本片由「小雲雀」顧媚擔綱主演，更有一群當紅歌星客串演出。這是一個有關歌星與記者的愛情奇緣喜劇，顧媚飾著名歌星小雲雀，自曼谷來香港演唱，巧遇陳厚飾的冒失記者劉仕泰；仕泰為刺探桃色事件內情，假扮南洋界娛樂鉅子親近小雲雀，期間笑料百出之餘，亦交往出真感情來。片中出現多首經典歌曲，包括顧媚主唱的《空虛的夢》、方逸華主唱的《花月佳期》及潘秀瓊主唱的《情人的眼淚》等。

本片由「小云雀」顾媚担纲主演，更有一群当红歌星客串演出。这是一个有关歌星与记者的爱情奇缘喜剧，顾媚饰著名歌星小云雀，自曼谷来香港演唱，巧遇陈厚…

演技系第一的道允和以蹩脚演技著称的偶像时宇一起听演技课程而展开的可爱恋爱故事。从甜蜜的罗曼史到青春的成长期，用多样的故事填满1分钟的韩国最初的短剧作品。

演技系第一的道允和以蹩脚演技著称的偶像时宇一起听演技课程而展开的可爱恋爱故事。从甜蜜的罗曼史到青春的成长期，用多样的故事填满1分钟的韩国最初的短剧作品。

1988年，英国。撒切尔政府通过了禁止同性恋宣传的第28条。一个年轻人发现他不仅需要投入到社会的抗议洪流中，还要在家里掀起属于自己的小革命。 　　知道在片中广播里“公然出柜”的是谁吗？大名鼎鼎的“万磁王”伊安·麦克莱恩爵士！@QAF

沉闷的生活、一成不变的风景，对偏远小镇矿场守门人卡拉和他的同事来说，是他们最佳的生活写照，镇日被关在矿场内与世隔绝，生活中的唯一乐趣，就是一只偶尔跑来要食物的流浪狗，以及一名经常从远处走过、看来长的不错的陌生女子。尽管生活如此无趣，他们却总是能找到事让自己乐在其中，日子过的到也挺惬意，直到有一天，卡拉病了，不能外出的他们委托矿工们帮忙带药来，但窗外却开始下起了大雪…本片为伊朗新潮流导演阿密尼的第二部作品，从他自成一格的叙述方式中，爆发出了令人惊讶的有趣效果，能令观众不自觉对片中主角产生共鸣。

关于尚小云仗义的一些故事

A department store security guard is secretly in love with a clerk in the store's bookshop. When he witnesses a seeming rival being attacked in the train, he gets off instead of helping him. Not being able to deal with his bad conscience, his formerly controlled life breaks down

1997, 75 min., colour, BETACAM SP, Stereo 　　The Japan Foundation, North Foundation, Pandora Co., Ltd (Japan) 　　Special thanks to Hiroko Kodjima 　　scenario: A. Sokurov 　　camera: A. Fedorov 　　sound: S. Moshkov 　　editor: L. Semenova 　　“My journey to your sorrowful country cannot finish… even here in Russia. 　　I can't part with feelings which have captured me… as if my soul had been in search of Beauty and Kindness. If not — what for have I deserved this gift, this meeting… 　　I have arrived in the twilight. The noise of the wind and my tiredness didn't let me fall asleep. 　　I was lying on the floor, there was a small lamp at my head, the bedding had been thrown over the mat. 　　I don't know why, but I began to think about the war, and the scenes of unknown life appeared before me from the past… or, perhaps, from the future; Somebody’s children… somebody's mothers… 　　The summer was warm… 　　Then the morning came, windy, cold and sunny… I examined the house cautiously. It was empty… 　　Then, I remember, I turned back, having heard a creak. 　　It seemed she had not yet noticed me… I decided to come nearer. 　　I can remember well enough, how everything became interesting: walls, utensils, wind, light, sounds — all her life. 　　We agreed that she would let me stay near her all the time All the hours and minutes that I could spend in her old house. I sat near her with her permission. And it was really necessary: I could contem­plate her to my heart's content.” 　　Alexander Sokurov (from the author's text to the film) 　　A myth about lost harmony, which is always with us, though we often cannot feel it, is further developed in this film by Alexander Sokurov. The material used here is concrete and, at first sight, quite fit for TV. The whole work is unhurried and detailed report from an old solitary house, lost in the mountains, in the village of Aska, prefecture Nara, Japan, where an old woman, whose name is Umeno Matshueshi, lives alone. But filmmaker's creative task is quite opposed to the TV information stream. It is not only because this subject, this person couldn't be of any interest for any TV crew in any country (and least of all, perhaps, in modern Japan). 　　Sokurov's camera doesn't watch this character, doesn’t ask any questions, doesn’t surprise her, but extracts uninterrupted poetical image out of the trivial details of this physical reality, out of this extinct life and daily routine. The image is epic and lyrical at the same time. Refined simplicity of Japanese landscape, interior, a series of portraits are not a representation of “couleur local,” but only the sign of ideal technique of the ideal description, allowing to enter this life. The woman, who remains silent throughout the whole film, cooking and eating, kindling the fire and sewing, giving alms and combing her hair before us, recites in the final poem as a prayer: artless and sorrowful tanku about loneliness, about the constancy of losses and gainings. Sokurov shoots this unexpected stroke in his personage's portrait as a lyrical coda of his work.

影片讲述的是一个发生在30年代的故事，那时爵士乐正风靡全美；吉普赛人德詹哥雷恩哈特是爵士乐坛的传奇人物，他当时被冠以“世界上最出色的爵士乐与吉它…