Respected black cavalry Sergeant Brax Rutledge stands court-martial for raping and killing a white woman and murdering her father, his superior officer.

Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

2021威尼斯电影节非竞赛展映。

2021威尼斯电影节非竞赛展映。

Celebrating the 150th anniversary of the birth of Beatrix Potter, this documentary sees Patricia Routledge following in the footsteps of the Edwardian publishing sensation. She discovers what fired the author's imagination and where her love and understanding of animals was born. As an actress, Patricia played Beatrix on stage in the 1990s. In her present role as patron of the Beatrix Potter Society, and with access to rare drawings, letters and artefacts held at the V&A Archive, she discovers the woman behind the myth.

An undead zombie wizard known as "The Litch" is hell-bent on devouring his victims and possessing the weak when his sacred crystal is stolen by a small-time crook and his crew of big-breasted witches. The Litch uses its power to transform into slimy mutant creatures, spilling gallons of blood from his victims on his quest to retrieve the crystal in order to rule the four worlds. Vinnie Crowley had no idea he had awoken The Litch from its crypt when he robbed a jewelry store and snatched the crystal. The lovable loser's jaded past literally comes back to haunt him when The Litch turns Vinnie's friends and family into monster slaves as The Litch fights to steal back what was rightfully his. This action-packed horror comedy will keep you on the edge of your seat as The Litch raises the dead and assembles an army of zombies to try to destroy Vinnie and retrieve the crystal. He's not a demon, he's not a witch, so run for your life, here comes The Litch.

Nach dem gleichnamigen Roman von Jean Egen. 　　Die wechselvolle Geschichte einer elsässischen Familie, die nach dem Krieg 1870/71 mal unter deutscher, mal unter französischer Herrschaft lebt und sich trotz der turbulenten Zeitläufte ihre Identität bewahren kann.

Nach dem gleichnamigen Roman von Jean Egen. 　　Die wechselvolle Geschichte einer elsässischen Familie, die nach dem Krieg 1870/71 mal unter deutscher, mal unter französischer Herrschaft lebt und sich trotz der turbulenten Zeitläufte ihre Identität bewahren kann.