Marijana's life revolves around her family, whether she likes it or not. They live on top of one another in a tiny apartment, driving one another crazy. Then her controlling father has a stroke and is left completely bedridden, and Marijana takes his place as head of the clan. Soon, she is working two jobs to keep everything afloat, while her mother and disabled brother do their best to scupper the ship. Driven to the edge, Marijana finds comfort in seedy sex with random strangers; and this taste of freedom leaves her wanting more. But now that she has finally found freedom, what's she meant to do with it?

Marijana's life revolves around her family, whether she likes it or not. They live on top of one another in a tiny apartment, driving one another crazy. Then her controlling father has a stroke and is left completely bedridden, and Marijana takes his place as head of the clan. Soon, she is working two jobs to keep everything afloat, while her mother and disabled brother do their best to scupper the ship. Driven to the edge, Marijana finds comfort in seedy sex with random strangers; and this taste of freedom leaves her wanting more. But now that she has finally found freedom, what's she meant to do with it?

被驅逐到人間的六位天使，共同經營一間神秘餐廳「Soul Plate」，邀請有著不同故事的客人光臨，並為他們特製一道道治癒人心的韓式料理。某天，天使主廚拉比爾遇見代替爺爺送食材的農場女孩蘇菲亞，竟發現彼此有似曾相識的感覺...@电视剧之家编辑整理

在朋友的NestShare民宿经历了一场激情的一夜情后，莉娜（Lina）发现自己的风流韵事被藏在公寓里的摄像头拍了下来。随着威胁不断增加，她也越来越疑神疑鬼，于是开始着手揭开一个阴险偷窥狂的真面目。然而，她最终意识到，这个威胁比她想象的更近，也更加危险。《窥视你》（Watching You）改编自J.P. 波马尔（J.P. Pomare）的小说《最后的客人》（The Last Guests）。

在朋友的NestShare民宿经历了一场激情的一夜情后，莉娜（Lina）发现自己的风流韵事被藏在公寓里的摄像头拍了下来。随着威胁不断增加，她也越来越疑神疑鬼，于是开始着手揭开一个阴险偷窥狂的真面目。然而，她最终意识到，这个威胁比她想象的更近，也更加危险。《窥视你》（Watching You）改编自J.P. 波马尔（J.P. Pomare）的小说《最后的客人》（The Last Guests）。

饭馆服务员小凡子是一个不安心本职工作、富于幻想的姑娘。”她幻想自己有朝一日能够脱去那身“没出息的服务员工作服而变成歌唱家、医务工作者。但是，现实一次次打破了她的幻梦，小凡子因此变得消沉了，她更加厌恶自己的工作，并将胸中的郁闷都发泄在顾客身上。和小凡子青梅竹马长大的某大学学生张志，不愿看着小凡子消沉下去，便常常来劝慰，给她讲干什么工作都是为人民服务的道理。但小凡子却认为张志讲的都是大道理。张志为小凡子装了一台半导体收音机，鼓励她为革命工作学好外语，小凡子却认为没意思，并对另一位端盘子的姑娘佟英成天埋头学外语感到很不理解。不仅如此，小凡子还不顾张志的劝阻，和一个胸无大志的青年人小谷谈上了恋爱，并一意孤行。她对张志说，她之所以这样急切地谈恋爱，是因为端盘子的不好找对象。后来，经过工作上和爱情上所受到的一系列挫折，小凡子终于认识到小谷是个不学无术，又缺乏社会道德的青年，而张志才是她理想之中的爱人。可是，在她还没来得及和张志表白爱慕之情时，却意外地发现，张志的女朋友竟是她的同事佟英，这使小凡子思想上受到了强烈的震动。偏巧，佟英通过业余时间刻苦自学又考上了夜大。认为端盘子没出息、学外语没用的小凡子，思想上再一次受到了强烈的震动。小凡子漫步走到海边，面对着翻滚的潮水和展翅翱翔的海鸥，心潮起伏，思绪万千。 　　导演：马精武 刘诗兵 　　编剧：马精武 刘诗兵 　　主演：郭靖 杨晓丹 袁牧女 吕晓刚 马静

To activate English subtitles for the film, click on the CC button in the playbar of the player *** 　　As it’s Halloween season, this week we’re presenting a clever video essay on the power of sound in movies to scare us and haunt our memory. The video draws its argument from a text by the legendary French critic Serge Daney on Georges Franju’s horror classic Eyes Without a Face — in which Daney talks about a peculiar noise that prevented him from rewatching the film for decades. 　　Serge Daney is one of the most important figures of French film criticism, though very little of his work has been translated into English, to the regret of many cinephiles. He worked as a critic for Cahiers du cinéma starting in 1964, and as its editor from 1973 to 1981, before leaving for the daily newspaper Libération. He died in 1992. Georges Franju’s Eyes Without a Face caused controversy and received mixed reviews upon its release in 1960, but is now considered a classic and masterpiece for its poetic nature, an influence on many filmmakers. 　　Through penetrating associations of text, clips, and sounds, all popping up on a simulated computer screen, French researcher and filmmaker Chloé Galibert-Laîné resurrects the dialogue between these two figures, conducting an investigation into the noise that terrified Daney, as well as others that have scared her. Galibert-Laîné clears the path of her research and succeeds at chilling the viewer in turn. 　　As the filmmaker states on her website, “The Eye Was In the Tomb and Stared at Daney explores questions such as: Does anticipating an emotion make it weaker or stronger? How do music and sound effects register in our memories, when our attention is mainly focused on images?” Galibert-Laîné directed The Eye Was In the Tomb and Stared at Daney in the context of a long-term research project entitled ‘A Portrait of the Spectator As a Cannibal’, that studies our memories of films, and how viewers appropriate and reinvent the films they have seen, incorporating them into their own personal experience. 　　Chloé Galibert-Laîné is a researcher and filmmaker based in Paris, whose work is focused on the relationship between cinema and online media and is presented in both academic and artistic contexts. She is currently preparing a PhD at the prestigious École normale supérieure de Paris and teaches film studies at Université Paris 8. Her work has been shown at the Ars Electronica Festival, the London Essay Film Festival, the Rotterdam International Film Festival, IMPAKT Festival, and the Austrian Film Museum. In 2018, she was Artist in Residence at m-cult (Helsinki) through the European Media Art Platform (EMAP) and an Art of Nonfiction Grantee from the Sundance Institute.

The story revolves around a girl named Azra who is studying abroad in America to be a professional cook like her father. She met Cenk, the grandson of Ferida Celen, on the plane and took his bag instead of hers at the airport by mistake. Cenk who was expelled from his university in America and struggling to choose his own destiny will get to witness the huge turn in Azra's life when her father dies in a fire accident leaving her and his autistic son with his greedy wife. Written by ahmetkozan

The story revolves around a girl named Azra who is studying abroad in America to be a professional cook like her father. She met Cenk, the grandson of Ferida Celen, on the plane and took his bag instead of hers at the airport by mistake. Cenk who was expelled from his university in America and struggling to choose his own destiny will get to witness the huge turn in Azra's life when her father dies in a fire accident leaving her and his autistic son with his greedy wife. Written by ahmetkozan