Memories of Argentina in the early 1950s bring a man back (in his mind) to his neighborhood, his family, and their hardware store. Alth ough the barrio was filled with people both for and against Juan Perón who was in office as President at this time, the bonds of friendship were stronger than political differences. This view, and the view held throughout the film is that of the man as a young child. Newsreel clips and scenes of Evita Perón's funeral insert an adult perspective, though there is still an element of indecision throughout the film as to which perspective should hold. 　　"Espérame mucho" ("Keep Waiting For Me") is an Argentinian film released in 1983 and based on a short story by Isidoro Blaisten. The action takes place in 1950 and the viewer is able to get a feel for the time from the very first scenes, which consist of TV reporting typical for countries under a centralized economy. The story is told in the first person, in a memoir fashion, with a neat transition between the introductory words of the narrator ” I am 41 years old. In 1950, I was in fourth grade” and the actual story observed through his eyes as a child. 　　Juancito (played by the eleven year old Federico Olivera) is the main protagonist of the story. He is a regular boy who does his lessons under his mother’s supervision while awaiting impatiently for six o’clock so he can hear the story of his favorite hero on the radio -- Tarzan. A lot of political turmoil is happening in Argentina at that time and it causes the young boy to wonder why his mother is referring to his uncle as “A Quixote” instead of ” A revolutionary”, as he sees him. In the later scenes, it becomes clear that the boy compares his uncle with his father -- admiring his uncle for his courage and disapproving of his father who “never speaks up” and always follows the demands of his wife. And Juancito is not afraid to say that to his father’s face, using the words “everyone bosses you around”. At the same time, he relates more to his uncle who sometimes joined the boys in their football games “We loved it when my uncle Migel got the ball. He’d forget politics and play like a child. We all envied him.” 　　Juansito is in love with a girl and the scene in which he gives her a present made my him is one of the most heart warming scenes I have seen in a film. Yet, he soon finds out how unfair life can be…. Generally speaking, the film has some quite touching scenes which alternately brought tears to my eyes or a smile to my face. 　　The cast did an incredible job in the film. Throughout the story, told through the eyes of Juancito, the viewer can appreciate the similarities, differences and beliefs of people from various social classes in Argentina during 1950. The abundance of documentary cadres contributes to the educational value of the film. It accurately portrays the history and the epoch in which the action is set. I believe that everyone who sees this film once will have gained a knowledge and a wisdom - because even as the years change, we today still share the same joys and fears as did the people in 1950. 　　Espérame mucho has some of the most powerful ending phrases that I have seen in any coming of age film. I could not resist quoting them in my review as I believe they represent its core message and will lead to a desire for you to see it: 　　“looking back on those days, the affection of these people, their faces and smiles, I feel the weight of these 30 years. When I left Tarzan, defender of the meek and justice, a wound opened up, for me and for many others and it hasn’t healed yet. The many things that happened buried the enthusiasm …. I am 41 years old. With time, I discovered why Tarzan wasn’t enough ….and I lost my childhood innocence “ 　　When released in 1983, in the last few months of the military rule in Argentina, Esperame Mucho was subject to severe censorship by the regime. After the regime ended, the film was delivered without cuts in its various television displays. 　　I would not hesitate to recommend this film - not only to the fans of the coming of age genre, but to anyone who is interested in watching a high quality cinema production. Despite being produced in 1983, Esperame mucho is a film from which many of today’s filmmakers may learn. 　　The Sky Kid

灵感来自真实事件，向1948年的黄金时代致敬。“好莱坞发生的事情，留在百老汇”。从蒙蒂·克利夫特到理查德·罗杰斯的传奇人物的私生活，通过24岁的 Sid Lumet 的眼睛讲述。

Inspired by true events, pays homage to the Golden Age, 1948. "What happened in Hollywood, stayed on Broadway". The private lives of legends from Monty Clift to Richard Rodgers, told through the eyes of 24 year old Sid Lumet.

