深夜里，刚刚结束了一天棒球训练、正要背包回家的黑人少年Xavier在黑暗的街道上被两个便衣警察叫住，他们对Xavier进行了例行盘问并要求检查他的背包，紧张、怀疑的气氛在逐渐蔓延…… 　　本片为2015年圣丹斯与翠贝卡电影节的精选影片。

深夜里，刚刚结束了一天棒球训练、正要背包回家的黑人少年Xavier在黑暗的街道上被两个便衣警察叫住，他们对Xavier进行了例行盘问并要求检查他的背包，紧张、怀疑的气氛在逐渐蔓延…… 　　本片为2015年圣丹斯与翠贝卡电影节的精选影片。

这部未命名的电影讲述了闺蜜泰丝（Tess）和迪迪（DeeDee）的故事，她们原本是“恶臭铁路”上单调班次的列车乘务员，后来换到了豪华的“亚马逊女神”特快列车工作。当一场灾难性的“风暴狂欢”威胁要使这列高速列车脱轨并冲进洛杉矶时，坐在普通车厢的这对闺蜜必须与傲慢的头等舱乘务员以及加格韦尔总统（鲁保罗 饰）联手，拯救……

1975年，一个夏天的夜晚，一列军车在我国东北境内疾驰。由于敌人的破坏和干扰发生了没能及时熄灭车厢灯火的问题。这件事引起了革命老干部、军区副司令员、当年"红四连"的第一任连长--严河的重视。。。

1975年，一个夏天的夜晚，一列军车在我国东北境内疾驰。由于敌人的破坏和干扰发生了没能及时熄灭车厢灯火的问题。这件事引起了革命老干部、军区副司令员、当年"红四连"的第一任连长--严河的重视。。。

以真实、自然、原生的视角，记录了创业者的生存状态。比起个人的领袖能力，纪录片更聚焦的是创业团队的成长，让更多人可以看到每个团队背后的喜怒哀乐，不为常人了解的精彩故事。每一个创业者心中，都有一个燃点。对他们来说，燃点是坚定不移的初心，是不停向前的源动力。他们是一群信念坚定的梦想家，也是脚踏实地的实干者。他们享受努力和“折腾”的过程，遵循自己的初心，不断往目标前进，步履不停。

以真实、自然、原生的视角，记录了创业者的生存状态。比起个人的领袖能力，纪录片更聚焦的是创业团队的成长，让更多人可以看到每个团队背后的喜怒哀乐，不为常人了解的精彩故事。每一个创业者心中，都有一个燃点。对他们来说，燃点是坚定不移的初心，是不停向前的源动力。他们是一群信念坚定的梦想家，也是脚踏实地的实干者。他们享受努力和“折腾”的过程，遵循自己的初心，不断往目标前进，步履不停。

The story revolves around two unemployed youths who are struggling to make ends meet. At one situation they blame the God for all their sufferings. The God appears and decide to stay with them. Realizing the power of God resides in a "Galaxy Box" the youths steal it. By stealing it they become God and God ends up becoming a normal man. While the youths misuse the power the God as a man works hard and progresses up the status ladder. Later he makes them understand that everyone's destiny is in their own hands. As God being the main protagonist there are many sequences that reflects the current world affairs.

A running-addicted clerk and a bipolar bistro owner form an unlikely bond in Shanghai, only to clash over values and reunite in a psychiatric ward—where they discover they share the same lonely mark of life.

One of the first gay films produced by a major pink film director, the film also brought together three members of the shitenno for the first time. Takahisa Zeze worked as Sato's assistant director for the film, and through him began hiring future-director Kazuhiro Sano as an actor in his films. Zeze later recalled, "I remember once there was a gay pink film, and Sato wanted to use Sano, so I was the go-between and negotiated with him to appear in it. That's how we all started working together."