大自然中各种生物是如何生活的。

When the management of the Paris Museum of Natural History decided that their vast collection of taxidermied wildlife was in need of restoration, Philibert decided that the 3-year process needed to be documented. 　　As the painstaking work of re-ruffling feathers and replacing tiny glass eyes and wings is thoughtfully observed, so too is the complex relationship between humans and animals, as the filmmaker grants a visceral subjectivity to these macabre and beautiful objects.

有多少人曾经和游隼一起进行花样跳伞、潜入深海遭遇巨大的汉波德章鱼或者跟随迁徙动物来到世界的尽头？野生动物节目主持人史蒂夫·伦纳德做到了。对野生动物的热爱引领着他走近地球上最具有活力、最令人难以置信的动物。这是再现他那激动人心、感人的极致体验的绝好机会，并能听他亲自讲述幕后故事。

Claudio是罗马郊区一个建筑工地上的工人。他很爱自己的妻子，后者正怀着第三个孩子。一场意外的悲剧打破了他们简单幸福的生活。对生活感到愤怒的Claudio将勇敢对抗自己所遭受的社会不公正。家庭与友人的支持及孩子们的爱将帮助他度过人生这一大劫。

张明亮准备婚房，搬东西的时候把墙磕破了，露出一个小洞，这个洞在与妻子白静结婚以后修补了多次但还是无济于事，也就渐渐被忽略了。后来这个洞跟随着他们从两口子变成幸福的三口之家、从贫穷到富有生活的起伏变化，后来也陪伴着不同租客的来来走走。它就像一个镜头记录着多个家庭的悲欢离合，或幸福或辛酸。张明亮、白静从新婚到离婚，墙上的洞从未真正“愈合”过，它静静待在墙上守着住在这里的人，默默观察着他们的生活，仿佛用自己的“残缺”来提醒这房子里的每一个人应该如何去面对生活、面对家人、爱人、孩子……

Claudio是罗马郊区一个建筑工地上的工人。他很爱自己的妻子，后者正怀着第三个孩子。一场意外的悲剧打破了他们简单幸福的生活。对生活感到愤怒的Claudio将勇敢对抗自己所遭受的社会不公正。家庭与友人的支持及孩子们的爱将帮助他度过人生这一大劫。

张明亮准备婚房，搬东西的时候把墙磕破了，露出一个小洞，这个洞在与妻子白静结婚以后修补了多次但还是无济于事，也就渐渐被忽略了。后来这个洞跟随着他们从两口子变成幸福的三口之家、从贫穷到富有生活的起伏变化，后来也陪伴着不同租客的来来走走。它就像一个镜头记录着多个家庭的悲欢离合，或幸福或辛酸。张明亮、白静从新婚到离婚，墙上的洞从未真正“愈合”过，它静静待在墙上守着住在这里的人，默默观察着他们的生活，仿佛用自己的“残缺”来提醒这房子里的每一个人应该如何去面对生活、面对家人、爱人、孩子……

一部关于肯尼亚年轻LGBTI的生命样貌的电影。因当地法律将同志污名化，使得歧视与暴力事件不断，生存变得更加艰难。导演花了数月时间走访肯亚，搜集当地年轻多元性别的生命经验，以及如何在恐同的社会下生存的故事。以众多匿名访谈转化为本片中的五个故事，突显现今肯亚年轻同志的处境。

斯洛伐克新浪潮经典，这是一部仿真纪录片。 　　Otakar Krivanek's 1969 film Our Daily Day (Den nas kazdodenny) was a reminder that Uher's lesson was not forgotten by the Slovak film world. Krivanek (1931-1997) started with the same elements as Uher: non-actors, generational conflict, a documentary camera style—but his outcome was a much more critical view of reality. His "understatement" is sarcastic or satirical, very different from Uher's "lyrical understatement." Scenes from the life of a so-called "average" Slovak family, in which everything revolves around the graduating daughter, are reconstructed in the real surroundings of a real family; Krivanek's feature film is but a step away from being a documentary. The relationship between The Sun in a Net and Our Daily Day is similar to the difference between the Czech films Black Peter (Cerny Petr, dir. Milos Forman, 1963) and Ecce Homo Homolka (original Latin title, dir. Jaroslav Papousek, 1969).

Defending Our Lives is a 1993 American short documentary film directed by Margaret Lazarus and Renner Wunderlich. It won an Oscar at the 66th Academy Awards in 1994 for Documentary Short Subject.