新垣结衣在上海拍摄的心情短剧。新垣结衣一人分饰两角，讲说她独自到上海旅行，偶遇与自己长相一模一样的女生

The fear of being overwhelmed by the outside world can almost litterally make you lose your head...

A diary film about a relationship between a man (Alain Cavalier) and a woman, told entirely through voice-overs by the two participants, spoken over largely static images (of household objects, animals, parts of the body, rooms, landscapes etc.). At times an emotional direction emerges (an articulation of love, loss, frustration), then it retreats. At times the film seems to be about its own making; at others it seems merely to drift. 　　Imdb Review: Alain Cavalier's latest film is deceptively simple and yet revolutionary because it seems to stand outside the boundaries of narrative and documentary filmmaking. One could describe "La Rencontre" as a cinematic diary--a home movie that documents the filmmaker and his muse during the course of their relationship. But unlike most movies the human subjects here are never photographed in whole, just partially. This brave new work is as much about Cavalier's object of desire, that is, his lover as it is about the medium that gives expression to his love. It is conceived as one part confessional and one part discourse on the metaphysics of love and cinema. The cinema, for Cavalier, is like a two-way mirror that records images while reflecting those images back onto itself. Subject and object appear to mirror each other's identity until they assume new personae in the process. 　　The immediate challenge for Cavalier, then, is cinema's objective gaze: the ability of the camera to record the physical nature of reality. But Cavalier's chief interest is just the opposite. He wants to demonstrate the possibility of a new cinema: one that evolves out of concealment and subterfuge. This cinema deemphasizes the human landscape and dislocates the image from its voice. It focuses inward rather than outward, and chooses to explore the intangible and the abstract over the tactile and the concrete. 　　Appropriately, Cavalier's cine-diary unfolds like an open book: his twin loves (muse and cinema) are illuminated through a series of tableaux filled with close-up objects which are brought vividly to life by the imagination and the transfigurative power of the cinema. It is as if these everyday objects have become the lovers' collective memories saturated with the emotions and energy of life. In short these objects have assumed a life of their own becoming humanized and perhaps immortalized in the process. After all isn't this precisely the paradox of cinema--the ability to resurrect inanimate objects, to bring them back to life at 24 frames per second?

清岺的父亲多年前因为一场意外去世，母亲离家出走，年幼的清岺为了追回母亲不幸走失。长大后的清岺偶然救下了车祸倒地的徐奶奶，却不知徐奶奶就是她的亲奶奶。徐奶奶感谢清岺的付出，她见清岺拥有绝对嗅觉，因此将清岺认作孙女帮助她做香水。清岺四处寻找车祸肇事者，并因此认识了天朗。清岺的男朋友丁海从国外归来，他假意向清岺求婚，实则计划让清岺出钱供他读书。

清岑（江铠同 饰）从小就失去了父母，成为了孤苦无依的孤儿。然而苦难的童年并没有破坏她对生活的希望和热情，清岑拥有着比常人灵敏数倍的嗅觉，凭借着这一天赋，她投身于香水研制行业，渴望能够在这片领域中实现自己的理想——报答将自己养育长大的孤儿院。 　　然而，这将注定不是一条平坦的道路，在无尽的失败和不断的挫折面前，清岑幸运的遇见了正直善良的段天朗（韩栋 饰）、徐庆伦（姜黎黎 饰）等人，他们亦师亦友，在清岑最需要帮助的时刻向她伸出援手。在此过程中，清岑和段天朗之间碰擦出了爱情的火花，然而段天朗出生于富贵之家，肩上责任重大，门第悬殊的两人，能否最终修成正果？

《故事刚刚好》是一档以张绍刚为主讲人的读书类脱口秀，本季主讲《聊斋志异》。张绍刚将聊斋故事与身边和眼前的事做结合，将魑魅魍魉的真性情与当下职场、朋友、婚姻等热点话题做勾连，观照他与蒲松龄、与《聊斋》、与现实的关系。

《故事刚刚好》是一档以张绍刚为主讲人的读书类脱口秀，本季主讲《聊斋志异》。张绍刚将聊斋故事与身边和眼前的事做结合，将魑魅魍魉的真性情与当下职场、朋友、婚姻等热点话题做勾连，观照他与蒲松龄、与《聊斋》、与现实的关系。

高考成绩优异的陆七一在填报志愿时背着父母选择了表演专业，她不仅面临着被父母发现的危险，还要在艺术学校取得优异的成绩来证明自己的选择是正确的。虽然这对应试教育出身的她来说是一个巨大的挑战，但她依旧不愿放弃。在带领同学挽回老师的过程中，她学会如何融入集体。在奇妙的“体验生活”课程中，她逐渐打开天性。就在这时，父亲突然造访，七一面临退学危机，不得不“背水一战”。不过事情并没有预想的那么顺利，精心准备的音乐剧剧目遭到评委的批评，好不容易争取到的期末汇演资格又被意外取消。就在七一快要放弃的时候，朋友们帮助她召集了全校各个专业的同学，呈现了一场精彩绝伦的歌舞盛宴，七一在歌舞中的精彩表现最终打动了她的家人。

学霸乖乖女陆七一（王子璇 饰）伪造录取通知书，欺瞒父母进入南方艺术大学，没想到，文化课的学霸很快沦为了艺术院校的奇葩。性格内向不善表达的陆七一，…

文涛向秦峰道歉，称无法履约并愿还钱。秦峰不在意，让艾利接替顾悦，还送别墅怂恿二人。艾利突然持刀刺文涛，被其挣脱。秦峰现身，坦言自己需换肾，文涛肾源匹配，此前皆为夺肾设计，顾悦是被栽赃。警察与顾悦赶到，顾悦拿出文涛的录音笔揭穿阴谋，秦峰、艾利被捕。顾悦告知文涛，秦峰是养父养子，恩将仇报夺家产，害她父亲。文涛庆幸信她，顾悦（本名曼歌）提议在一起，文涛答应。两人牵手时顾悦恶心似怀孕，文涛接电话得知母亲康复，见面后母亲猜顾悦怀孕，三人欢喜。文涛承诺对顾悦好，两人相拥，期待新生活。