“What makes Einleitung, in the words of its authors, a ‘film of agitation’, is perhaps the order in which it exposes things, the time it takes to restitute these images for what they are: images taken from the point of view of U.S. power, taken on the other side. This consists in cleansing the images of any sense of déjà vu, making them produce (sweat out, reveal, chase) the power which willed them into being and which wants us not even to find them surprising. From that moment, the horror is no longer the eternal return of the same in the guise of the same old thing (retro style) but the intolerable present (Holger Meins, 1975).” Serge Daney

“What makes Einleitung, in the words of its authors, a ‘film of agitation’, is perhaps the order in which it exposes things, the time it takes to restitute these images for what they are: images taken from the point of view of U.S. power, taken on the other side. This consists in cleansing the images of any sense of déjà vu, making them produce (sweat out, reveal, chase) the power which willed them into being and which wants us not even to find them surprising. From that moment, the horror is no longer the eternal return of the same in the guise of the same old thing (retro style) but the intolerable present (Holger Meins, 1975).” Serge Daney

Style是以描述时尚界的华丽职业的世界中隐藏的人类欲望的同名小说为原著,述说主角们的工作和爱情,服装界的激烈竞争,公司内权力关系等

テレビ朝日初の本格シットコムとなる本作は、さびれた温泉旅館・虹の屋の玄関とロビー、従業員室、大浴場の入口、エレベーターという限られた空間で繰り広げられる群像劇。主人公は虹の屋の3代目である父親に反発し家を飛び出すも、うだつの上がらない日々を送っていた柿丘哲郎だ。劇中では哲郎が実家の窮地を救うため10年ぶりの帰宅を果たすも、虹の屋は100年の伝統を誇る老舗旅館の品格やサービスが完全に消え失せ、一筋縄ではいかない従業員の吹き溜まりと化していた。

CINEMATOGRAPHER STYLE is about the Art and Craft of Cinematography. It is about how everything, from life experiences to technology, influences and shapes an individual's visual style. Because of the powerful impact that the visual style of a movie can have, this documentary may offer contemporaries valuable insights into the dramatic choices Cinematographers make. And, it is expected that the material will have significant historic value as well.

胡恩威錄像作品 　　散步香港城市與建築空間 　　香港風格是來自胡恩威2005年出版的同名原著為藍本的錄像作品。 　　一部關於香港都市文化和形象建築風格的書，大戲院、老社區、天橋、霓虹招牌、竹棚建築、街市等等，解讀香港正在消失的獨有都市和建築美學。 　　我是一九六八年於香港出世，我的父母和當時很多香港人一樣，都是一九四九年從中國跑到香港尋找新生活，建立家庭。我在香港這個城市成長，體會香港這個城市這些年來的變化，看著香港的老房子老社區老店老戲院消失，看著街邊小販大排檔被消滅，看著一幢一幢的高樓，一個一個的大型商場像太空船一樣空降在香港的不同地方。我們說睹物思人，觸景生情，年青時代的香港成了我的記憶，成為了我對香港的情感，它不可能也不能夠像電腦Delete all 指令一樣，在彈指之間消失。 　　香港風格是一部我的香港影像音樂文字(Image – Music – Text)，散步香港空間和情感，不是理性也不是感性，是非常由「我」出發的香港經驗。 　　胡恩威 　　香港出生，於香港及倫敦修讀建築設計，相信建築可以改變世界的現代主義精神，在劇場、文字、影像實踐建築精神。1988年加入進念二十面體，劇場作品包括：Looking for Mies、東宮西宮、半生緣、萬曆十五年等等。被台灣《表演藝術》雜誌形容為「用入世精神製造劇場風暴」。2004年，胡恩威聯同雅砌建築設計有限公司所設計的汕頭大學學生活動中心《789》第一期，獲香港建築師學會頒發《2004年度會員香港境外作品獎》。

Brooklyn-based Ella Richards does freelance work as a seamstress to pay the bills, but is also a struggling fashion designer, her talent which her friend Max, who often gets her her sewing work, can see. She specializes in designs for plus sized women such as herself in knowing that the high end fashion industry largely ignores this majority segment of the population in she herself having felt that exclusion all her life. Katie, her best friend and roommate, has her own fashion industry aspirations in wanting to be a fashion editor, although she admits the environment at Look, the high end fashion magazine where she works as an assistant, is not a pleasant one in the Editor-in-Chief Claudia Davenport and her assistant Liza, Katie's boss, treating people in general, including staff, like garbage unless it otherwise serves their needs. The first day that Ella helps Katie with an important fashion shoot at the magazine coincides with Derek Colby's first day there, Colby Publishing, his father Roger Colby's company, the magazine's parent company, assigning him to deal with the magazine's declining revenues, both in advertising and subscriptions, work he has done with other magazines under the Colby banner. Derek secretly asks Ella for a crash course in fashion design to assist in this task at the magazine, she his choice of teacher due to her knowledge of fashion in general, and she seemingly not being intimidated by him which most people tend to be in being a Colby in combination with his good looks resulting in he placing number seven of the most eligible bachelors in New York City. In spending time with Ella, Derek can see the revenue potential of the magazine expanding into the plus sized market and seemingly starts to fall for her in the process in wanting to do one of the first articles in this vein on her design career, much against the wishes of both Claudia and Liza. Beyond whether Derek is able to change the magazine's fortunes with this new direction, what happens between Ella and Derek will depend on whether Ella herself is confident enough in herself and Derek, who generally can have any woman he wants on his arm.—Huggo

Brooklyn-based Ella Richards does freelance work as a seamstress to pay the bills, but is also a struggling fashion designer, her talent which her friend Max, who often gets her her sewing work, can see. She specializes in designs for plus sized women such as herself in knowing that the high end fashion industry largely ignores this majority segment of the population in she herself having felt that exclusion all her life. Katie, her best friend and roommate, has her own fashion industry aspirations in wanting to be a fashion editor, although she admits the environment at Look, the high end fashion magazine where she works as an assistant, is not a pleasant one in the Editor-in-Chief Claudia Davenport and her assistant Liza, Katie's boss, treating people in general, including staff, like garbage unless it otherwise serves their needs. The first day that Ella helps Katie with an important fashion shoot at the magazine coincides with Derek Colby's first day there, Colby Publishing, his father Roger Colby's company, the magazine's parent company, assigning him to deal with the magazine's declining revenues, both in advertising and subscriptions, work he has done with other magazines under the Colby banner. Derek secretly asks Ella for a crash course in fashion design to assist in this task at the magazine, she his choice of teacher due to her knowledge of fashion in general, and she seemingly not being intimidated by him which most people tend to be in being a Colby in combination with his good looks resulting in he placing number seven of the most eligible bachelors in New York City. In spending time with Ella, Derek can see the revenue potential of the magazine expanding into the plus sized market and seemingly starts to fall for her in the process in wanting to do one of the first articles in this vein on her design career, much against the wishes of both Claudia and Liza. Beyond whether Derek is able to change the magazine's fortunes with this new direction, what happens between Ella and Derek will depend on whether Ella herself is confident enough in herself and Derek, who generally can have any woman he wants on his arm.—Huggo

勇敢的热血好青年立花直树从安莫伦星人处得到威力无穷的机器人JUMBOG A和JUMBOG9，并和保卫地球的PAT队一起同妄图侵略地球的哥斯军団战斗。 詹伯格艾斯不属于奥特曼系列，是圆谷公司的特摄作品，与奥特曼的任何一世界观没有任何联系。