Long documentary about the everyday life in Vinh Linh and other villages near the 17th parallel, the demarcation line between North and South Vietnam. This area was bombed heavily bombarded during the Vietnam war, which forced the villagers to live partly underground. The film shows the ingenuity and the determination of the North-Vietnamese people to defend their country and their own land. The shocking but 'clean' images, the pace of the editing (to illustrate the slow pace of life in an agricultural community) and the synchronous sound of the ongoing bombardments in the background, gives this film also cinematographic importance. 　　The war in Vietnam, here filmed from the perspective of the people suffering from the conflict, is the subject of this documentary. Adults and children live and die, and the young are indoctrinated to refer to Americans as "pirates." An American serviceman is captured and paraded through a small village before being sent to Hanoi. The everyday lives of the Vietnamese and their struggles to survive are illustrated without propaganda, allowing the events and the camera to tell their stories. A complex labyrinth of underground tunnels contains homes, hospitals and hiding places from the barrage of bombs and gunfire. 　　Le 17ème Parallele (The Seventeenth Parallel) (1968) sees Ivens using light 16 mm cameras and synchronised sound for the first time, although he is still constructing his films around central characters, bending reality to the camera. But the result is a powerful account, in black and white, of life in the underground villages of the Vietnamese army, farming among the shell holes and watching for in-coming bombs. A downed US airman is paraded through the village, and children learn how to shout “hands up!” in English. 　　http://www.ivens.nl/upload/?p=118&t=2&k=2&film=28&details=ja

Long documentary about the everyday life in Vinh Linh and other villages near the 17th parallel, the demarcation line between North and South Vietnam. This area was bombed heavily bombarded during the Vietnam war, which forced the villagers to live partly underground. The film shows the ingenuity and the determination of the North-Vietnamese people to defend their country and their own land. The shocking but 'clean' images, the pace of the editing (to illustrate the slow pace of life in an agricultural community) and the synchronous sound of the ongoing bombardments in the background, gives this film also cinematographic importance. 　　The war in Vietnam, here filmed from the perspective of the people suffering from the conflict, is the subject of this documentary. Adults and children live and die, and the young are indoctrinated to refer to Americans as "pirates." An American serviceman is captured and paraded through a small village before being sent to Hanoi. The everyday lives of the Vietnamese and their struggles to survive are illustrated without propaganda, allowing the events and the camera to tell their stories. A complex labyrinth of underground tunnels contains homes, hospitals and hiding places from the barrage of bombs and gunfire. 　　Le 17ème Parallele (The Seventeenth Parallel) (1968) sees Ivens using light 16 mm cameras and synchronised sound for the first time, although he is still constructing his films around central characters, bending reality to the camera. But the result is a powerful account, in black and white, of life in the underground villages of the Vietnamese army, farming among the shell holes and watching for in-coming bombs. A downed US airman is paraded through the village, and children learn how to shout “hands up!” in English. 　　http://www.ivens.nl/upload/?p=118&t=2&k=2&film=28&details=ja

电影主要是针对目前城市人群二十四到三十六岁之间的受众。这一人群正是经历生活奋斗最激烈最波澜的人群，他们肩负着努力，创造优越生活的责任，也处在事业和爱情的强烈矛盾之中。 　　故事的创意从原故事的三个年龄阶段出发。通过夏绒因低烧昏睡后的梦境，让30岁的她在历经分手后，重返年轻谈了一段20岁的爱情，还到未来谈了一段40岁的爱情。 　　故事的最后，夏绒最终发现失望的不应该是爱情，而是自己对待爱情的态度和问题，相反当下才是爱情最美好的时刻，终于开始正视起身边最重要的人与事，准备重新出发，开始新一轮的生活追求。

All seems normal with Joseph and Joanne. Joanne is pregnant with their first child. Life in their little urban house is cozy and familiar. But something is off about Joseph. He doesn’t seem excited about the baby. Work on his documentary is becoming increasingly untethered. As Joseph struggles to maintain the routines of his domestic life, his mask begins to slip. Late at night, while Joanne thinks he is working, Joseph prowls the streets of Los Angeles, deliberately courting danger. Joanne is growing worried about Joseph’s odd behavior. But not as worried as she should be.

改装される予定の祖母の家に来た姉妹、聡美と郁美。妹の郁美は妊娠し、シングルマザーになる決意をしていた。2人は家に残された物を片付け始めるが、昔遊んだおもちゃ箱を見つけ、こどもの頃のように遊び始める。しかし、お腹の子どもをめぐってお互いの溝が露わになり、2人は家の中ですれ違い、会えなくなってしまう。嵐の夜の中、姉妹は暗闇の中でお互いを呼び合うのだった。

改装される予定の祖母の家に来た姉妹、聡美と郁美。妹の郁美は妊娠し、シングルマザーになる決意をしていた。2人は家に残された物を片付け始めるが、昔遊んだおもちゃ箱を見つけ、こどもの頃のように遊び始める。しかし、お腹の子どもをめぐってお互いの溝が露わになり、2人は家の中ですれ違い、会えなくなってしまう。嵐の夜の中、姉妹は暗闇の中でお互いを呼び合うのだった。

单亲妈妈张婷为还债，带着儿子再婚。却遭继女敌视、丈夫冷漠、小姑子针对。她决心自立，在弟弟支持下重新工作，为自己赢得话语权。也因心寒离婚。直到她离开，全家才知离不开她。丈夫反思，继女醒悟，命运迎来转折。