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忘掉大爆炸吧！所有关于宇宙诞生的赞誉都给了它，而实际上大爆炸的即刻结果是一片漆黑和虚无。那时的宇宙没有恒星，没有星系，只有一团气体；这是宇宙历史上的黑暗时代。然而，在这样的状态持续了一亿年之后，一个真正的剧变时刻来临了。这是第一批恒星形成的时刻，宇宙第一次被点亮的时刻，宇宙的最初结构和生命的第一批原料诞生的时刻。寰宇初曦，创世纪的真正时刻。

作为诸天创世神，我掌控亿万世界运转，却因能量枯竭陷入存续危机。为筛选值得保留的世界，我开启 “诸天存亡对决”—— 召集每个世界的最强者，于混沌战场展开一对一公平死斗，败者所属世界将被彻底清除。从修仙界至尊、科技文明霸主到魔法位面魔神，各路巅峰强者为守护家园拼尽全力，阴谋与热血交织。而我端坐创世王座，冷眼旁观这场决定诸天命运的终极博弈，唯有最强者，能为自己的世界赢得存续资格。

在一处世界之地，MC大陆上有一群方块人，有一位名为钻神组建的钻石正义小队，在悄然改变这个世界的格局！

跳出《比海還深》（2016）的助導身位，廣瀨奈奈子繼承恩師是枝裕和一貫家庭缺失主題，以圓熟的敘事技巧，剖開父子關係的思考空間。憑《誰知赤子心》（2004）成為史上最年輕康城影帝的柳樂優彌，經歷過高山低谷，在死亡邊緣走了一回，與這個落泊孤絕角色感同身受。自殺不遂被中年鰥夫收留，獲編的名字竟與他的亡兒相同。亦父亦子的微妙關係，卻被兩人過去的秘密動搖。兩個「缺」的人生，能否合成一個「圓」？

跳出《比海還深》（2016）的助導身位，廣瀨奈奈子繼承恩師是枝裕和一貫家庭缺失主題，以圓熟的敘事技巧，剖開父子關係的思考空間。憑《誰知赤子心》（2004）成為史上最年輕康城影帝的柳樂優彌，經歷過高山低谷，在死亡邊緣走了一回，與這個落泊孤絕角色感同身受。自殺不遂被中年鰥夫收留，獲編的名字竟與他的亡兒相同。亦父亦子的微妙關係，卻被兩人過去的秘密動搖。兩個「缺」的人生，能否合成一個「圓」？

György Fehér是匈牙利电影长镜头学派的另一位大师级导演，与杨索属同代人，可惜他的作品很少而且极难看到。。。 　　If you like to see what movies are really about (i.e. moving)you should see szurkulet. This highly original and intense film is an exercise in style 'pur sang'. The story is loosely based on 'es geschah am hellichten Tag' by Friedrich Durrenmatt. But how the story is told is the most important part here. In a shadowish black and white twilight we see the story unfold in very (and I mean very) slow moving breathtaking camera movements over different scenes. This means that the whole movie exists out of less then 50 shots, without making unnessecary cuts. Orson Wells eat your heart out. Every scene tells the viewer another part of the puzzle and so the story gets you more and more in its gripping way of telling the story. For movie fans this is a must-see because this movie is the only movie I've seen which has stripped a picture to its bare essentials.

György Fehér是匈牙利电影长镜头学派的另一位大师级导演，与杨索属同代人，可惜他的作品很少而且极难看到。。。 　　If you like to see what movies are really about (i.e. moving)you should see szurkulet. This highly original and intense film is an exercise in style 'pur sang'. The story is loosely based on 'es geschah am hellichten Tag' by Friedrich Durrenmatt. But how the story is told is the most important part here. In a shadowish black and white twilight we see the story unfold in very (and I mean very) slow moving breathtaking camera movements over different scenes. This means that the whole movie exists out of less then 50 shots, without making unnessecary cuts. Orson Wells eat your heart out. Every scene tells the viewer another part of the puzzle and so the story gets you more and more in its gripping way of telling the story. For movie fans this is a must-see because this movie is the only movie I've seen which has stripped a picture to its bare essentials.

Following the murder of her family at the hands of her father in the wake of World War I, a young woman is sent to live in a convent. However, her demons follow and manifest themselves in ways which bring the nightmares of her past with her.

Following the murder of her family at the hands of her father in the wake of World War I, a young woman is sent to live in a convent. However, her demons follow and manifest themselves in ways which bring the nightmares of her past with her.