Very few films, even today, deal with the Kwangju Masacre of 1980 where the military, acting under presidential orders, opened fire on the student demonstrations who were protesting at the coup of the rightfully elected president by General Chung. Thousands were killed and hundreds were arrested (including the winner of the Nobel Peace Prize, President Kim Dae-jung). This is a fictitious account of the events which serve as a sub-plot to a love story, but it was close enough so that it was not shown in most theaters until Chung's hand-picked successor was out of power in 1993.

A secret love affair between a southern Baptist preacher and a young drifter challenges the equilibrium of a growing church.

国家地理野外频道电影制片人贝蒂·格雷戈里带领观众去到标志性的南乔治亚岛探险。

影像为铜情为碳呕心熔锻 史料为锋奇为刃青露乍现 待剑成 看华夏传奇 白虹冠

这是一个自身生活缺乏安定与质量的年轻人仍旧想要对家庭起到保护作用的故事。 停电夜里，喜哥与父亲家中静坐，伴随着收录机的声音，两个不如意者的坦诚相见，再回首，时间汹涌的流逝了。

The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael. 　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism. 　　As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. 　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.

The new series on Renaissance painting, written and presented by Matthew Collings, begins with an artistic investigation into one of the most radiant and beautiful images in all of art history, The Madonna of the Meadow, painted in 1505 by Raphael. 　　Renaissance art has become part of the 21st-century heritage industry but when Raphael was alive, it was a startling new form of visual expression, and Raphael's vibrant 'realism' was striking and fresh. It became the model for western art for the next 400 years, right up until the birth of Modernism. 　　As much as it was a cultural 'rebirth', the Renaissance was also a revolution in ideas about reality. Matthew Collings sets out to remind us of how radical Renaissance paintings were when they were made, as well as opening our eyes to what is still truly great about them. In this programme he deconstructs The Madonna of the Meadow with the help of the very latest high-resolution digital technology, which allows him to explore the inner secrets of Raphael's painterly effects with a clarity and at a level of detail never before seen on television. 　　As Matthew says, it is a journey 'to the other side of an illusion', revealing how Raphael created the alluring images that were so appealing to his wealthy Renaissance clients - including the Pope - and which entranced artists for centuries after his death. Matthew explains the secret to Raphael's vibrant colour harmonies, which the artist grasped intuitively, long before the advent of colour 'theory'; and Raphael also knew how to exploit colour effects to create the impression of extraordinary depth in his paintings.

2004年，一份由法国人Francois Xavier所撰写《Voyageur》手稿在泰国重现于世。《Voyageur》手稿讲述了十九世纪后半期暹罗的风土人情，另外还提到一名能预测未来的女子。因为有些记载与历史不符，学者们聚集巴黎展开讨论，驻巴黎的泰国大使馆派出年轻的翻译梅尼(Florence Faivre 饰)，在会议中她走神看到了百年前的暹罗人。 　　到曼谷后，梅尼向同为历史学家的父亲咨询，却被告知这份手稿不过是一则故事，而并非历史。某一天，梅尼在家中一觉醒来，发现自己回到了十九世纪末的暹罗。当时法国、英国对暹罗主权虎视眈眈，而她的出现更令大臣们和白人传教士感不安，甚至对她能精通书写、通晓三国语言甚至预测未来感到惊讶。戴普，一个年轻的暹罗议臣，起初由怀疑到被梅尼吸引，并深深爱上她。但梅尼总是来去无踪，让戴普饱尝相思之苦；梅尼也面临着重大选择，爱情与国家两张之间她又该如何取舍？ 　　本片被誉为2005年度泰国史诗巨片，曾荣获泰国Su-Pan-Hong大奖“最佳服装设计奖”、“最佳艺术指导奖”。

2004年，一份由法国人Francois Xavier所撰写《Voyageur》手稿在泰国重现于世。《Voyageur》手稿讲述了十九世纪后半期暹罗的风土人情，另外还提到一名能预测未来的女子。因为有些记载与历史不符，学者们聚集巴黎展开讨论，驻巴黎的泰国大使馆派出年轻的翻译梅尼(Florence Faivre 饰)，在会议中她走神看到了百年前的暹罗人。 　　到曼谷后，梅尼向同为历史学家的父亲咨询，却被告知这份手稿不过是一则故事，而并非历史。某一天，梅尼在家中一觉醒来，发现自己回到了十九世纪末的暹罗。当时法国、英国对暹罗主权虎视眈眈，而她的出现更令大臣们和白人传教士感不安，甚至对她能精通书写、通晓三国语言甚至预测未来感到惊讶。戴普，一个年轻的暹罗议臣，起初由怀疑到被梅尼吸引，并深深爱上她。但梅尼总是来去无踪，让戴普饱尝相思之苦；梅尼也面临着重大选择，爱情与国家两张之间她又该如何取舍？ 　　本片被誉为2005年度泰国史诗巨片，曾荣获泰国Su-Pan-Hong大奖“最佳服装设计奖”、“最佳艺术指导奖”。

大型音乐舞蹈史诗《复兴之路》以高度的历史概括和崭新的艺术创造，生动表现了中华民族从1840年到2009年一百六十九年的历史。再现了中华民族在危难中崛起…