这是一部半自传性质的故事。儿童时代，弗兰奇就把父亲当作心目中的英雄。父亲的言行举止对他产生了很大影响。他目睹了父亲的不良行为，而母亲也因此离家出走，他幼小的心灵受到震撼，很小的年纪就染上了酒瘾。青年时期他又加入了暴力团伙，但爱情使他看到了希望。弗兰奇也因此面对着他人生最重要的抉择：是继续用酒精麻醉自己，还是勇敢面对过去，追求自己的梦想……

自己的工作稳定顺心，丈夫才华出众，在公司倍受器重，夫妻俩恩爱如往，女儿聪明伶俐，乖巧懂事，温馨如所有美好的家庭，幸福如天下惬意的女人，幸福…

沈惜枝的老公把年仅六岁的女儿李慕澄卖给别人当童养媳，儿子李慕言随即带着李慕澄逃跑，却不慎掉下山崖，李慕言被沈惜枝找到，但女儿李慕澄下落不明。十六年后，沈惜枝成为云城首富，她一直没有放弃寻找女儿。李慕澄被向奶奶带大，改名向小意，母女相见却不相识，更因为种种误会，向小意和母亲以及哥哥李慕言接连发生冲突，向小意为了奶奶，一直忍气吞声，直到沈惜枝发现了她的真实身份，母女相认，向小意终于找到了自己的幸福。

玛格丽特是一个北部名门贵族里掌权的阔太太，她的儿子因失去未婚妻而心碎，整个家族都陷入动荡。玛格丽特决心掀起一场腥风血雨的复仇战，经过数年的准备，她筹划了一场盛大的除夕派对，并邀请一众宾客赴宴。玛格丽特在她无与伦比的豪宅中，等待着奇迹般的第13小时来结束这一切。

玛格丽特是一个北部名门贵族里掌权的阔太太，她的儿子因失去未婚妻而心碎，整个家族都陷入动荡。玛格丽特决心掀起一场腥风血雨的复仇战，经过数年的准备，她筹划了一场盛大的除夕派对，并邀请一众宾客赴宴。玛格丽特在她无与伦比的豪宅中，等待着奇迹般的第13小时来结束这一切。

玛丽莲（克劳蒂亚·艾辛格 Claudia Eisinger 饰）写了一封电子邮件寄往来客杂志社，却在阴差阳错之下寄到了一个名叫里昂（亚历山大·费林 Alexander Fehling 饰）的男人的邮箱里。不知情的玛丽莲三番五次的给里昂发去邮件，一来二去之间，两人就这样相识了。 　　里昂刚刚结束了一段失败的感情，和玛丽莲之间的通信逐渐治愈了他内心里的创伤。而玛丽莲一直以为自己拥有一段完美的婚姻，直到遇见里昂，她才察觉到自己的婚姻早就失去了灵魂。随着时间的推移，玛丽莲和里昂都开始觉得仅仅靠通信再也无法抑制彼此对对方的感情了，但与此同时，他们亦在犹豫，不知道见面是否是正确的选择。

玛丽莲（克劳蒂亚·艾辛格 Claudia Eisinger 饰）写了一封电子邮件寄往来客杂志社，却在阴差阳错之下寄到了一个名叫里昂（亚历山大·费林 Alexander Fehling 饰）的男人的邮箱里。不知情的玛丽莲三番五次的给里昂发去邮件，一来二去之间，两人就这样相识了。 　　里昂刚刚结束了一段失败的感情，和玛丽莲之间的通信逐渐治愈了他内心里的创伤。而玛丽莲一直以为自己拥有一段完美的婚姻，直到遇见里昂，她才察觉到自己的婚姻早就失去了灵魂。随着时间的推移，玛丽莲和里昂都开始觉得仅仅靠通信再也无法抑制彼此对对方的感情了，但与此同时，他们亦在犹豫，不知道见面是否是正确的选择。

上世纪七十年代，一群梁川市的知青在下乡时结下了深厚情谊，他们在返城、高考、改革开放中奋勇拼搏，走出了不同的人生轨迹。俞乐山家庭困顿但乐于助人，不但帮扶村民，还和盛雪竹一起将曲芳菲的孩子抚养成才。回城以后，盛雪竹在俞乐山的帮助下，克服困难考进医学院成为医生。盛雪竹的家庭矛盾也在俞乐山的帮助下化解。改革开放到来，俞乐山在盛雪竹的支持下，帮助村镇企业起死回生。在接触的过程中，俞乐山对盛雪竹有了好感，但此时盛雪竹和王潇成婚多年，俞乐山辞去工作，南下创业。八年后，俞乐山事业有成，回到梁川招商引资。随着时代的发展，盛雪竹和丈夫王潇渐行渐远，盛雪竹逐渐明晰了与俞乐山的情感，两人在众人的祝福下走到一起，并在各自的岗位上实现自己的人生理想。

After her brother was killed by a notorious all-female pirate gang, Morag dedicates her life to bringing the murderers to justice. Soon, she has become an important member of the pirate gang and has begun acquiring the loyalty of key members. Eventually, she makes her move and challenges the leader, a demi-god (literally), known as "The Daughter of the Sun." The story of Noroit is based on an early 17th-century tragedy by Cyril Tourneur, and, though it is only the third one filmed, the movie is the concluding episode in a four-part series by director Jacques Rivette. 　　“With NOROÎT, Jacques Rivette has joined Federico Fellini as one of the great autobiographical surrealists of the cinema” (John Hughes). Based on the bloody Jacobean play, “The Revenger's Tragedy,” and influenced by samurai films, Fritz Lang, and Samuel Fuller, NOROÎT was shot in a fifteenth-century chateau and a twelfth-century seaside fortress, and stars Geraldine Chaplin as the ghostly Morag, out to avenge the death of her brother who was murdered by a group of women pirates. With its emphasis on ritual, fantasy, and spectacle, “NOROÎT contains the most beautiful images and sounds of any Rivette film” (Jonathan Rosenbaum, Sight & Sound ).

After her brother was killed by a notorious all-female pirate gang, Morag dedicates her life to bringing the murderers to justice. Soon, she has become an important member of the pirate gang and has begun acquiring the loyalty of key members. Eventually, she makes her move and challenges the leader, a demi-god (literally), known as "The Daughter of the Sun." The story of Noroit is based on an early 17th-century tragedy by Cyril Tourneur, and, though it is only the third one filmed, the movie is the concluding episode in a four-part series by director Jacques Rivette. 　　“With NOROÎT, Jacques Rivette has joined Federico Fellini as one of the great autobiographical surrealists of the cinema” (John Hughes). Based on the bloody Jacobean play, “The Revenger's Tragedy,” and influenced by samurai films, Fritz Lang, and Samuel Fuller, NOROÎT was shot in a fifteenth-century chateau and a twelfth-century seaside fortress, and stars Geraldine Chaplin as the ghostly Morag, out to avenge the death of her brother who was murdered by a group of women pirates. With its emphasis on ritual, fantasy, and spectacle, “NOROÎT contains the most beautiful images and sounds of any Rivette film” (Jonathan Rosenbaum, Sight & Sound ).