times the film seems to be about its own making; at others it seems merely to drift. 　　Imdb Review: Alain Cavalier's latest film is deceptively simple and yet revolutionary because it seems to stand outside the boundaries of narrative and documentary filmmaking. One could describe "La Rencontre" as a cinematic diary--a home movie that documents the filmmaker and his muse during the course of their relationship. But unlike most movies the human subjects here are never photographed in whole, just partially. This brave new work is as much about Cavalier's object of desire, that is, his lover as it is about the medium that gives expression to his love. It is conceived as one part confessional and one part discourse on the metaphysics of love and cinema. The cinema, for Cavalier, is like a two-way mirror that records images while reflecting those images back onto itself. Subject and object appear to mirror each other's identity until they assume new personae in the process. 　　The immediate challenge for Cavalier, then, is cinema's objective gaze: the ability of the camera to record the physical nature of reality. But Cavalier's chief interest is just the opposite. He wants to demonstrate the possibility of a new cinema: one that evolves out of concealment and subterfuge. This cinema deemphasizes the human landscape and dislocates the image from its voice. It focuses inward rather than outward, and chooses to explore the intangible and the abstract over the tactile and the concrete. 　　Appropriately, Cavalier's cine-diary unfolds like an open book: his twin loves (muse and cinema) are illuminated through a series of tableaux filled with close-up objects which are brought vividly to life by the imagination and the transfigurative power of the cinema. It is as if these everyday objects have become the lovers' collective memories saturated with the emotions and energy of life. In short these objects have assumed a life of their own becoming humanized and perhaps immortalized in the process. After all isn't this precisely the paradox of cinema--the ability to resurrect inanimate objects, to bring them back to life at 24 frames per second?

李振华与聂素珍两人早年丧偶，上世纪八十年代结为半路夫妻。前妻凤仙在老家山西的坟地面临拆迁，老李提出希望能和前妻及老聂三人合葬，这一想法打破了二人平静的生活。