On July 27, 1986, Queen performed the largest-ever stadium concert at the Népstadion in Budapest in front of 80,000 ecstatic fans. The concert was part of the famed Magic Tour, which was the last time the band toured with lead singer Freddie Mercury. Now, this original concert film has been remastered in high definition and features many of Queen's favorite tracks—"Bohemian Rhapsody," "Crazy Little Thing Called Love," "I Want To Break Free" and "We Are The Champions." In addition, this special cinema event is introduced by a documentary feature that gives the inside track on events leading up to the Budapest concert. With three years to go before the fall of the Berlin Wall, this was the first Western rock concert performed in a stadium behind the then Iron Curtain. It was of such significance to the Hungarian authorities and film industry that a group of the country's top film cameramen and technicians were brought together to film it for posterity. Using archive footage from rehearsals, interviews with the band and on the road during the Magic Tour—some of which has never been seen before—this fascinating intro feature has been specially created for cinema release.

On July 27, 1986, Queen performed the largest-ever stadium concert at the Népstadion in Budapest in front of 80,000 ecstatic fans. The concert was part of the famed Magic Tour, which was the last time the band toured with lead singer Freddie Mercury. Now, this original concert film has been remastered in high definition and features many of Queen's favorite tracks—"Bohemian Rhapsody," "Crazy Little Thing Called Love," "I Want To Break Free" and "We Are The Champions." In addition, this special cinema event is introduced by a documentary feature that gives the inside track on events leading up to the Budapest concert. With three years to go before the fall of the Berlin Wall, this was the first Western rock concert performed in a stadium behind the then Iron Curtain. It was of such significance to the Hungarian authorities and film industry that a group of the country's top film cameramen and technicians were brought together to film it for posterity. Using archive footage from rehearsals, interviews with the band and on the road during the Magic Tour—some of which has never been seen before—this fascinating intro feature has been specially created for cinema release.

Hungarian Rhapsody (Magyar Rapszodia) is the first chapter of director Miklos Jancso's two-part dramatized history of Hungary, from the turn of the century, to World War II. The story is told from the vantage point of Gyorgy Cserhalmi, the son of a wealthy landowner. During World War I, Cserhalmi is instrumental in quelling an army mutiny. Upon realizing that he has been responsible for the deaths of several peasant conscripts, Cserhalmi vows to be a "man of the people" when hostilities cease. He joins a communist cell, but finds he is woefully out of place. Throughout the 1920s and 1930s, Cserhalmi's political viewpoint is governed almost exclusively by his vacillating emotions. The film is enhanced with a "Russian Roulette" leitmotif, not unlike the fatalistic throughline of Michael Cimino's The Deer Hunter. Director Jancso followed Hungarian Rhapsody with Allegro Barbaro; both films were originally released in tandem, then redistributed as separate features. ~ Hal Erickson, All Movie Guide

"Régi ismerőseink: Kapa, Pepe és felesége, Emese újabb viharos kalandjai. Minden bonyodalom megtalálható: grófnál nevelkedett elcserélt zabigyerek, mérgező vadalma, nem oda Buda, a nagytatának rengeteg hamis pénze van, az örökséget lenyúlni nagyon nehéz, a halottak énekszóra feltámadnak, a gazembert fojtogatják. És az egészet tágra nyílt szemekkel bámulja a Szabadság-szobor. Már amikor van neki szeme.""Régi ismerőseink: Kapa, Pepe és felesége, Emese újabb viharos kalandjai. Minden bonyodalom megtalálható: grófnál nevelkedett elcserélt zabigyerek, mérgező vadalma, nem oda Buda, a nagytatának rengeteg hamis pénze van, az örökséget lenyúlni nagyon nehéz, a halottak énekszóra feltámadnak, a gazembert fojtogatják. És az egészet tágra nyílt szemekkel bámulja a Szabadság-szobor. Már amikor van neki szeme."

本作讲述了一个向来回避人际交往、独自生活的男人，因在不知情的状况下被人登记结婚，人生自此朝着意想不到的方向发展。主人公夏野干夫为更新护照前往政府机关，随手拿到的户籍誊本上竟写着自己有个毫无印象的“妻子”。得知名叫繁子的女性擅自与自己登记结婚后，干夫从那天起便开始寻找“夏野繁子”。他最终在街角的一家小花店找到了她，却发现她是个碰什么就弄坏什么、性格极其特别的女人，两人的奇妙关系也由此开启。

伊丽莎白·泰勒饰演一名富家女，她同时周旋于小提琴家维托里奥与钢琴家约翰之间玩弄爱情，令两名音乐家苦恼不已，最后她也从惨痛的代价中领悟什么是真正的爱情。 　　此为查尔斯·维多导演的三角恋爱故事片，剧情虽不新鲜，但演员配搭得宜，也具有丰富的音乐性，看来赏心悦目。本片中美丽的欧洲风景和悦耳的动听的古典音乐演奏会来支撑单薄平凡的剧情，加上女主角演出精彩，所以看起来并不沉闷，只是节奏较慢，情节安排了过分肥皂剧化，显得有点冗长。

“即使隔着地球，我也能感觉到你的温暖！”

肉食兽和草食兽共存的世界。在食肉被视为重罪的情况下 ，全寄宿制的名门高中·却里顿学园发生了学生被吞噬的“食杀事件”。 在充斥着不安的校园里，戏剧部的怪人·灰狼雷格西过着与其“庞大身躯”和“锐利尖牙”相反的安静生活。但是和小巧的兔子的女学生·春的相遇，打动了雷格西的心。 “我追求她的心情，是恋爱？还是食欲？” 他真正遇到的东西，是他自己的本能——

欧洲某座城市街头一角，老旧的公寓迎来了一个沉默的身影。男人身着风衣，头戴礼帽，他安静地走进公寓，沿着陈旧朽烂的楼梯一步步迈了上去。最终他走进一间屋子，有条不紊脱掉帽子和风衣，坐到一架风琴前。男人在嘴里塞了一个苹果后，开始演奏大音乐家巴赫创作的狂想曲。伴随激昂、庄重且充满 宗教仪式感的旋律，这座公寓仿佛从沉睡中苏醒了一般，墙砖、石头、墙灰变幻着不同图案，迎合着这穿越时空的演奏。斑驳的壁垒记录着亘古兴衰，生动演绎着时间流动的痕迹…… 　　本片荣获1965年戛纳电影节最佳短片奖。

欧洲某座城市街头一角，老旧的公寓迎来了一个沉默的身影。男人身着风衣，头戴礼帽，他安静地走进公寓，沿着陈旧朽烂的楼梯一步步迈了上去。最终他走进一间屋子，有条不紊脱掉帽子和风衣，坐到一架风琴前。男人在嘴里塞了一个苹果后，开始演奏大音乐家巴赫创作的狂想曲。伴随激昂、庄重且充满 宗教仪式感的旋律，这座公寓仿佛从沉睡中苏醒了一般，墙砖、石头、墙灰变幻着不同图案，迎合着这穿越时空的演奏。斑驳的壁垒记录着亘古兴衰，生动演绎着时间流动的痕迹…… 　　本片荣获1965年戛纳电影节最佳短片奖。