超燃的艰苦拓荒生存真人秀《十五个少年在荒岛》，坐等少年们书写硬核成长日志！

1968年，澳大利亚一个边远农场。白人农场主的儿子艾德（Xavier Samuel 饰）和黑人佣工的儿子派迪（Clarence John Ryan 饰）是一对从小玩到大的好朋友。但在那个年代，种族歧视还很严重，黑人没有受教育的权利，派迪只能每天盼着好友放学，追着询问学校里的情况。 　　9月，一个拳击俱乐部将来到此地。两个好友搭起了拳击擂台，在闲暇时光比赛、玩耍。然而即使这段友情再纯粹，艾德却不得不忍受来自社会和朋友的压力，他会为有一个黑人朋友感到羞耻，会在危急时刻让派迪代为受苦，他们的友情开始出现裂痕……

1968年，澳大利亚一个边远农场。白人农场主的儿子艾德（Xavier Samuel 饰）和黑人佣工的儿子派迪（Clarence John Ryan 饰）是一对从小玩到大的好朋友。但在那个年代，种族歧视还很严重，黑人没有受教育的权利，派迪只能每天盼着好友放学，追着询问学校里的情况。 　　9月，一个拳击俱乐部将来到此地。两个好友搭起了拳击擂台，在闲暇时光比赛、玩耍。然而即使这段友情再纯粹，艾德却不得不忍受来自社会和朋友的压力，他会为有一个黑人朋友感到羞耻，会在危急时刻让派迪代为受苦，他们的友情开始出现裂痕……

Penned in its entirety by the director, Settembre tells the story of 14-year-old Maria who comes to the attention of Cristian, a boy she’s always had a crush on, following the school summer holidays. Via Sergio, the girl’s classmate, Cristian asks Maria if she’d like to go to bed with him. It’s an abrupt and unromantic proposition, but she straight away says yes, and then immediately slips into panic mode because she doesn’t know where to begin. When Sergio realises Maria is struggling, he offers to help her. They spend an entire afternoon together, discovering their compatibility for the very first time.

Penned in its entirety by the director, Settembre tells the story of 14-year-old Maria who comes to the attention of Cristian, a boy she’s always had a crush on, following the school summer holidays. Via Sergio, the girl’s classmate, Cristian asks Maria if she’d like to go to bed with him. It’s an abrupt and unromantic proposition, but she straight away says yes, and then immediately slips into panic mode because she doesn’t know where to begin. When Sergio realises Maria is struggling, he offers to help her. They spend an entire afternoon together, discovering their compatibility for the very first time.

川口春奈饰演的OL北村志织从房间墙壁听到“一年后的未来在这里的人”的搭话，于是开始跟踪住在隔壁的平野进（高桥一生）。某天神秘声音忽然消失，两人为探究谜底而共同行动，也开始被互相吸引……

川口春奈饰演的OL北村志织从房间墙壁听到“一年后的未来在这里的人”的搭话，于是开始跟踪住在隔壁的平野进（高桥一生）。某天神秘声音忽然消失，两人为探究谜底而共同行动，也开始被互相吸引……

Jem Cohen’s newest film is a personal, essayistic documentary in 15 chapters. The director composes images, sound and music with remarkable intensity, combining them into a hypnotic foray through the metropolises of our world: New York, Moscow, St. Petersburg, Istanbul, Porto and a city intended to remain unknown. Time passes and stands still at the same time. The camera is like a magnet for attracting and capturing the ephemeral: Flickering lights in windows, bunting and plastic bags fluttering in the wind. Snapshots of places both popular and unknown and of people, striking observations of everyday life, a tender gauging of reality, snippets of voiceovers in passing. It is life itself that the director shows us. Jem Cohen is at once a flaneur and a street smart worker, with his film an archive of his steps – a storeroom replete with dreamlike memories, including ones of Chris Marker’s Chats perchés. Cats of all shapes and sizes appear in the frame again and again. Counting is like taking a Sunday walk through spatial and temporal interstices, as touching as it is magical. berlinale 2015

故事讲述两个关系并不好的姐妹，改编自黛西·约翰逊2021年出版的同名小说