历史主义的恢复，史诗意识的张扬，在多元的民族矛盾、政治斗争和军事较量中，展示人物大喜大悲的命运。

纪录片《努尔哈赤》是高国栋工作室历时三年精心创作的一部大型历史纪录片。该片以大气精美的画面、丰富生动的镜头语言、跌宕起伏的故事，展示了一代枭雄努尔哈赤金戈铁马、血雨腥风的人生历程。2010年11月该片先后在央视《探索·发现》以及我台北方频道播出并取得良好反响。在2010全球华人纪录片网络盛典活动中该片获得了网上观众的热烈观看以及专业评审的高度评价，最终荣获优秀纪录片大奖。

纪录片《努尔哈赤》是高国栋工作室历时三年精心创作的一部大型历史纪录片。该片以大气精美的画面、丰富生动的镜头语言、跌宕起伏的故事，展示了一代枭雄努尔哈赤金戈铁马、血雨腥风的人生历程。2010年11月该片先后在央视《探索·发现》以及我台北方频道播出并取得良好反响。在2010全球华人纪录片网络盛典活动中该片获得了网上观众的热烈观看以及专业评审的高度评价，最终荣获优秀纪录片大奖。

历史主义的恢复，史诗意识的张扬，在多元的民族矛盾、政治斗争和军事较量中，展示人物大喜大悲的命运。

古叶赫部落居黑龙江呼兰河域，万历四十七年被努尔哈赤所并，存在约二百一十三年。往昔的风云际会，史册上却仅留只言片语。《叶》剧编写，“正史为经，野史为纬”，广纳传说，不避传奇，聚焦于叶赫那拉几代公主的悲剧命运，以其折射历史，求得历史与艺术的统一。 　　全剧的框架，以几代叶赫那拉公主的命运相联缀，起伏跌宕，摇曳多姿。先是叶赫遭偷袭，仆其格为救丈夫（西城大阿哥布寨）捐躯沙场，临终生下东歌。继而，外嫁哈达的温姐纵横捭阖于部族和明朝之间，空怀中兴叶赫之志，“事随时变，时过境迁”，致使后辈公主重蹈自己的覆辙。年轻一代的叶赫那拉公主，有过一段明媚欢悦的日子，乌兰与养女东歌、阿珠的潋滟亲情，孟古与阿塔、东歌与孟文翰、阿珠与布场古的缠绵初恋，透露出她们的自由天性。可是，“扛起叶赫半壁江山”的公主们不配有好的命运，孟古怀着对阿塔投水殉情的极度痛苦远嫁；乌兰误中圈套被点“天灯”；苦命的阿珠几度易夫受尽凌辱，被逼与爱子生离死别；而东歌，文韬武略，无力回天，青春耗尽，客死他乡。

古叶赫部落居黑龙江呼兰河域，万历四十七年被努尔哈赤所并，存在约二百一十三年。往昔的风云际会，史册上却仅留只言片语。《叶》剧编写，“正史为经，野史为纬”，广纳传说，不避传奇，聚焦于叶赫那拉几代公主的悲剧命运，以其折射历史，求得历史与艺术的统一。 　　全剧的框架，以几代叶赫那拉公主的命运相联缀，起伏跌宕，摇曳多姿。先是叶赫遭偷袭，仆其格为救丈夫（西城大阿哥布寨）捐躯沙场，临终生下东歌。继而，外嫁哈达的温姐纵横捭阖于部族和明朝之间，空怀中兴叶赫之志，“事随时变，时过境迁”，致使后辈公主重蹈自己的覆辙。年轻一代的叶赫那拉公主，有过一段明媚欢悦的日子，乌兰与养女东歌、阿珠的潋滟亲情，孟古与阿塔、东歌与孟文翰、阿珠与布场古的缠绵初恋，透露出她们的自由天性。可是，“扛起叶赫半壁江山”的公主们不配有好的命运，孟古怀着对阿塔投水殉情的极度痛苦远嫁；乌兰误中圈套被点“天灯”；苦命的阿珠几度易夫受尽凌辱，被逼与爱子生离死别；而东歌，文韬武略，无力回天，青春耗尽，客死他乡。

The Nuer call themselves Naath. Only their immediate neighbors, the Dinka, Shilluk and Arabs, call them Nuer. Most foreigners, which includes those with whom the Nuer neither fought nor traded, are called Bar which means 'almost entirely cattleless'. Those foreigners who live even more remotely and include Europeans are called Jur which means 'entirely cattleless', a most unthinkable state indeed. 　　The people of Ciengach, where the film was made, are the Eastern Jikany, one of about a sixteen distinct tribes of Nuer. Twenty-five years ago E.E. Evans Pritchard estimated the total population of Nuer to be around a quarter of a million. Since then the number has undoubtedly dwindled considerably due to warfare, civil strife, sickness, drought and the general abandonment of traditional lifeways. 　　However, those who still called themselves Naath did so with an extraordinarily vivid image of themselves as superior people living a superior life. Furthermore, it was impossible not to see that their lives were inextricably tied to their herds. Ciengach is a perfected plan for co-posperity of cows and humans. 　　It cannot be said that filming the Nuer was an easy task, but visually it was always absorbing. They were seldom resentful as was the rule with the Islamicized Afar in the Danakil Desert to the Northeast. On the contrary, the Nuer had a real, even exaggerated, sense of their importance. They considered themselves handsome and displayed their elegance with pride. 　　Nuer existence has, consistent with life led on a flood plain, an almost tidal rhythm due largely to the movement of cattle into and out of the villages. At almost precisely 10:30 in the morning cows and bulls began to groan, stand up and in other ways indicate that the time had come for them to be released and on their way to graze. Within moments the entire herd was sounding a unified complaint. Men and boys then slipped the tethers from their necks and the flow of cattle began. Five more minutes and the village was virtually silent. The herd had receded toward the river and to whatever grass the younger men could find. So the days passed into twilights of returning herds and men and the nights were filled with stars and an almost intoxicating 'bucolia.'

露比在中央公园碰到从爱奥华州来的森，她原以为今生再找不到合意男子，却临到世纪末才真正堕入爱河，可也同时备受困扰。这个既怕小狗，臂上又纹上条码编号的男子，说自己是公元2470年纽约的时光旅客。他是认真的，还是神经不正常？剧本著眼于露比对这男人的逐步发掘：他的问题越严重，她越觉得自己的感情有用武之地。 　　 　　编导安德逊曾修读人种学电影，开过一课「电影游击术」，九七年被《综艺》杂志誉为「十位顶尖新独立导演」之一。

《情牵那拉提》是一部音乐风光电视剧，讲述了一位上海女知青扎根新疆伊犁那拉提草原的动人故事。全剧用超广角镜头拍摄，力图用更加宽阔的视角来原汁原味地展示伊犁草原自然风光的优美，让观众在观看美景地同时，倾听和欣赏哈萨克特有的民族音乐，得到美的熏陶和艺术享受。

《情牵那拉提》是一部音乐风光电视剧，讲述了一位上海女知青扎根新疆伊犁那拉提草原的动人故事。全剧用超广角镜头拍摄，力图用更加宽阔的视角来原汁原味地展示伊犁草原自然风光的优美，让观众在观看美景地同时，倾听和欣赏哈萨克特有的民族音乐，得到美的熏陶和艺术享受。