Marijana's life revolves around her family, whether she likes it or not. They live on top of one another in a tiny apartment, driving one another crazy. Then her controlling father has a stroke and is left completely bedridden, and Marijana takes his place as head of the clan. Soon, she is working two jobs to keep everything afloat, while her mother and disabled brother do their best to scupper the ship. Driven to the edge, Marijana finds comfort in seedy sex with random strangers; and this taste of freedom leaves her wanting more. But now that she has finally found freedom, what's she meant to do with it?

Marijana's life revolves around her family, whether she likes it or not. They live on top of one another in a tiny apartment, driving one another crazy. Then her controlling father has a stroke and is left completely bedridden, and Marijana takes his place as head of the clan. Soon, she is working two jobs to keep everything afloat, while her mother and disabled brother do their best to scupper the ship. Driven to the edge, Marijana finds comfort in seedy sex with random strangers; and this taste of freedom leaves her wanting more. But now that she has finally found freedom, what's she meant to do with it?

Around a familiar theme – the breakup of a marriage – Yvonne Rainer constructs a wickedly funny account of a self-satisfied womaniser. Sitting in a chair facing the camera, Jack Deller rambles on about women, whose visual absence runs through the entire film. On the soundtrack we hear their questions and comments, by turns enraged or laconic, both stressing and also subverting Deller’s self-assured discourse. The spoken words are taken from texts found in film and everyday culture, from poststructuralist, psychoanalytic and feminist theory. Aside from the theme of the failed (heterosexual) relationship, further fields of conflict get explored – the housing shortage and gentrification in New York during the 1980s, abortion rights, the violent interventions of the US in Latin America. A never-ending collage made up of contradictory levels of meaning results in producing ever new connections and contexts. “Rainer is not trying for some kind of well-mannered correctness or a masterly, fatherly notion of ‘transcendent intellectual clarity’; rather, she tends toward a type of tumbling process, an unbalancing of power, language, and the body.” (Barbara Kruger, Artforum 1986) 　　源自：https://www.berlinale.de/en/2023/programme/202314258.html

《要是羡慕就输了》讲述了真正艺人情侣们真实的爱情故事和日常生活，讲述了恋爱、爱情、结婚的想法和过程。

《要是羡慕就输了》讲述了真正艺人情侣们真实的爱情故事和日常生活，讲述了恋爱、爱情、结婚的想法和过程。

The story revolves around a girl named Azra who is studying abroad in America to be a professional cook like her father. She met Cenk, the grandson of Ferida Celen, on the plane and took his bag instead of hers at the airport by mistake. Cenk who was expelled from his university in America and struggling to choose his own destiny will get to witness the huge turn in Azra's life when her father dies in a fire accident leaving her and his autistic son with his greedy wife. Written by ahmetkozan

The story revolves around a girl named Azra who is studying abroad in America to be a professional cook like her father. She met Cenk, the grandson of Ferida Celen, on the plane and took his bag instead of hers at the airport by mistake. Cenk who was expelled from his university in America and struggling to choose his own destiny will get to witness the huge turn in Azra's life when her father dies in a fire accident leaving her and his autistic son with his greedy wife. Written by ahmetkozan

女孩想要将她的前男友从自己拍摄的VLOG素材中剪掉，却发现素材里的他“活”了过来，开始反抗她的剪辑。

玛利亚是一位女演员，同时也是两岁小孩西蒙的母亲。在她中年阶段得知了一个糟糕的消息——她患上了肌萎缩性侧索硬化症，一种不治之症。不管怎么样，玛丽亚不想放弃。她追求着奇迹，尽管最终还是绝望，却也意想不到地偶遇了爱情。 　　In her middle years Maria, actress and mother of two-year-old Simon, receives some terrible news. She has ALS, an incurable fatal disease. Despite everything Maria doesn't give up. Her pursuit of a miracle leads to despair but also an unexpected encounter with love.

Animation: Lei Lei 　　Music: Li Xingyu 　　One day. I found my naked. Where is my chothes? 　　My...My... 　　Well, my clothes 　　Ah, my pants 　　Give them back, give them back 　　Oh, my hat