韩国SBS于2017年11月22日起播出的特别剧，由《戏子》李光英导演执导与徐仁作家合作打造。此剧讲述史无前例的法院不定时炸弹，不懂变通的固执法官李静珠，因为哥哥被扣上莫须有的杀人罪名、甚至最终被杀害，决定为了还哥哥清白而四处奔波奋战的故事。

수많은 먹킷리스트 맛집 식당의 베스트 메뉴 사이에서 길을 잃은 식객들을 위해 판사단과 변호인단 출연자들이 법정에 등장해 판사단의 예리한 맛 평가와 변호인단의 치열한 레시피 변론으로 최강 메뉴를 가리는 프로그램

A husband is jealous because his wife is a judge, an occupation high on the social ladder. His stepmother harasses the judge, using his jealousy against her. And his sister also has no intention to give peace to her sister-in-law. But the judge tries her best to do her two duties as a judge and as a wife.

西班牙喜剧电影《糊涂神判》(又译《笨裁妙判》)已经敲定了1月10日的上映档期，它也成为明年第一部上映的进口分账影片。根据相关规定，每年进口的20部进口…

西班牙喜剧电影《糊涂神判》(又译《笨裁妙判》)已经敲定了1月10日的上映档期，它也成为明年第一部上映的进口分账影片。根据相关规定，每年进口的20部进口分账影片中必须有不少于3部“非美片”，而第一季度通常是这些“非美片”的舞台。影片的主人公何塞是西甲联赛的主裁，他以偏向主队而著称，在因抑郁症休养几个月之后他重返球场，主裁关系到联赛冠军的关键赛事……

西班牙喜剧电影《糊涂神判》(又译《笨裁妙判》)已经敲定了1月10日的上映档期，它也成为明年第一部上映的进口分账影片。根据相关规定，每年进口的20部进口分账影片中必须有不少于3部“非美片”，而第一季度通常是这些“非美片”的舞台。影片的主人公何塞是西甲联赛的主裁，他以偏向主队而著称，在因抑郁症休养几个月之后他重返球场，主裁关系到联赛冠军的关键赛事……

讲述德国重要的哲学流派——法兰克福学派的思想内容和历史。由3sat推出。

“The cinematic spectacle has its rules, which enable one to produce satisfactory products. But dissatisfaction is the reality that must be taken as a point of departure. Whether dramatic or documentary, the cinema functions to present a false, isolated coherence as a substitute for communication and an activity that are absent. To demystify documentary cinema it is necessary to dissolve what is called its subject matter.” In this fascinating, seminal anti-film, Guy Debord articulates in full flesh his situationist manifesto, superimposing subtitles and a documentary-style commentary on a catalog of newsreel footage, book covers, rephotographed photographs, views of Paris’ neighborhoods, and seemingly candid footage of him and his friends in wandering between cafes and the street. Whereas the conventions of narrative fictional film would oblige us to separate the filmmaker Debord from both the voice of the film’s commentary and from the “character” played by Debord, a man in his late twenties pursuing a young girl who appears to be no more than seventeen. (源自: TIDF 2024)

BACKGROUND 　　Xu Tong is a documentary director. His work “Wheat Harvest”, was opposed by a small group of people for violating the privacy of sexual workers and copyright, ironically, these complaints help to let more people to know and watch this film. 　　WuHaoHao failed to film Xu Tong and used his materials about such incident as he couldn't get the copyright. Throughout the process of production, he criticized himself, the society, documentary format by deconstructing video, sound and text he got when he interview Xu Tong. Like using paper cutting, or his individual voice over to repeat the interview. 　　CONCEPT 　　The way the director criticizing documentary format by deconstructing the video, sound and text of his interview with Xu Tong inspired me to deconstruct all the Chinese characters for all the titles on the poster. 　　背景 　　徐童，紀錄片導演，他的作品《麥收》因涉及侵權與偷拍性工作者而引起小範圍反對，但諷刺地，這卻讓更多的人關注此片。 　　吳昊昊因未能得到徐童的允許，在製作該視頻作品中，所以他只能利用剪紙，或用個人旁白來重複訪問內容等方式製作。他解構視頻、聲音、文字的同時，發現原來也在批判自己、社會、和記錄片。 　　概念 　　海報的設計概念來自導演透過對紀錄片的視頻，聲音，文字，不斷解構而進行批判的這個行為，故海報中全部標題的漢字都被分拆，解構。

原大夏九星战神北凉王陈昊因叛国罪被抓，在审判庭上，审判长当场宣判对陈昊进行记忆审判，在记忆中，陈昊背叛大夏，前往海外帮助隐修会组织杀害大夏功臣，屠害大夏生灵，正当审判庭中群情激奋之时，当初死去的苏卫国，伴随陈昊征战多年的老兵们，出现在审判庭中为陈昊求情，于是当年关于陈昊的记忆，全部浮出水面......