Unavailable on home video for many years (except perhaps as a grainy, nth-generation VHS bootleg), Penelope Spheeris' seminal document of the young 1979-1980 Los Angeles punk scene includes chaotic live performances by now-legendary groups like Black Flag (with short-lived lead singer Ron "Chavo Pederast" Reyes), X (giving themselves stick-and-poke tattoos) and the Germs (whose unpredictable lead singer Darby Crash would commit suicide before the film's release) interwoven with talking-head interviews with teenage punks and, most entertainingly, older club owners trying very hard to describe a growing form of music they were clearly unprepared for. The footage of Fear's confrontational set would later grab the attention of John Belushi, who snagged the band a 1981 appearance on Saturday Night Live (and resulted in $20,000 in damage to the studio). - Tom Fritsche

Unavailable on home video for many years (except perhaps as a grainy, nth-generation VHS bootleg), Penelope Spheeris' seminal document of the young 1979-1980 Los Angeles punk scene includes chaotic live performances by now-legendary groups like Black Flag (with short-lived lead singer Ron "Chavo Pederast" Reyes), X (giving themselves stick-and-poke tattoos) and the Germs (whose unpredictable lead singer Darby Crash would commit suicide before the film's release) interwoven with talking-head interviews with teenage punks and, most entertainingly, older club owners trying very hard to describe a growing form of music they were clearly unprepared for. The footage of Fear's confrontational set would later grab the attention of John Belushi, who snagged the band a 1981 appearance on Saturday Night Live (and resulted in $20,000 in damage to the studio). - Tom Fritsche

The third (and seemingly final) installment in Penelope Spheeris' Los Angeles music trilogy, THE DECLINE OF WESTERN CIVILIZATION III follows not the punk acts of Los Angeles from 1996-1997 but their homeless teenaged fans. Musician interviews in this DECLINE are fewer but include interesting musings from Keith Morris from the Circle Jerks and Flea (credited as the "ex-bass player of Fear"). DECLINE III lives up to its title as Spheeris explores every facet of the gutter-punk life, from their damaged upbringings (nearly all were abused or neglected as children) to the self-destructive lives they lead on society's fringe (alcoholism, homelessness and run-ins with skinheads, among others). - Tom Fritsche

The third (and seemingly final) installment in Penelope Spheeris' Los Angeles music trilogy, THE DECLINE OF WESTERN CIVILIZATION III follows not the punk acts of Los Angeles from 1996-1997 but their homeless teenaged fans. Musician interviews in this DECLINE are fewer but include interesting musings from Keith Morris from the Circle Jerks and Flea (credited as the "ex-bass player of Fear"). DECLINE III lives up to its title as Spheeris explores every facet of the gutter-punk life, from their damaged upbringings (nearly all were abused or neglected as children) to the self-destructive lives they lead on society's fringe (alcoholism, homelessness and run-ins with skinheads, among others). - Tom Fritsche

The Decline of Western Civilization Part II: The Metal Years is a documentary film directed by Penelope Spheeris about the Los Angeles heavy metal scene from 1986 to 1988.

The Decline of Western Civilization Part II: The Metal Years is a documentary film directed by Penelope Spheeris about the Los Angeles heavy metal scene from 1986 to 1988.

阿斯特快乐黏人的性格,让他失去了一次和他终身迷恋的米拉在一起的机会.他深信自己需要更多练习才能追回米拉,于是他说服她的前好朋友卡利来教他如何追求女人...

阿满（张刚 饰）是个喜剧演员兼导演，他编排的喜剧作品深受观众喜爱。然而人怕出名猪怕壮，再好的人不免受到别有用心之人的排挤和非议，但支部书记迟学智（徐平 饰）和女演员白莉（吴海燕 饰）始终站在阿满一边。文革开始后，斗争的矛头对准了阿满，但他仍然苦中作乐，宽厚待人，有时甚至以德报怨。但灾难是不以人的意志为转移的，支持他的迟书记不幸惨死，钟科长（牛犇 饰）趁人之危向白莉求爱遭拒怀恨在心。昔日伙伴撮合阿满和白莉在酒馆相聚，一对有情人相对无言。文革结束后，阿满从“牛棚”中解放出来，他最忘不下的仍是喜剧，但白莉能等到这一天吗.......

阿满（张刚 饰）是个喜剧演员兼导演，他编排的喜剧作品深受观众喜爱。然而人怕出名猪怕壮，再好的人不免受到别有用心之人的排挤和非议，但支部书记迟学智（徐平 饰）和女演员白莉（吴海燕 饰）始终站在阿满一边。文革开始后，斗争的矛头对准了阿满，但他仍然苦中作乐，宽厚待人，有时甚至以德报怨。但灾难是不以人的意志为转移的，支持他的迟书记不幸惨死，钟科长（牛犇 饰）趁人之危向白莉求爱遭拒怀恨在心。昔日伙伴撮合阿满和白莉在酒馆相聚，一对有情人相对无言。文革结束后，阿满从“牛棚”中解放出来，他最忘不下的仍是喜剧，但白莉能等到这一天吗.......

二人转剧场老演员刘秀芬，因儿子欠下五万赌债陷入绝境，险些被小卖部老板老李头诱骗倒卖假酒。好面子的她独自扛着压力，幸得剧场邻里察觉相助：王凤霞、老陈及时劝阻，小月拿出全部积蓄，众人筹办募捐义演，剧场老板免场地费，街坊踊跃捐赠。最终筹得六万余元还清赌债、为其丈夫治病，老李头也被工商查处。剧本以温情故事，尽显邻里守望相助的人间暖意。