“因为我很讨厌现在的自己，所以自己创造了现在的hide。注重如何将自己心目中的hide打造的更帅气，松本秀人要拼命地打造比谁都帅气的hide”。 　　那个粉红色的蜘蛛诞生世上50个年头，而今离开这个世界也将近20年来。回首望去，他所塑造的hide在许多人的生命中（当然也包括他自己）都留下了浓重且无法湮灭的一笔。我们痴迷着他的理念，追随着他的步伐，哼唱着他的旋律，“藏起我们的面孔”的同时，又用这双犀利的眼“扫描”着自己与世人的“美丽与愚蠢”。而今他自然变成了“一个故事”，轻描淡写“Say Goodbye”。那么当人们再次站在摄像机前，将如何拼凑出关于hide的一切……

讲述一对父母带着刚出生不久的儿子搬到一个偏远的农舍，这座房子拥有黑暗悲惨的历史。随着他们新家的过去被揭露，母亲的脆弱升级到一种精神错乱的状态，危及她自己和婴儿的安全。

After a virus kills all of the Earth's adults, rival children battle for control of an abandoned theme park.

After a virus kills all of the Earth's adults, rival children battle for control of an abandoned theme park.

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

A young, seemingly mute woman has been fixed to the wall of an apartment with a long metal chain. She is being kept as a slave in the home of taxi driver Phanishwar, where she sleeps on a table and cooks for him. Phanishwar is a fervent supporter of the right-wing extremist guru ‘Baba’ and spreads his hatred in the commentary sections of social networks. One day he meets a young woman, Rami, who has had to go underground in Goa after a secretly filmed sex video in which she appeared went viral on the internet. He becomes her driver, whilst secretly stalking her online. Indian director Q does not shy away from controversy, having already succeeded in inflaming passions with the dark tales in his feature film debut, Gandu. His stylishly shot revenge story Garbage revolves around two women who are exposed to different forms of oppression. Q initially takes time to develop the events, making some (queer) detours until eventually, things radically change. And when female martyrdom turns into retaliation, the director finds drastic images for the filmic deconstruction of (Indian) masculinity.

【垃圾】是一齣發生在一個香港老社區的迷你「公路電影」。 　　「社區 」(Community) 是一個奇怪的詞，它不像「家庭」般溫暖，但對一些人來說，像故事中的角色，他們並沒有一個模範的家，然而在這個晚上，他們「有著」彼此。 　　七十多歲的笑姨，在家中再次受到兒子無情無理的恐嚇虐待。忍養一生，她決定把一早就應拎掉的梳化推出家外，獨自步行到垃圾站。在夜半的街角，笑姨碰上認識了卅多年的老街坊堂哥。 　　這一個夜，二人行行停停，推著破舊沉重的梳化，走過夜靜的老街、便利店、公園、天橋底、垃圾站......；路上遇見不同的人、物、以及孤獨的風景......。這段路，看出二人與家人的問題，也看到了那血濃於水的羈絆；老朋友的相助，給悲傷的笑姨帶來了點點溫暖和生氣；可是，殘忍的現實卻仍舊荒涼重復。 　　隨着燈光、場景、聲音、剪接，觀眾彷如置身其中，和兩個主角一起在炎熱的夜空中，在香港的老社區遊走。透過溫婉溫和的視角，感受他們的疲憊、失望、關注、擔憂、無奈與及「放下」......。 　　老和死之間，還隔著一段人生。

16mm胶片拍摄。姐姐前来告知自己多年未见的弟弟关于母亲的丧事，家庭中积压多年的情绪在暗中发泄出来。

腕っ節が強く地元では向かうところ敵なしの青年・本堂ケント（ELLY）は勢いで上京するも何もかもが順調に進まず、さらにもめ事を起こしたことで仕事先からも追われてしまう。地元に戻った彼は、高校時代に付き合っていた女性が、夫の借金によってトラブルに巻き込まれていることを知る。夫の行方を捜しに東京に戻ったケントは闇金に殴り込みをかけるが、そこは元暴走族が仕切る地下組織に関わる店だった。

在遥远的莱茵凡王国，王妃诞下了一对双胞胎，可是这对可怜的婴儿自打出生，就背负了残酷的命运。邪恶的教主预言，其中的女婴会在16岁之际成为毁灭世界的可怕存在，因此，刚刚出生的帕西菲卡卡尔苏就被下令处决。出于怜悯，帕西菲卡被一对夫妇收养，隐姓埋名的长大。在新家里，帕西菲卡认识了没有血缘关系的的哥哥夏浓卡尔苏和姐姐拉克薇尔卡尔苏，三人过着平静而快乐的生活。可是，命运不肯放过帕西菲卡，帕西菲卡依旧活着的消息走漏到了教会中，面对着接踵而来的杀手和人们的敌视，在哥哥的保护下，帕西菲卡踏上了逃亡的旅程。随着年龄的渐长，“废弃公主”毁灭世界的预言是否会成真？