叹那豹子头林冲，曾经是八十万禁军教头，本无野心壮志，只盼与娇妻携手共老，安度此生便已足够。怎耐世道邪恶，不容好人立锥之地。只因恶了高太尉，生事陷害，无端受了一场官司，便被刺配到一个偏远所在看管草料场。偏那一夜大雪正紧，草屋被雪压塌，气短英雄百感交集，只得暂避破庙之中过夜。而就在此时，仇家尾随而至，势要将林冲斩尽杀绝。夜深人静，杀气腾腾，皎洁月下，暗箭齐发。一世英雄已然沦落至此，怎可欺人太甚！ 　　本片根据中国古典四大名著《水浒传》中林冲的经典段落改编。

叹那豹子头林冲，曾经是八十万禁军教头，本无野心壮志，只盼与娇妻携手共老，安度此生便已足够。怎耐世道邪恶，不容好人立锥之地。只因恶了高太尉，生事陷害，无端受了一场官司，便被刺配到一个偏远所在看管草料场。偏那一夜大雪正紧，草屋被雪压塌，气短英雄百感交集，只得暂避破庙之中过夜。而就在此时，仇家尾随而至，势要将林冲斩尽杀绝。夜深人静，杀气腾腾，皎洁月下，暗箭齐发。一世英雄已然沦落至此，怎可欺人太甚！ 　　本片根据中国古典四大名著《水浒传》中林冲的经典段落改编。

戏曲动画短片《风雪山神庙》以京剧《野猪林》为蓝本进行创作，描绘了林冲被发配沧州的故事，风雪夜中林冲途经山神庙避雪，无意中撞破了陆谦与管营要谋杀自己的奸计，并得知自己的夫人不堪受辱自尽而亡，怒火中烧的林冲手刃仇人，最终无路可走被逼上梁山。

影片将于2026年冬上映。 　　北宋年间，八十万禁军教头林冲循规蹈矩，只想在汴梁安身立命，却怎知世事多难，一系列遭遇下，林冲被一步步逼上了梁山。

影片将于2026年冬上映。 　　北宋年间，八十万禁军教头林冲循规蹈矩，只想在汴梁安身立命，却怎知世事多难，一系列遭遇下，林冲被一步步逼上了梁山。

北宋初年，天帝将三十六天罡、七十二地煞封于无字碑下， 换来人间太平百余年。时至仁宗，洪太尉误悔无字碑，凶星再临，又一个乱世即将开始。八十万禁军教头林冲，乃天雄星转世。他仕途平坦，与夫人贞娘伉俪情深。入朝四年，正值右迁。林冲为求取京中环卫指挥使一职，散尽千金。他的同乡挚友陆谦则将被调往岷州做镇抚使。然而，这一切在社日的庙会被逆转。林冲痛打调戏青鸾的小高衙内，得罪权贵，结识莽和尚鲁智深。小高衙内心有不甘，策反陆谦，将贞娘骗往阁楼，欲图不轨。他还以官位利诱陆谦，使得白虎堂上，兄弟反目，林冲被刺判沧州。

北宋初年，天帝将三十六天罡、七十二地煞封于无字碑下， 换来人间太平百余年。时至仁宗，洪太尉误悔无字碑，凶星再临，又一个乱世即将开始。八十万禁军教…

《林冲之风雪山神庙》是一部反映水浒好汉林冲抗争精神的电影,影片充满了铁血与柔情,本影片主要讲述了武艺超卓的八十万禁军教头林冲,从任命到反抗的故事。在遭到高俅党陷害后, 被刺配充军。在风雪山神庙中,林冲手刃仇人陆谦,不再接受被发配的命运,与过去一刀两断,获得了人格的极大升华。

Based on Herman Bang's novel Mikael, Vingarne is a silent melodrama about an artist's love for his newfound male model. Radically, the film opens with director Stiller and his cinematographer coming across a sensual staue of Icarus in the gardens in Stockholm. Then the movie proper begins, with artist Claude Zoret struck by love at first sight for the young Mikael in a woodland; he adopts Mikael, who serves as inspiration for his latest sculpture. Inevitably Mikael gets his wings burnt when he starts courting Zoret's patron, the unscrupulous Lady Lucia; pained by Mikael's desertion, Zoret dies during a fierce storm before his staue of the naked boy. 　　Watching Vingarne 75 years after its production is an extraordinary experience. It's easy to get caught up in the fragmentary feel of the narrative, to work too hard at following the story instead of giving up to its original allusiveness. So, some tips to tap into that intended sense: First, bear in mind that both novelist Bang and director Stiller were known to be gay. 　　Second, it's interesting to compare Vingarne with Carl Dreyer's film of the same novel (also called Mikael). Many of the greatly sensual scenes from Dreyer's film are foreshadowed in the first version. 　　Finally, the most startling--and infuriatingly brief--thing about Vingarne is the framing device and the idea of a film-within-a-film. Confronted by the barest remains of his extraordinary conceit, we can only imagine what the original felt like. 　　##from: http://www.gay.com/entertainment/movies/reviews/?733

Based on Herman Bang's novel Mikael, Vingarne is a silent melodrama about an artist's love for his newfound male model. Radically, the film opens with director Stiller and his cinematographer coming across a sensual staue of Icarus in the gardens in Stockholm. Then the movie proper begins, with artist Claude Zoret struck by love at first sight for the young Mikael in a woodland; he adopts Mikael, who serves as inspiration for his latest sculpture. Inevitably Mikael gets his wings burnt when he starts courting Zoret's patron, the unscrupulous Lady Lucia; pained by Mikael's desertion, Zoret dies during a fierce storm before his staue of the naked boy. 　　Watching Vingarne 75 years after its production is an extraordinary experience. It's easy to get caught up in the fragmentary feel of the narrative, to work too hard at following the story instead of giving up to its original allusiveness. So, some tips to tap into that intended sense: First, bear in mind that both novelist Bang and director Stiller were known to be gay. 　　Second, it's interesting to compare Vingarne with Carl Dreyer's film of the same novel (also called Mikael). Many of the greatly sensual scenes from Dreyer's film are foreshadowed in the first version. 　　Finally, the most startling--and infuriatingly brief--thing about Vingarne is the framing device and the idea of a film-within-a-film. Confronted by the barest remains of his extraordinary conceit, we can only imagine what the original felt like. 　　##from: http://www.gay.com/entertainment/movies/reviews/?733