2022年的春节，三个异地无法相见却对春节有着相同感受的人共同诉说了自己的故事。(纯手机拍摄)

SYNOPSIS 　　Mrs. Yun makes a welcome trip outside her home and runs into an old friend, Young-hye. Through her, Yun meets Han Sang-ho who is a young businessman burning with ambition. A rival company of Sang-ho, Dong-il Company appears. They compete for the subway construction bidding. Managing director Heo of Dong-il, who is Yun's husband, plans to use his beautiful wife to entrap his competitors. The rivalry between Sang-ho and managing director Heo begins. Heo throws aside his wife and concentrates only on business. He begins to have doubts about his actions and goes looking for his wife. On the other hand, Sang-ho is completely crazy about Yun. Out of jealousy, his mistress stabs Sang-ho with a knife and then kills herself. 　　故事 　　云女士走了出来，在街上遇到了张嫦娥，介绍了韩相昊。韩相昊是一位年轻的商人，相继燃烧，雄心勃勃。作为韩生浩竞争对手的桑雄试图中标地铁建设。Yoon的丈夫Hyeon - moo计划用她美丽的妻子建立一个竞争对手，而韩生和Hyeon - 已经抛弃了自己的妻子，专心做生意的贤谟感到很想见她，想再次找到她。与此同时，对云的疯狂的尹相镐用刀猛击自杀，自杀身亡。

This 1985 Spanish film reveals one of the many terrible aspects of 16th century Spain, still plagued by the radical Christian Inquisition, one of a plethora of difficulties Spaniards faced at the time. 　　Spanish super star Carmen Maura plays a nun who agrees to a selfless scam, a fake stigmata, only to avoid separation from her lover, another nun. 'Extramuros' is edgy all right: a plot or scheme agreed upon between two lovers to escape their plight, but with a twist. The scheme is similar to some we've recently seen power couples of politicians, religious leader and the like, play out on the world in the last decade. But the twist this film throws in - literal and actual self-flagellation is original. 　　It's a serious and passionate work, highlighting the theme of outspoken women-against-repression, seen in other good gay and lesbian films. This is not a lesbian "Nun sense" or another "Dark Habits" (by Almodovar, which also starred Carmen Maura, and also set in a Spanish convent, with some lesbian nuns).

「为了让来未回想起活着的感觉，我成为了人类。」 春和来未过着平淡而幸福的生活。 本以为会一直这样下去，突如其来的飞机事故却打破了这一切。 刚吵完架还没有解开误会的来未就这么失去了至爱的春。 来未失去了活下去的力气。 为了找回春的笑容，来未找来了和春长相一摸一样的智能机器人。 于是，来未和机器人春生活在了一起。 机器人春的依靠是来未曾经写下愿望的——魔方。 只要对齐魔方的颜色，就能够看到来未满溢的思念。 正当机器人春和来未渐渐的接受了对方，这时却……

这部爱沙尼亚影史经典由当地一所学校的日常生活片段串联起来，虽无一条明确的主线，但少年时期的青春记忆仍勾起我们的万千思绪：还记得同桌的捣蛋鬼天天被老师 骂；想起和偷偷喜欢的同学步行回家；和同学坐在教室中不耐烦老师的谆谆教诲......这些在湖边、树下听着风声水声共同学习成长的日子，都是孩童时代最珍贵的宝藏。爱沙尼亚学校里的孩子们就如同春天的大地一般自如地、诗意地苏醒着、生长着。如一部洋溢着蓬勃生命力的散文诗，孩子们的生活阳光灿烂。

Spring is the story of a shepherd girl and her dog, who face ancient spirits in order to continue the cycle of life. This poetic and visually stunning short film was written and directed by Andy Goralczyk, inspired by his childhood in the mountains of Germany.

电影《春》由中华联合制片公司于1942年出品。该片改编自巴金所著同名小说《春》（《激流三部曲》的第二部），由杨小仲执导，周曼华、张帆、王丹凤等领衔主演。主要剧情是：高家三老爷给女儿淑英定下一门亲事，女婿是个不长进的人，淑英在觉慧和觉民的影响下渴望婚姻自由，但父亲的专制使她的反抗毫无作用。觉新深爱着的表妹因被迫嫁给一个品行很坏的人而抑郁致死。觉新的儿子得病，因长辈们不准看西医而不治而死。淑英婚期将近，她决心出走，兄弟姐妹都支持她，觉民的伤心欲绝使觉新终于醒了过来，把三叔让他为淑英办嫁妆的钱给了淑英，使这个少女得到了新生。

Set in 18th century Venice, “Primavera” follows Cecilia, a 20-year-old violin virtuoso who lives at the Pièta orphanage. Despite her talent, Cecilia remains confined within the orphanage, knowing that marriage is the only way out. Yet, her life takes a turn after she meets Antonio Vivaldi, a brilliant and ambitious composer who becomes the new violin teacher. Guided by Vivaldi and his music, Cecilia “finds the strength to challenge the destiny that once seemed inevitable.

A surreal juxtaposition French film about two people that never meet nor come close to. One, a young male outlaw, and the other a young woman going through puberty/sexual development for the first time.