暂无剧情简介

Dakar, a few days before the feast of Tabaski, a painter is shut away in his studio, working on the theme of the ritual sacrifice of the ram. Sketches are hung on clotheslines to dry. The red paint drips from the drawings like fresh blood. An inscription on the wall: 'Tabaski, who's next?'. Three characters and a sheep revolve around him and reconnect him with reality. This hybrid movie, blending fiction, performance and history, is freely inspired by the painter Iba Ndiaye (1928- 2008) and his work entitled 'Tabaski'. 'Painting is remembering', he said.

Dakar, a few days before the feast of Tabaski, a painter is shut away in his studio, working on the theme of the ritual sacrifice of the ram. Sketches are hung on clotheslines to dry. The red paint drips from the drawings like fresh blood. An inscription on the wall: 'Tabaski, who's next?'. Three characters and a sheep revolve around him and reconnect him with reality. This hybrid movie, blending fiction, performance and history, is freely inspired by the painter Iba Ndiaye (1928- 2008) and his work entitled 'Tabaski'. 'Painting is remembering', he said.

Gary Gulman offers candid reflections on his struggles with depression through stand-up and short documentary interludes that provide insight into his mental health journey.

One of the world's most legendary pianists reveals new aspects of his life and music in this pair of compelling films. In "Off the Record," Gould revels in his freedom from the public at his college retreat near Lake Simcoe, Ontario, and plays for an audience of one: his collie. In "On the Record," Gould arrives in New York for a recording session, joking and bantering as he reveals his role as a vigorous, sensitive, and critical creator and interpreter of music.

Gary Gulman offers candid reflections on his struggles with depression through stand-up and short documentary interludes that provide insight into his mental health journey.

One of the world's most legendary pianists reveals new aspects of his life and music in this pair of compelling films. In "Off the Record," Gould revels in his freedom from the public at his college retreat near Lake Simcoe, Ontario, and plays for an audience of one: his collie. In "On the Record," Gould arrives in New York for a recording session, joking and bantering as he reveals his role as a vigorous, sensitive, and critical creator and interpreter of music.

Side #1- WIDESCREEN 　　0. scene selections 　　1. Aria [2:49] 　　2. Lake Simcoe [4:20] 　　3. 45 Seconds and a Chair [:52] 　　4. Bruno Monsaingeon [1:54] 　　5. Gould Meets Gould [4:38] 　　6. Hamburg [4:19] 　　7. Variation in C Minor [:39] 　　8. Practice [3:35] 　　9. The L.A. Concert [4:03] 　　10. Cd318 [3:40] 　　11. Yehudi Menuhin [2:24] 　　12. Passion According to Gould [3:16] 　　13. Opus 1 [3:46] 　　14. Crossed Paths [6:04] 　　15. Truck Stop [3:36] 　　16. The Idea of North [3:22] 　　17. Solitude [2:51] 　　18. Questions With No Answers [4:32] 　　19. A Letter [:43] 　　20. Gould Meets McLaren [3:15] 　　21. The Tip [3:51] 　　22. Personal Ad [1:57] 　　23. Pills [2:28] 　　24. Margaret Pacsu [1:13] 　　25. Diary of One Day [2:07] 　　26. Motel Wawa [3:51] 　　27. Forty-nine [1:29] 　　28. Jessie Greig [2:18] 　　29. Leaving [2:30] 　　30. Voyager [:49] 　　31. Aria [2:30] 　　32. End Credits [3:08] 　　Side #2- FULL SCREEN 　　0. scene selections 　　1. Aria [2:49] 　　2. Lake Simcoe [4:20] 　　3. 45 Seconds and a Chair [:52] 　　4. Bruno Monsaingeon [1:54] 　　5. Gould Meets Gould [4:38] 　　6. Hamburg [4:19] 　　7. Variation in C Minor [:39] 　　8. Practice [3:35] 　　9. The L.A. Concert [4:03] 　　10. Cd318 [3:40] 　　11. Yehudi Menuhin [2:24] 　　12. Passion According to Gould [3:16] 　　13. Opus 1 [3:46] 　　14. Crossed Paths [6:04] 　　15. Truck Stop [3:36] 　　16. The Idea of North [3:22] 　　17. Solitude [2:51] 　　18. Questions With No Answers [4:32] 　　19. A Letter [:43] 　　20. Gould Meets McLaren [3:15] 　　21. The Tip [3:51] 　　22. Personal Ad [1:57] 　　23. Pills [2:28] 　　24. Margaret Pacsu [1:13] 　　25. Diary of One Day [2:07] 　　26. Motel Wawa [3:51] 　　27. Forty-nine [1:29] 　　28. Jessie Greig [2:18] 　　29. Leaving [2:30] 　　30. Voyager [:49] 　　31. Aria [2:30] 　　32. End Credits [3:08]