The documentary consists of footage from 12 erotic documentary films from the Sixties. A dynamic style of editing, sometimes almost hypnotic is accompanied by contemporary music created especially for the documentary by the music composer Federico Badaloni. The voice over of the author blends in perfectly with the music and the footage, showing a Sixties pop influence. At the beginning it starts like this: "Roland Barthes claimed that the real effect of striptease was desexualizing women, a ritual that triggers the idea of sex and at the same time is its catharsis. A sort of strategy to reveal sex and then deactivate it. Before being a proverbial seduction ritual, it is a form of exorcism of sex in which a body generates an appetite but then is devitalized". The documentary takes us on a journey delving into the world of strip-tease and nightlife of the Sixties in Paris, London, New York, Hong Kong, Tokyo and other exotic locations that evoke a prohibited universe of desire and nudity...

Sarah, a pagan high school student, is sexually assaulted. In an emotional felt revenge, she summons the likes of Freddy Krueger, Ghostface, Jason Voorhees, Michael Myers, and other horror movie icons to kill her peers.

马克揭露了他最喜欢的年代——20世纪50年代和60年代的电影背后的故事，这激发了他毕生对恐怖的热情。这些主要是英国电影，由传奇的汉默电影主导，他改写了恐怖的规则，以革命性的注入性和全彩的血腥——所有的镜头都在英国本土拍摄。

电影主要讲诉发生在一家午夜恐怖电影院内外的一连串诡异故事。漆黑的影院放映厅、午夜十字路口，诸如此类的场景使得整部影片凸显了“午夜时分、身临其境…

Three-part series in which actor and writer Mark Gatiss (The League of Gentlemen, Doctor Who, Sherlock) celebrates the greatest achievements of horror cinema. Mark uncovers stories behind the films of his favourite period - the 1950s and 60s - which fired his lifelong enthusiasm for horror. These mainly British pictures were dominated by the legendary Hammer Films, who rewrote the horror rulebook with a revolutionary infusion of sex and full-colour gore - all shot in the English Home Counties. Mark meets key Hammer figures to find out why their Frankenstein and Dracula films conquered the world, making international stars of Christopher Lee and Peter Cushing. He looks at the new boom of horror that followed in Hammer's wake, including the ravishing Italian movie Black Sunday, and talks to the influential American producer Roger Corman about his disturbing and dreamlike Edgar Allan Poe films. He also explores the intriguing cycle of British 'folk horror' films, such as The Wicker Man and Mark's personal favourite, Blood on Satan's Claw. Mark also speaks to leading horror ladies Barbara Steele and Barbara Shelley about their most famous roles, makes a pilgrimage to Whitstable, home of Peter Cushing, and finds out why Dracula's bedroom activities got the British censor steamed up.

In the world of corporate espionage anything can happen. A few years ago, international hackers cracked sensitive encryptions on a film studio's servers. These "unauthorized users" leaked the previous unreleased collection of horror films onto the dark web.

八个年轻人受到开发商邀请来到荒郊一座刚落成的电影院观影，这家影院从施工时就不断“闹鬼”，传说影院的位置正处城市的鬼门关，古代有高人以“八棺镇邪”之术，将八具恶人尸体入棺，以八卦阵图埋葬。施工队把棺材挖出后，鬼门打开，工地不断有人离奇死亡，发生不少灵异事件，随着同学们进入电影院，诡异的现象开始接连出现不断，同学们陷入恶鬼的陷阱，开始亡命之夜