一名东京侦探前往伦敦寻找自己失散多年的弟弟，他现在被认为是一名极道组织成员，因谋杀一名日本商人而遭到通缉。他家族的荣誉，以及国内交战帮派之间所维持的不堪一击的和平景象，都岌岌可危。

长期在外的军人赛回到家乡参加女儿的婚礼。婚礼上欢快的场面让他想起了当年的自己：那时他刚刚12岁，新娘图伊特18岁。图伊特是小妾的女儿，没有什么文化，赛对这个父母硬塞给他的妻子厌恶至极。尽管图伊特竭尽全力想要得到丈夫的爱，但这场带有包办性质的婚姻从一开始就注定是场失败。为了逃避图伊特，赛参了军，并且爱上了另一个女孩，最终选择了离开家乡。 多年以后，在女儿的婚礼上，再一次站在赛身旁的图伊特，泪如泉涌。

台湾原创影集《爱的广义相对论》耗时两年筹备与拍摄，以邓丽君三首经典歌曲「恰似你的温柔」、「我只在乎你」、「月亮代表我的心」分别串联三部原创系列作品《最后一战》、《回圈》、《明晚空中见》，题材包含亲情、爱情、科幻与悬疑等故事内容，开创戏剧题材与影像制作的多元性。首部曲《最后一战》由庄凯勋、刘品言、古斌主演，以「恰似你的温柔」为主题曲，描述两个失意的灵魂：一位拳击手与酒店小姐，因巧妙的缘分相遇，决定相互扶持、努力为生活打拼，原本看似走向幸福之路的他们，却也为所爱展开了一场危及性命的奋战故事。第二部曲《回圈》由谢欣颖、林哲熹、李铭忠演出，时空背景设定在2036年，讲述一个记忆银行的创办人与骇客之间的爱恨纠葛。以经典歌曲「我只在乎你」作对应，结合科幻元素，描述相爱的两个人，如何从对爱的执着，转而引发爱恋的冲突。第三部曲《明晚空中见》以「月亮代表我的心」为主题曲，由杨谨华、宋芸桦、许时豪主演，故事从一场意外为开端，一对关系疏离的母女，如何跨越时空展开一场亲情救援，在奇幻的时序中进行关系的修补与和解。

讲述了人类饮食习惯的改变过程，食物大批量生产所带来的一系列后果，以及肥胖与瘦弱的根源是什么，其中，一定有你想象不到的结论。

A masterwork of Sri Lankan cinema, this moving saga of family and class conflict was made by Lester James Peries, his country’s foremost filmmaker and a director much admired by India’s Satyajit Ray. 　　Gamperaliya is regarded as a cornerstone of Sri Lankan cinema, launching upon its release in 1964 ‘a revolution, not only in the way films were made, but also in the content,’ according to producer Anton Wickramasinghe. 　　Peries sought an alternative to the Bollywood-influenced melodramas that dominated Sri Lanka’s commercial cinema, writing stories that looked at the staple issues of melodrama in a more nuanced way. 　　The film, adapted from a novel by Martin Wickramasinghe, focuses on Piyal, a teacher and member of the new rising middle class, who falls in love with the daughter of his village’s leading aristocratic clan; the girl’s parents insist upon a marriage to a stuffed shirt of her own class, one that shifting social forces are already rendering obsolete. 　　Gamperaliya is filmed in an elegant and uncoercive narrative style that has been compared to Satyajit Ray’s Apu Trilogy; its aesthetic choices also have a moral dimension: at every level, this is a movie about the importance of setting aside illusion and exaggeration and seeing things as they are.

Moshe Ivgy is Yutz, a frustrated poet past his prime, who with his aging bohemian friends frequent Café Braun run by Leah a sympathetic mother figure who has kept the place going for over 30 years. The café was once a home to artists and intellectuals, now it is a haven for oddballs and outcasts including: a violent Arab painter fresh out of an insane asylum, an alcoholic mama’s boy who stutters, a macho heartbroken musician and an outcast Belgian immigrant photographer. The landlord puts the squeeze on Leah and threatens to demolish the building. Through a bizarre chain of events, Yutz and his friends band together to save the café and in turn save themselves. An off beat comedy about people struggling to maintain their sanity in an insane reality

Moshe Ivgy is Yutz, a frustrated poet past his prime, who with his aging bohemian friends frequent Café Braun run by Leah a sympathetic mother figure who has kept the place going for over 30 years. The café was once a home to artists and intellectuals, now it is a haven for oddballs and outcasts including: a violent Arab painter fresh out of an insane asylum, an alcoholic mama’s boy who stutters, a macho heartbroken musician and an outcast Belgian immigrant photographer. The landlord puts the squeeze on Leah and threatens to demolish the building. Through a bizarre chain of events, Yutz and his friends band together to save the café and in turn save themselves. An off beat comedy about people struggling to maintain their sanity in an insane reality

一部关于戏园子在时代变迁背景下的大变迁。

一个女人与她的椅子的故事。