Although by no means a conventional narrative, and certainly a film inspired by the avant-garde’s simultaneous engagement with formal abstraction and material energy, L’Arrivée also engages with the history and form of narrative cinema. Certainly, its role in that relation is a critical one, revealing both the mechanism and the material that commercial cinema strives to conceal. But while engaged in a process of deconstruction, L’Arrivée also recognizes the power of cinema, utilizing its control over space, and in this film especially, time, in order to uncover the energies of motion and story, of the violence inherent in both revolt and containment. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1241/14622

Although by no means a conventional narrative, and certainly a film inspired by the avant-garde’s simultaneous engagement with formal abstraction and material energy, L’Arrivée also engages with the history and form of narrative cinema. Certainly, its role in that relation is a critical one, revealing both the mechanism and the material that commercial cinema strives to conceal. But while engaged in a process of deconstruction, L’Arrivée also recognizes the power of cinema, utilizing its control over space, and in this film especially, time, in order to uncover the energies of motion and story, of the violence inherent in both revolt and containment. 　　源自：https://www.filmfestival.gr/en/section-tiff/movie/1241/14622

This is a part of an omnibus film called Pribitie Poezda (Arrival of a Train) made by several Russian directors, as an homage to brothers Lumiere on the 100th anniversary of cinematography. 　　One of the three films that comprise Arrival of a Train, a collection of shorts made to celebrate the centenary of cinema. Set at the turn of the 20th century, the film follows Trofim, a Russian peasant jealous of his wife for having an affair with his brother. Trofim kills his brother and runs away to St. Petersburg. Then Trofim steps off the train in St. Petersburg, a cameraman who happens to be shooting on the platform captures his arrival.

This is a part of an omnibus film called Pribitie Poezda (Arrival of a Train) made by several Russian directors, as an homage to brothers Lumiere on the 100th anniversary of cinematography. 　　One of the three films that comprise Arrival of a Train, a collection of shorts made to celebrate the centenary of cinema. Set at the turn of the 20th century, the film follows Trofim, a Russian peasant jealous of his wife for having an affair with his brother. Trofim kills his brother and runs away to St. Petersburg. Then Trofim steps off the train in St. Petersburg, a cameraman who happens to be shooting on the platform captures his arrival.

June and her friends take over a service station formerly run by her uncle. They perform every trick in the book to attract the customers. 　　简和闺密们接管了叔叔的加油站。为了招徕顾客，她们使出了浑身解数。

一名警察长达二十年坚持不懈地追捕一名在法国南部谋杀了四名年轻女性的连环杀手。

June and her friends take over a service station formerly run by her uncle. They perform every trick in the book to attract the customers. 　　简和闺密们接管了叔叔的加油站。为了招徕顾客，她们使出了浑身解数。

可怜的上班族没有注意到列车已经更改路线，他请求列车能够中途停靠，好让他及时赶到公司，好心的司机决定帮助他，可是……