两个小女孩去郊外采果实，却被妖怪凯利抓了起来，她们能想出办法逃脱吗？ 生活在阿拉斯加俄罗斯一侧的印第安Chukotka部族的古老民间传说的现代版本。画面基于19世纪Chukotka部族绘画。

两个小女孩去郊外采果实，却被妖怪凯利抓了起来，她们能想出办法逃脱吗？ 生活在阿拉斯加俄罗斯一侧的印第安Chukotka部族的古老民间传说的现代版本。画面基于19世纪Chukotka部族绘画。

Wendy Baker, a famous female Caucasian author sublets an apartment in Bedstuy Brooklyn, NY, to write her latest book on the impoverished men that live there. However she soon learns the hard way that they aren't as receptive to her exploiting them as she thinks. In this brutal tale of rape-revenge.

Wendy Baker, a famous female Caucasian author sublets an apartment in Bedstuy Brooklyn, NY, to write her latest book on the impoverished men that live there. However she soon learns the hard way that they aren't as receptive to her exploiting them as she thinks. In this brutal tale of rape-revenge.

Politically-tinted film about the pioneers of Soviet television shows Kovalov as an actor. 　　A film in which Oleg Kovalov performs as actor. The Paper Eyes of Prishvin, a politically-tinted film about the pioneers of Soviet television, is in fact one of the first manifestations of Russian post-modernism, in which playing with genres and leitmotifs has a leading role. Like the film Confession by Tengiz Abuladze, that was released slightly earlier, the film demythologises the ideology and the aesthetics of the 'Grand Style', monumentalism in art. One of those who fell victim to that was Eisenstein, who is here portrayed as a caricature with a homosexual bent. In this film Oleg Kovalov plays the role of a symbolic Leningrad intellectual with glasses and a hat: a small victim of the great dictatorship. While he is not a professional actor, Kovalov manages to give his personality a timelessness that brings him unexpectedly close to the figures created by Nabokov.

Politically-tinted film about the pioneers of Soviet television shows Kovalov as an actor. 　　A film in which Oleg Kovalov performs as actor. The Paper Eyes of Prishvin, a politically-tinted film about the pioneers of Soviet television, is in fact one of the first manifestations of Russian post-modernism, in which playing with genres and leitmotifs has a leading role. Like the film Confession by Tengiz Abuladze, that was released slightly earlier, the film demythologises the ideology and the aesthetics of the 'Grand Style', monumentalism in art. One of those who fell victim to that was Eisenstein, who is here portrayed as a caricature with a homosexual bent. In this film Oleg Kovalov plays the role of a symbolic Leningrad intellectual with glasses and a hat: a small victim of the great dictatorship. While he is not a professional actor, Kovalov manages to give his personality a timelessness that brings him unexpectedly close to the figures created by Nabokov.

讲述了一个久未归家的老妇在感恩节突然回归家庭，本想改过自新做一个善良长辈的她在内心恶魔的驱使下，再次就犯，为本来和谐的家庭聚会带来震荡。

讲述老太太克利夏返回家中度过感恩节假期，却发现自己再也无法融入这个大集体……

Dr. Paul Ehrlich was the German physician who developed the first synthetic antimicrobial drug, 606 or Salvarsan. The film describes how Ehrlich first became interested in the properties of the then-new synthetic dyes and had an intuition that they could be useful in the diagnosis of bacterial diseases. After this work met with success, Ehrlich proposed that synthetic compounds could be made to selectively target and destroy disease causing microorganisms. He called such a drug a "magic bullet". The film describes how in 1908, after 606 attempts, he succeeded.

《创：战神》围绕高度智能程序“战神”阿瑞斯（Ares）展开。随着这个来自数字世界的人工智能体被派遣至现实世界执行高危任务，他的行动将引发人类与人工智能体的首次正面相遇。