特蕾莎修女精彩的人生。

特蕾莎修女精彩的人生。

马勒1968年又对纪录片重新燃起兴趣，在赴印度参加法国电影展以后，带着便携式摄影机开赴印度，以即时纪录的方式，拍摄了《印度印象》系列片。影片站在一个外国人角度，以“直接电影”理念，向观众展示出摄影机前真实的印度。这一套影片在英国电视台和其他国家播放时，在全球引起广泛的兴趣，印度政府向电视台发出严重抗议，甚至采用外交手段驱逐BBC的印度员工。但无论如何，这一套影片已经是纪录电影史上的经典之作。此前，马勒还以同样手法剪辑了纪录片《加尔各答》。

马勒1968年又对纪录片重新燃起兴趣，在赴印度参加法国电影展以后，带着便携式摄影机开赴印度，以即时纪录的方式，拍摄了《印度印象》系列片。影片站在一个外国人角度，以“直接电影”理念，向观众展示出摄影机前真实的印度。这一套影片在英国电视台和其他国家播放时，在全球引起广泛的兴趣，印度政府向电视台发出严重抗议，甚至采用外交手段驱逐BBC的印度员工。但无论如何，这一套影片已经是纪录电影史上的经典之作。此前，马勒还以同样手法剪辑了纪录片《加尔各答》。

After the loss of her only daughter, Ela, a former actress, not only loses her identity as a mother but also the only reason to be with her husband. While trying to find a new identity for herself, she tries to reignite her relationship with an old lover who suddenly resurfaces in her life. Desperate to move out of her husband’s house and buy a place of her own, Ela confronts her step-brother to claim her half of the share in their ancestral property. But he refuses to comply as he lives with a deep-seated resentment for Ela’s mother. When even the banks refuse to give her a loan, Ela eventually succumbs to the lascivious overtures of her boss, who runs a real-estate business through a ponzi scheme. When the crimes of Ela’s boss are discovered, Ela loses her new-found identity, love and independence all at once.

A young man, eternally 20, walks through history, through poverty, squalor and death. Eternally 20 and killed so many times -- killed because he has been protesting and has remained an agent-provocateur. He comes and goes, between stories, each story having an independent set-up and new characters, but all stories harping on the eternal reality: Poverty and Degradation. While the physical look of poverty and hunger remains unchanged, it is the mind and attitude that keeps on changing. At the end, the young man of 20 appears on the screen again, just killed, and “incites” the spectators to react.

After the loss of her only daughter, Ela, a former actress, not only loses her identity as a mother but also the only reason to be with her husband. While trying to find a new identity for herself, she tries to reignite her relationship with an old lover who suddenly resurfaces in her life. Desperate to move out of her husband’s house and buy a place of her own, Ela confronts her step-brother to claim her half of the share in their ancestral property. But he refuses to comply as he lives with a deep-seated resentment for Ela’s mother. When even the banks refuse to give her a loan, Ela eventually succumbs to the lascivious overtures of her boss, who runs a real-estate business through a ponzi scheme. When the crimes of Ela’s boss are discovered, Ela loses her new-found identity, love and independence all at once.

A young man, eternally 20, walks through history, through poverty, squalor and death. Eternally 20 and killed so many times -- killed because he has been protesting and has remained an agent-provocateur. He comes and goes, between stories, each story having an independent set-up and new characters, but all stories harping on the eternal reality: Poverty and Degradation. While the physical look of poverty and hunger remains unchanged, it is the mind and attitude that keeps on changing. At the end, the young man of 20 appears on the screen again, just killed, and “incites” the spectators to react.

一个酗酒的作家整日构思着怎样杜撰一部发生在加尔各答黑夜，与某个女人邂逅的故事，但老也不能成形......

一个酗酒的作家整日构思着怎样杜撰一部发生在加尔各答黑夜，与某个女人邂逅的故事，但老也不能成形......