When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony. 　　With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.

When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony. 　　With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.

讲述了君无咎通过一件离奇的双生子掉包案，牵连并破解了连环残害认识真正流落北方公主之人的案件，以此揭穿北方人帮助假公主进入皇宫，扰乱朝廷的阴谋，最终化解朝廷危机的故事。

"幼年李北辰不幸被拐加入神秘组织，由此展开的一系列成长史， 欺我家园者，总有人崛起于微弱，王者归来洗刷耻辱。"

北境帝主林阳，曾以无双之姿威震四方，却在三年前选择隐退江湖，于苏城化作一名普通的杀猪匠，过上平凡生活。然而，命运并未让他安逸，家庭中的误解与纷争接踵而至，妻子的疑虑、丈母娘的冷言冷语，以及家族宴会上的嘲讽与羞辱，如利刃般刺入他的心头。 然而，林阳并未被这些琐事所动摇，他深知自己的责任和荣耀所在。正当他准备继续平凡生活时，北境边境传来噩耗，罗刹族十万大军压境，龙国岌岌可危。消息一出，举国哗然，人心惶惶。从尊贵的龙国公主叶倾城到普通的百姓，无不在期盼着那个曾为国家立下赫赫战功的帝主能够出山。 面对国家的危难，林阳终...

男主小时候的父母被人杀害，自己躲过一劫，并在高人带领下在山中修炼，修炼完成后师傅叫她带上两名聪明果敢漂亮的女助手作为他的左膀右臂协助他调查真相，下山后男主找到了自己的亲生妹妹，并成功复仇当年陷害了自己的人。

白九霄五年前为爱顶罪，狱中五年获得的机遇使白九霄天下无双，出狱时各路世豪前来交好，但他只想报答恩情履行与方宛如的婚约，却惨遭背叛。狂妄自大的方家等人因当年之事对白九霄欺辱打压，心中的情谊一次次被消耗完，白九霄亮出身份一步步打脸众人，也发现自己心心念念要报恩的女孩另有其人。

在他们邪恶的族长离世后，拉辛格家的三兄妹为争夺王位，致使王室分崩离析。

在他们邪恶的族长去世后，三个拉辛格兄弟姐妹为了争夺王位而拆散了他们的王室。

白月初的损友王富贵自小便知道自己是传说中的天才道盟兵人王权富贵的转世，并与蜘蛛精清瞳有着宿世之缘。上一世，他为了获得自由不惜身受万剑穿心；到了这一世，他也同样不想屈服于命运，一直在努力寻找方法冲破这一切。与此同时，成功晋升为正式红线仙的苏苏，需要找到她的专属道具“天书”。而这本天书同时也被想要完成续缘的蜘蛛精盯上，双方由此展开了激斗。在战斗中，白月初和苏苏更是意外得知，他们二人的相遇其实是注定会发生的事情，因为他们二人的身份也同样不凡。