A TV version of the Cambridge Footlights Revue "The Cellar Tapes", winner of the first-ever Perrier Award at the Edinburgh Fringe Festival in 1981.

A TV version of the Cambridge Footlights Revue "The Cellar Tapes", winner of the first-ever Perrier Award at the Edinburgh Fringe Festival in 1981.

Loriot, whose real name was Bernhard-Viktor Christoph-Carl von Bülow, or Vicco von Bülow for short (1923-2011), is considered to have been the greatest and most versatile German comedian of the twentieth century. From 1976 to 1978, Radio Bremen commissioned his six-part television series “Loriot”, in which live action skits alternated with short animated sketches. The series is believed to be the highpoint of Loriot’s television work and was to establish his cult status; it has long been an integral part of German cultural heritage. In an interview with Spiegel magazine, Loriot once said: “Everything I find funny stems from crumbling communication and from talking past each other”. Parading this miscommunication before us in scenes that feature married couples, families and bourgeois society, he lays bare the absurdity of our everyday lives determined by rules and norms. Daughters Bettina and Susanne von Bülow and director Peter Geyer are marking the centenary of Loriot’s birth with this presentation of Loriots große Trickfilmrevue, for which 31 of his best-loved animations originally made for television between 1967 and 1993 have been carefully redrawn (and some coloured for the first time) to match Loriot’s style and transferred to a cinema format in 4K.

Loriot, whose real name was Bernhard-Viktor Christoph-Carl von Bülow, or Vicco von Bülow for short (1923-2011), is considered to have been the greatest and most versatile German comedian of the twentieth century. From 1976 to 1978, Radio Bremen commissioned his six-part television series “Loriot”, in which live action skits alternated with short animated sketches. The series is believed to be the highpoint of Loriot’s television work and was to establish his cult status; it has long been an integral part of German cultural heritage. In an interview with Spiegel magazine, Loriot once said: “Everything I find funny stems from crumbling communication and from talking past each other”. Parading this miscommunication before us in scenes that feature married couples, families and bourgeois society, he lays bare the absurdity of our everyday lives determined by rules and norms. Daughters Bettina and Susanne von Bülow and director Peter Geyer are marking the centenary of Loriot’s birth with this presentation of Loriots große Trickfilmrevue, for which 31 of his best-loved animations originally made for television between 1967 and 1993 have been carefully redrawn (and some coloured for the first time) to match Loriot’s style and transferred to a cinema format in 4K.

On the outskirts of Austin, 10-year-old Annie tears around on her BMX bike, hurls dough at cars, and smashes things up with her baseball bat. Her father, a goat-farmer-cum-demolition-derby driver, does little parenting. Annie has no friends her age, so her daily routine is filled with solitary mischief. Playing in the woods one day, she hears a woman’s plaintive call for help from an abandoned well. Though Annie feels driven to visit the well daily, she is unsure about how to deal with the woman’s plight.

《时事亮亮点》是凤凰卫视品牌系列节目《凤凰观天下》的周一档栏目，主持人是凤凰卫视评论员何亮亮先生。何亮亮将在节目中盘点上周重要而值得关注的新闻热点，展开深入分析，通过夹播夹议，点出事件的症结及延续的影响；对于国内外政治、经济、文化，乃至社会等具争议性的人物或话题。何亮亮以其特有的解读方式，或对新闻人物的行为和性格作重新观照，或对新闻热点作点石成金的诠释。

Based on an idea by Eisenstein, who dreamt of composing the 101 poses of Robert Macaire - a popular French character epitomizing the unscrupulous swindler - as represented in the 101 lithographs of the series Caricaturana by Honoré Daumier. First, a montage of the gestures as Eisenstein envisaged. Then, original texts are added to the caricatures. And finally, we took the liberty to use them as a commentary to some current news.

《李沧东：讽刺的艺术》由法国导演Alain Mazars执导，讲述找寻李沧东导演的作品和导演的开始，以及成为导演前李沧东的故事。就像《薄荷糖》倒叙回溯过去一样，这部纪录片也从《心跳声》制作过程开始，回到《绿鱼》，进而讲述导演之前的生活。 　　除了作品以外，还有曾于李沧东导演合作的演员们包括刘亚仁、李大卫、全度妍、宋康昊、薛景求、文素利、文成根演员的采访，可以更加生动地了解制作当时的情况。随着李沧东导演本人亲自前往当时的拍摄地并交流的过程，不仅可以了解作品的导演意图，还能听到对艺术本身的讨论。

《李沧东：讽刺的艺术》由法国导演Alain Mazars执导，讲述找寻李沧东导演的作品和导演的开始，以及成为导演前李沧东的故事。就像《薄荷糖》倒叙回溯过去一样，这部纪录片也从《心跳声》制作过程开始，回到《绿鱼》，进而讲述导演之前的生活。 　　除了作品以外，还有曾于李沧东导演合作的演员们包括刘亚仁、李大卫、全度妍、宋康昊、薛景求、文素利、文成根演员的采访，可以更加生动地了解制作当时的情况。随着李沧东导演本人亲自前往当时的拍摄地并交流的过程，不仅可以了解作品的导演意图，还能听到对艺术本身的讨论。

故事发生在1934年的英国，菲尔比（托比·斯蒂芬斯 Toby Stephens 饰）、博格思（汤姆·霍兰德 Tom Hollander 饰）和麦克林（鲁伯特·潘瑞-琼斯 Rupert Penry-Jones 饰）是三位在剑桥大学深造的前途无量的年轻人，他们受到了苏联海外情报部门的招募，成为了间谍，这就是之后闻名于历史的剑桥间谍帮。三个野心勃勃的年轻人将苏联视为实现他们政治理想抱负的肥沃土壤。 　　第二次世界大战爆发之后，间谍帮的成员们被英国政府雇佣，在整个战争期间，他们为苏联提供了无数的珍贵情报，可谓是于无形之中影响了整个战局。1951年，博格思和麦克林因为身份败露而逃往了苏联，剩下菲尔比一人顶着巨大的压力接受了来自英国政府的严酷调查。