十年前，陆升是意气风发的豪门富少，虞芷溪是贫穷拮据的美丽校花。十年后，他破产为服务员，她崛起为女总裁。在一次同学聚会上，两人再次重逢。总有人不管你的出生，家庭背景，只要你敢勇敢地做自己，就总会有人爱你。

改编自丁墨的作品《待我有罪时》。 　　来自江蓉市的女刑警尤明许深入川西追查连环杀人案，偶遇受伤失忆的犯罪心理学教授殷逢，两人组成一对探案搭档。失忆的殷逢心智回到了少年时代，天真热烈，走进了尤明许因幼年失母而封闭的内心。在办案过程中，殷逢展现出了卓越的犯罪心理分析能力，而尤明许则依靠多年办案经验和敏锐的直觉，在殷逢的帮助下屡次破案，两人从陌生走向默契，也渐渐对彼此萌生爱情。殷逢也找回了记忆，他外表冷漠，内心仍对尤明许充满感情。但殷逢推理出自己的哥哥可能是当年杀害尤明许母亲的凶手。为了解开十九年前的尤明许之母的死亡迷案，两人抽丝剥茧，最终尘封多年的真相浮出水面，真凶伏法。

十年前，陆升是意气风发的豪门富少，虞芷溪是贫穷拮据的美丽校花。十年后，他破产为服务员，她崛起为女总裁。在一次同学聚会上，两人再次重逢。总有人不管你的出生，家庭背景，只要你敢勇敢地做自己，就总会有人爱你。

改编自丁墨的作品《待我有罪时》。 　　来自江蓉市的女刑警尤明许深入川西追查连环杀人案，偶遇受伤失忆的犯罪心理学教授殷逢，两人组成一对探案搭档。失忆的殷逢心智回到了少年时代，天真热烈，走进了尤明许因幼年失母而封闭的内心。在办案过程中，殷逢展现出了卓越的犯罪心理分析能力，而尤明许则依靠多年办案经验和敏锐的直觉，在殷逢的帮助下屡次破案，两人从陌生走向默契，也渐渐对彼此萌生爱情。殷逢也找回了记忆，他外表冷漠，内心仍对尤明许充满感情。但殷逢推理出自己的哥哥可能是当年杀害尤明许母亲的凶手。为了解开十九年前的尤明许之母的死亡迷案，两人抽丝剥茧，最终尘封多年的真相浮出水面，真凶伏法。

影片拍摄于汶川大地震的半年之后，展示了重灾区什邡市红白镇和起周边地区几个普通人物和家庭的灾后重建的生活。其中的主要人物之一，是当地一个道观的主持62岁的林理峰。因为道教在其方法论上，存在直接干预现实生活的各种手段，诸如看风水，解孽生祸事等等，所以当地灾民带着灾后生活和精神状态上出现的种种问题，向林主持求助，反映了人的生存在突然受到重创之后，对信仰和神性力量的需求。 　　Red White A Film by Zhong Chen 2009 | Documentary | HDV | Color | 97min | Chinese & English Subtitles Synopsis: A small rural township 　　called Red White was seriously devastated by the May 12th Earthquake in China 2008. A 62 year old Taoist survived even though his temple was largely torn by the disaster. This documentary tells the story of how the Taoist practices the widely believed Chinese traditional religion and the local people’s daily life during the township’s post-quake reconstruction.

每天渾噩渡日的大學生老馬、小七與冠廷，看著身邊的同學們都開始稍有成就，而他們的人生卻依然停滯不前。到底什麼才能替三人散漫且平淡的生活激起漣漪呢？本片引「白天睡覺晚上活動」之模式，一窺當代年輕人所面臨的困境和消極態度。

凯伦·吉兰正式加盟科林·席幅执导的独立剧情片《众生之下》(All Creatures Here Below，暂译)，出演该片女主角。吉兰将与大卫·达斯马齐连在新片中化身一对前往堪萨斯城，寻求庇护的绝望青年夫妇。身为男主角的达斯马齐连已为本片撰写了剧本，影片也将不日投入到创作中。