前拳击手岛木让次（石原裕次郎 饰）经历了人生的大起大落，如今在某港口经营一家名为“礁石”的饭店。他每天等待遥远巴西的来信，那里有他的哥哥，让次时刻准备启程奔往那个自由的国度。只是，无数次的闻讯信件最终换来的都是“查无此人”的回复。某晚，让次邂逅一名形色慌张的女子，她自称叫早枝子（北原三枝 饰），是某夜总会的歌手，因失守伤害了对她欲行不轨的男人而四处躲藏，几欲轻生。让次收留了早枝子，短短几天的相处让他们彼此呼声好感。然而阴云突至，早枝子最终被控制她的黑帮所带走。与此同时，让次也从这群黑帮处得到哥哥的蛛丝马迹。 　　为了找到哥哥的下落，让次卷入了一个巨大的黑色漩涡之中……

他现在是已经差不多27，而医生预言他会因为先天心脏在25岁死去，他不在乎遭受早期死者威胁。 他抽烟，喝酒，跳舞，他以这种生活方式不受束缚。 直到新的医疗技术诞生，使它成为可能他康复。但新的未来谎言又突然开始..

Leon is a good hearted boy who can't stay out of trouble. When a tragic turn of events costs his mother her life, Leon's abusive and alcoholic father returns to "take care of" Leon, his two brothers, and his sister. Leon is haunted by guilt over believing he caused her death, and because he hadn't told her he was sorry. His father still drinks, and it gets worse, culminating in an argument with a drunken Roger Ellis (the father) and Leon, ending with Roger dead. Leon tries to take care of his family, but the death is quickly discovered and Leon goes on the run, more from himself than from the law. As the police try to find him, Leon finally discovers that he shouldn't fear the love of others, and should except forgiveness.

One Woman Waiting (1984, 16mm, sound, colour, 9:00) 　　Quote: 　　“One Woman Waiting” evokes questions of subjectivity in the mirrored performance of two women. The single take, tableau composition forms the structure for catalytic change between the characters. The sensuous desert environment accentuates the poetic and ephemeral quality of this film. "Massarella uses the fixed camera shot in her enigmatic film of a symbolic encounter between two women in a beautifully shot desert location. Its cryptic form is a good example of how an idea can be treated most effectively by simple means, for instance in the use of the frame as a point of entry and exit for characters and as a perspectival space which uses foreground and interior for dramatic and emotional ends." 　　- Michael O'Pray, Independent Means, Canadian Experimental Films at the London Filmmaker's Co-op

本期节目，摄制组来到了位于埼玉县的大宫市。在繁华热闹的街区背后有一家咖啡店。这里对东北人来说是都市的入口，而对于在市中心工作的人们来说，是能够放松休息的好去处。三天的拍摄时间，让我们记录下了许多让人感动的画面和语言。接下来，就跟随节目一起去看一下吧。

横滨日常世界的角落中，名为"剧本"的人为向世界复仇而持续书写文字。当欲将完成稿投递剧本大赛时，原稿却离奇消失，取而代之出现的是街头滑板与神秘观影会门票。被指引的"剧本"与一群电影创作者相遇，他们的聚餐场所成为自尊、偏执与激情相互折射的异质空间。

In 1963, in the village of Milagres in a very poor area of Brazil, a group of soldiers arrive to protect the store of a politician from a group of starving people. They have rifles for guarding the food and avoid the sacking by the population. One of the soldiers, completely drunken, kills a local in a dispute with his colleagues for killing a goat. The truck driver Gaúcho (Átila Iório) revolts against the passivity of a father that has just lost his little daughter, who died of starvation, and the pacific population that only prays and follows a preacher, and fights against the soldiers.

In 1963, in the village of Milagres in a very poor area of Brazil, a group of soldiers arrive to protect the store of a politician from a group of starving people. They have rifles for guarding the food and avoid the sacking by the population. One of the soldiers, completely drunken, kills a local in a dispute with his colleagues for killing a goat. The truck driver Gaúcho (Átila Iório) revolts against the passivity of a father that has just lost his little daughter, who died of starvation, and the pacific population that only prays and follows a preacher, and fights against the soldiers.

抵达亚利桑那州小镇，格里夫邦内尔（沙利文）和他的兄弟。他是美国法警逮捕霍华德·斯温（查克·罗伯逊），巧合的是地主杰西卡·德拉蒙德（斯坦威克）40枪之一。镇被恐吓和丢弃由Brockie和他的孩子们的。他是一个傲慢的醉汉和欺负，但他拍摄时格里夫的老朋友，他和他的兄弟干预。 　　格里夫的步伐，有针对性对行动，在正在进行的混乱漠不关心。 brockie的哥们承认执法官和逃离，但醉Brockie不知道或不关心。富勒削减特写格里夫的眼睛和Brockie的枪之间来回反复，直到高潮时，格里夫终于到达岩石和敲他一记重拳昏迷。格里夫和杰西卡不可避免地穿越路径和他们的关系开始成一个浪漫的对立，但最终开花。